Posterior Vitreous Detachment (Video Soundtracks Vol 1)
Tip! Longstanding pioneer of the Bay Area, Pacific Coastline underground scene. Seymour Glass has been recording, performing, disrupting and spreading his Musique Concrete trickery for many's the decade. With projects such as Glands of External Secretion with Barbara Manning, BUFMS, Brent Lewis Ensemble , his time as publisher and editor of the now legendary magazine Bananafish, his online mail-order empire – Tedium House, his many other solo and collaborative projects, it is safe to say that Se…
Jules 3000 (Films Made of Antimatter Vol. I)
Tip! *250 copies limited edition* The "Films Made of Antimatter" series is a new experiment from the Fifteen Minutes of Anonymity label, based on the concept of soundtracks for films that have not yet been made. It's an idea that is already familiar to a great number of sonic artists, as many of us have deliberately set out to create a "cinema for the ear" which would, in effect, cause us to imagine film-like narratives within our mind's eyes. This project aims to take things a step further: com…
Makuhari
*100 copies limited edition* Tokyo-based artist Ryu Yoshizawa has spent the past decade developing a singular language as Koeosaeme. His works sit somewhere between electronic composition, musique concrète, sound collage and sound art. Following a series of acclaimed releases on Orange Milk Records, this album turns his attention to a place close to home: Kaihin-Makuhari, a coastal district on the outskirts of Tokyo. Land that was once part of the sea. Conceived as a future city, Kaihin-Makuhari…
Apocalypse of Intimacy
"Apocalypse of Intimacy" immerses you in a distinct sound universe of Concrète Pop. Strange and inventive, yet unmistakably felt. As if some not-quite-human entity wished to become a folk singer. A contemporary, experimental-electronic work with 11 instrumental pieces that reach toward song-like emotional directness without words. It sounds futuristic but perhaps also ancient.
Karel Naessens is a musician from Ghent, Belgium, who has played with the avant-pop band Peenoise for years. Recently, h…
Campsite Love
*250 copies limited edition* Campsite Love calls you to wander a timeless path of rural rustlings and misty atmosphere. Created by the minds behind Jazzhand and Haudat/Monocyclocybercilia, the album combines hands-on field recordings with ambient soundscapes. Rattles, resonances, and small details gathered along the way gradually blend together, carrying the listener deeper into a dreamlike summer-night haze. The campfire burns yellow.
Volfurten
CD reissue of Volcano The Bear's 2006 LP, the first release on their own Volucan label: theatrical improvisation, musique concrète and ethno-folk. Four-panel gatefold sleeve, limited to 444 copies.
Yak Folks Y'Are
CD reissue of Volcano The Bear's first mini-album, issued by Pickled Egg in 1999, with two bonus tracks from a 2006 lathe-cut 8" on Alt.Vinyl. Oversized gatefold cover, limited to 444 copies.
Early Tapes 1992-1994
Unknown versions and unpublished tracks from Column One's early years, remastered by Robert Schalinski, in an oversized cardboard sleeve with 8 postcards and liner notes by Till Kniola. Limited to 500 copies.
Early Apes 1993-1995
Early Column One: the remastered Dream Box Experience LP (1994), alternative versions from the This Is My Dream 7" and an unpublished track, in an oversized sleeve with 6 postcards and liner notes by Till Kniola. Limited to 500.
Displaces
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.
No Skill Comedy Mind Reading
Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shrouded found sounds, field recordings, and vocal improvisations — 'No Skill' collects nearly a decade of select solo work and feels distinctly in the present, a scattered product of volatility, both harsh and humorous. Few contemporary experimental artist…
The Rest Is My Ghost
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
Senderkennungen
*300 copies limited edition* Senderkennungen marks the first ever collaboration between Hamburg veterans of sound art Asmus Tietchens and Felix Kubin, whose friendship began in the early 1990ies. The double album collects 25 original „Senderkennungen“ and their artistic deformation and further processing. Long wave, mid wave, short wave and ultra short wave – long since disappeared radio waves in forgotten ethers, where lost souls linger on a quest for a music that so far did not exist and essen…
Magnetic Traces : A Survey Of French And Australian Sound Art
2009 release ** A broad survey of 14 recent pieces curated by Eric la Casa and Philip Samartzis for Project Space in Melbourne. High definition, highly processed sounds, mostly of environmental origin but made highly abstract and hyperreal. A useful snapshot. Featuring: Thomas Tilly, Tarab, Marc Baron , Anthea Caddy & Thembi Soddell, Jean-Luc Guionnet, Lizzie Pogson, Cédric Peyronnet, Philip Samartzis, Loïc Blairon, Camilla Hannan, Eric La Casa, Geoff Robinson.
Arsenije Jovanović
1994 release ** Serbian composer born 1932 in Belgrade, Serbia, now living in Croatia, Arsenije Jovanović has been active as a theatre director and stage director for Belgrade and ex-Yougoslavia theaters since the 1970s. He additionaly composes music for theater, film and radio. His works for radio earned him many international prizes. Spanning his entire carreer as a sound composer, this CD offers nonetheless an impressive style and quality consistency. He creates his music from organic sounds …
Ignore the Machine
*Front cover is always a unique print/passpartout* "A new duo from Berlin. By and featuring Hanno Leichtmann and Nils Ostendorf. Both are seasoned musicians with eventful careers who operate within very different artistic spheres. One of them, Hanno Leichtmann, is a veteran—and remains to this day a pioneer—of the electronic music scene that has developed in Germany’s capital since the years following the fall of the Berlin Wall, thanks to projects such as Static, the Trio Groupshow, and countle…
Errands
Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…
Ancient Future
Ancient Future is a stop on an ongoing quest of sample creation, manipulation, recombination, and morphological transformation through the modular synthesizer. Densely interconnected sound matter moves between islands of respite in a sea of incomprehensibility, grasping but not yet arriving. The ancient future is a place. It is the meeting point between the light piercing through the dark, fragmented state of our present reality. This album is an attempt to materialize this place in sonic form.
Most Of The World Is Empty Space
"Two longer live works of the now-patented blend of sound collage, crude tape mangling and music concrete sound events executed in a somewhat slapstick manner, where everything is balanced so thin that it can fall apart at any point. First piece recorded in Vilnius, Lithuania, literally days before the world shut down. For quite some time, I thought this might be my last live show ever. I felt sad over this but at the same time the piece has a clear sound where buzzing concrete sound events evol…
39 / Part VII - IX
Tip! "Whether we experience music as abstract or concrete depends largely on our sensitivity to the richness of perception. Common opinion – often reductive – draws a sharp distinction: music is abstract when it does not “speak,” when it seems diffuse, branching into multiple, elusive directions. It is concrete when it “tells” a story, when its sounds and structures feel familiar, graspable. Yet this distinction quickly dissolves. From a scientific or cognitive perspective, structure itself is i…