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Fohn brings connection, displacement and new identities into the moment, on pastoral debut album Seanteach - informed by island life, marine folklore and musical tradition.
Evening Air is the result of Loren Connors and David Grubbs’s first trip to the recording studio in the two decades since their first duo album, Arborvitae (Häpna). Arborvitae stood out for its spellbinding, utterly unhurried meshing of electric guitar (Connors) and piano (Grubbs). With this long-awaited return, Connors and Grubbs take turns trading off on piano and guitar, with Grubbs at the keyboard for the two gently expansive pieces on the first side and Connors taking over the instrument fo…
2024 stock. Christian Kesten - Untitled (solo for accordion). (Written for Jonas Kocher and premiered in Paris in April 2014). "The accordion contains some remarkable mechanical characteristics. In the highest register of the right hand, the last few buttons don’t play the expected tones. The pitches are simply too high. The necessary reeds would be too small and fragile to produce them. These buttons transpose the tones an octave down. The buttons in the neighbouring octave do play the expected…
Cleared, the duo of Steven Hess and Michael Vallera has re-emerged with Hexa, their sixth release and third for the Touch label. Steven Hess recorded sessions in the group's practice space, handing them over to Vallera, who in turn added his home recordings, mixing and manipulating them. The final product provides only the barest of hints to any instrumental points of origin, such is the extent of their intermixture.
Vatten Över Vatten ('Water Over Water') is the debut album by the Gothenburg-based act Eftergift. Heavily influenced by the Nordic nature, this is beautiful organic tape music that utilizes a range of different instruments over the course of 8 songs. Sort of the musical equivalent to slowly walking on foggy Swedish fields in the summer dawn. While comparisons could be made with the early Korea Undok Group transmissions or someone like Mattias Gustafsson when it comes to working with the magnetic…
“Please Pick It Up” wraps up two duets conceived, played and recorded by Jia Xiao and Yifan in late spring (April 3 at Ming Room, June 8 at trigger). The title is derived from the action of making a phone call, which appears on Side A, serving as the medium and operation of producing and transmitting sound. Jia Xiao and Yifan opened the microphones and receivers of a landline telephone and cellphones to the air—the air of certain spaces the two creators inhabited—a living room extended a balcony…
Tinkerer of cernavoda ;The Garden that lies within the Womb, serves as a metaphorical genesis, encapsulating the innocence and origin of life. ;;Acclimatizat, the narrative unfolds, illustrating the process of adapting to the elaborate nuances of the world. ;;;Hathor draws inspiration from the ancient Egyptian goddess of music and dance, infusing cultural and spiritual elements into the sonic tapestry. ;;;;Sirens/Numb navigates the tumultuous waters of allure and emotional numbing. ;;;;;Abend, m…
*50 copies limited edition* We try to reach out/eminent voices/extending ourselves. This album is a presentation of 13 voices & colors, from different spaces, different mentalities and different approaches to art & sound.
The learning process is just as much an act of healing as betterment. The enabling of solutions through sheer willpower and openness to discovery, or a noble mission, never completed. In that spirit, the latest album by Berlin-based Slovak duo Päfgens – comprising Jana Drábeková Kočišová and Filip Drábek – represents a pensive development for the project. Drifting from their lo-fi shoegaze beginnings, Päfgens drone-infused soundscapes have become increasingly immersive and expressive “framed imp…
Tip! *200 copies limited edition* Sax player Katsura Yamauchi (born in 1954) is based in Oita, Japan. He began performing in earnest in the early 2000s, and since then has toured in Japan, Europe, North America, Southeast Asia and Taiwan and continued to expand his distinctive musical activities. Jason Kahn (percussion, voice, electronics, guitar) was born in New York in 1960 and lives in Zurich. He has performed throughout the world and been a prominent figure on the improvised/experimental mus…
*200 copies limited edition* British harpist and composer Rhodri Davies (born in 1971) is one of the leading musicians on the international improvised/experimental music scene today. Among his numerous CD releases are several from Ftarri labels, including two duo albums on Ftarri with John Butcher: "Carliol"(2010) and "Routing Lynn" (2014). Pierre Gerard (born in 1966) is a Belgian improviser and composer. Gerard plays a variety of instruments (guitar, piano, cello, electronics and more), select…
Paris-based musician Seijiro Murayama (percussion, voice) and French alto sax and organ player Jean-Luc Guionnet have performed together on a regular basis for many years and released numerous recording of their collaborations. Their duo CDs "Mishima, Day & Night" (2015) and "Idiophonic" (2018) were released on the Ftarri label, and the CD "Blue Mistake, Red Mistake" (with Yan Jun, Guionnet, Matija Schellander and Murayama) came out on on Ftarri’s sister label Meenna in 2020.
"Balcony Inside"’s …
“The score aims to evoke the experience of proximity to the sun—a dual force that can be soothing one moment and hazardous the next. Sunkiss embodies this duality, where the sun's radiant energy sustains life's flourishing while also capable of devastating destruction. To be kissed by the sun signifies both blessing and curse, illuminating the fragile balance between vitality and peril that defines life on Earth.”
Sunkissed is a live recording of a four-hour performance directed by Mylan Hoezen …
*Comes in a CD-sized papersleeve album replica (gatefold), with obi-strip and insert of notes mostly in Japanese..2024 stock* Vanity Records, started in 1978 by the late Yuzuru Agi's Rock Magazine, released 11 LPs in the four years to 1982, and this DADA work was chosen as the first release. This is the first album by the unit of Mutsuhiko Izumi and Kenji Konishi, and contains tranquil improvisations that create a sound image of the Japanese ‘Yin’ world inspired by the ‘Hungry Demon Paper Scroll…
Latvian expat mu tate joins the Warm Winters Ltd. roster with his vaporous, dubbed out excursions. Utilising his trademark crackling field recordings, soporific atmospheres, swooping sub-bass and cascading synths, 'wanting less' is as weightless and gorgeous as his previous outings on Experiences Ltd. and Utter. More so than ever before though, he enters more jazz-tinged, melodic territory, without forgoing the traces of (post)club music appearing throughout his discography. This is probably mu …
‘Lacuna and Parlor’ is anchored in the left-field chamber music and incidental recordings that have long accented more eaze’s roving sound. Composed with one ear pressed to the rich textures of instrumental recording environments, this is a resonant and tactile collection tinged in rephrased space and skewed time. Taking the rudiments of tonal music theory as her conceptual base, more eaze formed the compositions around her own manipulations of these core principles. Simple chord progressions st…
*100 copies limited edition* Resourcefulness is sometimes presented as a humble quality born of necessity. But it’s a foundational tenet of the exceptionally unconstrained members of improvising trio Tamarisk, consisting of Christina Carter, David Menestres, and Andrew Weathers. Their latest is a continuation of the interplay they’ve developed for a few years now on a handful of releases and while touring. Like the most bizarre sort of jazz combo, Tamarisk grazes the orbits of outré free improv,…
*100 copies limited edition* Erica Dawn Lyle has been described by Pitchfork as a “punk hero,” which, though true, feels like an insufficiently specific term to describe her multifaceted presence and work. Colonial Motels is in fact rawly personal, a ladder out of an abyss of mourning as well as a determination to persevere and connect. Playing less but achieving more, this album captures the engaging intensity and directness that defines Lyle’s art, performance, and activism. Part I builds on p…