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Edition of 50 copies. Solo recording by Hideaki Shimada, he also records under the name of Agencement, on several instruments like violin, viola, cello, piano and electronics. In the past he collaborated with Sabu Toyozumi, John Russell, Adam Bohman, Merzbow and countless others. A dive into the netherworld of sapphire acoustic improvisations and fly-by-night electronics.
Edition of 70 copies. Another magical stream of consciousness by Ramuntcho Matta on guitar, synth, vocals etc. A spaced out travelogue to the inner circle of the deep diamond through gaps of gaseous walls and flickering transluscent doors with intuitive speech patterns played backwards. Matta’s playful wizardry has illuminated many minds like Brion Gysin, Don Cherry and Eli Medeiros
Edition of 70 copies. Atmospheric home recordings by conservatoire deviant Valentina Goncharova on electric violin. Tuned and detuned augurs, like bird flights somewhere between written music and improvisation absorbed by waves of meditation echoing Takehisa Kosugi and Tony Conrad reflections in the aether of the zen garden's mind mirror.
Edition of 50 copies. A magical reading from Marilyn Stablein’s recent book Tantric Song Lines: A Hybrid Sutra (Shivastan Press, 2024) which is derived from an ongoing series of poetic spoken, chanted, written and visual narratives that document and celebrate a seven year sojourn in and around the Himalayas to honor cultural, historical, ritual, geographical, environmental and time and place based encounters with people, animals, habitats, myths and spirits who populate those off the grid ancien…
Two sonic extremes united by their dedication to frequency as consciousness-altering substance. Richard Hoffman strips bass down to its molecular essence on "RRH1" - eight meditations where looping patterns create labyrinthine psychedelic potency, each track targeting different anatomical pressure points with teeth-rattling precision.
Samara Lubelski charts the opposite trajectory on "Vol 1 & 2" - constructing delicate violin architectures of "webbed and sugary filigree" before deliberately dism…
Often dark, sometimes repetitive or experimental, sometimes rhythmical and exotic, always based on emotion inducted by the Sound. One could define it as dark age music (as opposite to new age music), a sort of minimal come back to the roots and purity of acoustic sound without the cultural background linked to the 'academic' use of some instruments (for example African senzas are transformed and tuned to sound like Indonesian instruments, sitar or harmonium are used as rhythmical instruments, va…
With Touch, the Tortoise bandmembers — Dan Bitney, John Herndon, Douglas McCombs, John McEntire, and Jeff Parker — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's un…
*100 copies limited edition* Documenting a scene? Or creating one? Here is an attempt to present a audio snapshot of whats stirring in the experimental Malmö underground in 2025. Four lengthy tracks from some of the most interesting artists residing in the city.
On side A of this compilation Slug Mass brings us a weeping free jazz ballad that serves as an excellent example of their ongoing mission to reclaim the original definition of the term "post rock", in other words "using rock instrumentat…
The Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984 the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight aka The Silverman. The band was originally called "One Day..." but subsequently changed the name to The Legendary Pink Dots, apparently inspired by pink dots on certain keys of the band's main recording studio piano. In the 1980s …
Music for Writers is a wordless collection of pieces meant to accompany thought and inspire another way. It is music made in both stillness and motion, music that listens as much as it speaks. Each track offers a space—open, textured, often slow-moving—where ideas, images, and feelings drift in and out. It's a record I've been thinking about and wanting to make for a long time - my first solo instrumental album. The album was recorded across places—Brooklyn, Berlin, Latvia—using a minimal setup:…
When describing the "Last Shot at Heaven" cover art on the Skullflower Bandcamp page, Matthew Bower highlights the ambiguity of the striking photograph of a civilian casualty during the Yugoslavian schism. "Is it ecstatic[?]" he asks of the woman's expression. This, too, is a question one could reasonably ask of any Skullflower album.
Bower and his many cohorts' body of work is full of lengthy compositions that evoke all manner of emotions. Statement records like "IIIrd Gatekeeper", released a y…
YES, BELIEVE IT! The highly prized Immediate Records treasure finally gets an official worldwide release almost sixty years after the 100 advance promotional copies landed on radio station desks
Charly Records kick-off their Immediate Records 60th Anniversary celebrations with this landmark album by the then teenager, and still little-known, Billy Nicholls.
This cult-status, 12 track album, is drenched in sunshine psychrock and is often cited as Swinging London’s answer to the Beachboys’ masterp…
The perfect marriage between psychedelia, pop and experimental sounds.
This unique album by Bill Holt, first released in 1974, sounded way ahead of its time and became an international cult classic in the following decades.
A perfect example of what it was called “Head Music” at the time, Dreamies consists of two large suits full of Lennon-esque vocals, sound collages, early electronics and proto-sampling.
Whisker is a duo consisting of modular synthesist Ben Baker Billington and bassist Andrew Scott Young. These are two space cadets who have emerged from the burned-out basements and sweaty lofts of the midwest noise scene to become leading figures in the Chicago music community. Billington has mastered trippertronics under his Quicksails project and provided tactile drum work to the pivotal Chicago industrial collective ONO, while Young’s bass playing has graced records by Ryley Walker, Circuit d…
Luke Schneider’s new EP 'For Dancing in Quiet Light' finds the pedal steel guitarist further refining his singular ambient vocabulary—gentle, resonant, and quietly radiant. Following two releases on Third Man, this Leaving Records debut is inspired by the intersection of breath and movement, drawing influence from his rural Tennessee surroundings and Lou Reed’s little-known tai chi soundtrack Hudson River Wind Meditations. These compositions offer a delicate but emotionally resonant companion fo…
Hyperjazz Records presents the self-titled debut album from Tera Tera, an unexpected collaboration between two visionaries of the Italian music scene. Drummer Jacopo Battaglia, founder of the cult Italian trio Zu and collaborator with Mike Patton and The Bloody Beetroots, joins forces with guitarist Adriano Viterbini, founder of the rising sensation I Hate My Village and collaborator with Rokia Traorè and Bombino. Born from two intense jam sessions of pure improvisation, this album emerged throu…
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time. L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists …
Water Damage is ten people from one town and one sound from twelve people. For Instruments, the plus two are guitarist David Grubbs and saxophonist Patrick Shiroishi, neither of whom blunt the angle or confound the aim. The tempo? Slow and low. Four tracks, averaging twenty minutes each, the pace never above a comfortable walk. The damage creeps, a forest becomes a mountain, and the faithful move forward. The album is named after Fugazi, in a manner, and "Reel 25" takes after the Shocklee Brothe…
Molly Raben's In the Kingdom of Flowers arrives as one of the year's most revelatory debuts - a breathtaking collection of solo organ improvisations that reimagines one of music's most ancient instruments through the lens of contemporary experimental practice. Released by Pennsylvania's Love's Devotee label in a limited edition of 300 copies, this remarkable album showcases Raben's extraordinary technical prowess alongside her deep understanding of the organ's mechanics, history, and social cont…
Officer!, an English interjection used to address a police officer, a "bobby" in London, to ask for directions, information, or help. And perhaps, since the 1980s, this word might have taken on a certain authority, aggression, with several exclamation points against these increasingly repressive police forces, under the yoke of the various political regimes of the English right wing (the Torries), an era begun by Mrs. Thatcher, the unstoppable Margaret, who left her mark on her time, her society…