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On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily…
With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tr…
During a 2016 trip to Colombia, I was very fortunate to be welcomed by the staff of the Rio Claro Natural Reserve, located in the central Cordillera. After several days of recording in the caves—the ones open to the public—inhabited by small colonies…
Bright Lights, L'il City was recorded from November '22 until August '25 in Chicago, Kilkenny, Cork and Glasgow. Played, Recorded and Mixed by Sam Scranton and Neil Quigley
The Kilkenny Electroacoustic Research Laboratory (K.E.R.L.) announces the release of the third and final volume of its acclaimed anthology, a richly layered exploration of experimental sound, artistic collaboration, and the cultural phenomena orbitin…
This is my ode to corn in 3 parts, all featuring corn as corn himself. There are 6 pieces composed for 7 handmade instruments, made entirely out of different parts of corn, with some thread and wood glue as well. There is a cornfield recording, taken…
Textures of belonging, relentlessly woven into the epigenetics, layer upon layer, building palimpsests of human existence that are both fragile and resilient, with nothing but a wobbly strand of DNA. The way our grandparents' experiences spill across…
"I call it ‘the Shadow Pattern Vignette’. A fragmentary and pleasingly non-discriminatory exercise in audio capture which, when sequenced, compiled or arranged alongside other such vignettes, leads to the finished work of Nate Ivanco’s Shadow Pattern…
Mike Cooper returns to Discrepant with »The Dream Island of Birds«. Neither documentary nor abstraction, »The Dream Island of Birds« sits between field recording, memory, and invention — an island heard through time and circuitry.
In the early 1990s,…
The tracks that make up Fragments of Soaring Vessels are conceived as “sensitive vehicles.” Although they seem quite different at first listen, closer listening reveals multiple points of intersection—often overlapping, sometimes paradoxical. The Ine…
Excellent experimental LP split bwtween short electronic/instrumental pieces and a long evocative musique concrète composition, released by ReR Megacorp in 1989.
Great and underrated obscure experimental 1970 LP on Orion pairing a lovely piece for cello and tape with two truly amazing ear-splitting electronic/tape pieces. Brown labels.
Great and underrated obscure experimental 1970 LP on Orion pairing a lovely piece for cello and tape with two truly amazing ear-splitting electronic/tape pieces. Black labels.
1967 re-press (Allentown) of the second album on Turnabout's landmark "Electronic Music" series presenting three classic and essential early experimental electronic compositions originally released in 1966.
Original US pressing of the third album on Turnabout's landmark "Electronic Music" series presenting four classic and essential early experimental electronic compositions, released in 1967.
Great album of early electronic / musique concrète pieces realized at the University of Toronto Electronic Music Studio, released by Folkways in 1967 and never re-issued. Mono version with blue labels, with insert.