Fallen
*100 copies limited edition* Sontag Shogun’s Jesse Perslstein and Shinya Sugimoto join us again with a follow-up to 2019’s “I Confess”. A long-form piece broken into four parts, that tells a story of change, of love found and lost. Using soundscapes taken from travels, voicemails, conversations about loss and love, and adding lamenting vocals, noise and piano, this album encapsulates the distance between people, both geographic and emotionally, and the delicate passage of time.
Medusa's Girls
Medusa's Girls is JC Peterson. Unidentified found sounds processed with magnetic tape. Tapes dubbed in real time with 5 panel jcards in norelco case.
Appleton Syntonic Menagerie
Tip! *2024 stock* Jon Appleton, born in Hollywood (1939) but mainly active in New York, was one of the pioneers of electronic music. His work on Syntonic Menagerie (Flying Dutchman, 1969), and Human Music (Flying Dutchman, 1970), with Don Cherry, introduced electronic instruments to a wider audience.
Non Living Nature: Compositions For Dictaphone
"In 2020, I bought a used Sanyo M-5799 dictaphone, from the internet. The dictaphone arrived with a mini cassette. When I played the tape, there was a recording from the previous owner. He was testing the recorder, to see if it was functional, but at some point he recorded the words "... Less to be, not to be". These "messege" from this old man standed to me like he wanted me to listen his advice or his existential fears"
This album is dedicated to this man, to the concept of "the end of humanit…
Aslope
Tip! To get a good handle on ‘Aslope’ look no further than the intricate ‘Scattered sprinkle, no turn’, a 12+ minute collage of moonlit organ vamps, stifled voices and disembodied, robotic poems. Heaving from smeary abstraction to penetrable drama almost imperceptibly, featherlight rhythms are cut short by uncanny voices: “stop, turning, a page,” like some rogue navigation assistant, slicing into ticking clocks and xerox noise. It’s like listening to a film without access to the visuals - all th…
Minnet
*Purple Vinyl* Edition of 100. This debut-LP is structured like a long-form piece split up into smaller parts, constructed with manipulated field recordings, synthesis experimentations, layered harmonies and textured sound design. One gets the sense the material journeys through a narrative in disarray, depicted through numerous undisclosed, ambiguous perspectives — there are parts that are melodic, radiant and vaguely warm, like suddenly having tuned in to an imprint of some long-forgotten pers…
Selected Tape Works
Compilation of two scarcely-heard tapes self-published during the late 1980s / 90s by late Pennsylvania-based mail artist Mark Moreland. Hermetic cut-ups of private audio letters, radio frequency band shifting, and crude environmental sound assemblages. Gen Ken: "How to write about Mark is tough. I agree he didn't think of himself as an artist and rarely made anything like traditional art in his later years. He had some paintings he made for himself in his room and I am fortunate that he gave me…
m Helux
Budapest’s Alley Catss wants m Helux to serve as both a new station in their work and an homage to the new age-influenced and sample-heavy synthesis of previous albums (such as 2020’s "compassion & paralysis", 2016’s ℶ, or 2021’s "exophage"), and it already feels like a genre unto itself: Absurd Ambient. Inspired by the emptiness and silliness of theatrical sets left empty, devoid of action, still and incomplete, m Helux is an awkward place of bleak humour; poured over and yet frozen.
Produced b…
The Stage As Antiworld
This double CD set includes an extended collaboration between The New Blockaders & Grinder-without-Organs, and two live recordings of anti-theatre premiered at Cafe OTO (London, UK) and Audio Foundation (Auckland, NZ). The set also includes a link to access a bonus film and extra, printable material.
CD1 features 'Ein Glücklicherer Zufall: Genau Zu Lang (A Happier Accident: Exactly Too Long)', an hour-long, part studio / part live collaboration between seminal anti-music stalwarts The New Blocka…
Post-Immagini
Manuel Carbone: Synths, cassette loops and samplerssorta opalka: Synths, field recording, object(on II) Roeliff Jansen: Digital sampling(on III,VI) noiserr: Voice, synths, tape recorder (on IV) Chemiefaserwerk: Casio m-10, tape recorderOriginal cover photography: Orland C.Collage and layout: Ross Scott-BuccleuchMastering: C.metaesquema
ADN 40th Anniversary - 40 Years 40 Tracks
*2024 stock. 250 copies limited edition* In 2023 we wished to properly celebrate the 40th anniversary of ADN’s birth. So, we have contacted groups and musicians that stimulated our curiosity through these 40 years. Some of them are good friends of us, some were already part of our music trajectories; others, never contacted in the past, are near to be seen as our myths. Anyhow to cover our multiple interests we should have brought to your attentionmany more tracks, but we think this is a good sy…
Javakade 8485
The Rome based imprint, Villa Lontana Records, continues their incredible dedication to the work of Walter Maioli, with the first ever reissue of the seminal, experimental Italian composer, sound archeologist and musicologist's 1985 release, “Javakade 8485”, made with his long-time collaborator Fred Gales. A radical gesture of musique concrète that still feels groundbreaking and forward-thinking nearly 40 years after it first appeared, this stunner is issued for the first time on vinyl, as well …
And I Saw My Devil And I Saw My Deep Blue Sea
Inspired by witnessing the broken tension and renewed possibilities of a laptop breaking down at a gig – not to mention the void left behind by the sudden end of a relationship – Pentu’s latest release is a jump-cut menagerie of musical moments. Sewn together into ‘And I Saw My Devil And I Saw My Deep Blue Sea’, these fifteen tracks continue the London-based producer’s active departure from the soundscapes and song structures that dominated their previous writing style. These disparate pieces sl…
Nebuloasa
Tip! "A magnetic tape turns, imperturbably, accompanied by the crackle of a vinyl and the waves of an old radio. A heart inhabits these vibrations transformed into hypnotic drones. The loops become celestial when a song emerges, close to an incantation or prayer. Other voices try to extricate themselves from this analog maelstrom, those of specters lost in foggy saturations. Terrifying sighs, nocturnal howls, witches' rites and otherworldly melancholy, the two musicians of Géométries know how to…
Slices of Life
"During the 22nd of February 2022, two years after the beginning of the COVID-19 pandemic, we took audio snippets from our everyday lives documenting our homes and surrounding urban environments, our intellectual interests and our musical tastes. We also gathered pictures with our phones. Some of the audio sources were processed, some were not. Here you get slices of our lives from two different cities, New York and Berlin – a glimpse of the fragmentation of our times through a broken sonic diar…
Church Recordings From Monhegan
*2024 stock* Full Spectrum Records presents a beguiling new work from Notice Recordings co-owner Evan Lindorff-Ellery: ‘Church Recordings From Monhegan.’ These recordings document Evan’s encounter with the Monhegan Community Church, located on a tiny island off the coast of Maine, during a family visit in the summer of 2021. The church on Monhegan Island—seemingly always open, allowing one to step into its quaint, echoey, still room, the ocean and bird sounds faded in the distance—presented an a…
Hear Us Again For Whatever Reason
Created with sampling keyboards and DIY recordings techniques, The History of Unheard Music's soundscape is a heap of rubble to be scavenged. Their tracks are collages of references that are impossible to place. Brilliance and weirdness. Radical and adventurous. Easily some of the most unique and engaging sound works produced during the '80s.
Ordet
*150 copies limited edition* Four of the five pieces on Ordet can be considered as solo collaborations – or perhaps, collaborations with oneself. These assemblages/constructions are reworked/reimagined/revisited/recycled pieces - transformed into something new. The one exception, Livermorium, is more accurately described as a process piece. Al Margolis is a composer/performer, improvisor, and painter. Since 1984, often under his project name If, Bwana, he has worked in the field of non-commercia…
Aprilnacht
Originally released on tape by SicSic in 2014, Aprilnacht commemorates a decade of music from Brannten Schnüre and marked the spring in a tetralogy of albums about the four seasons when it came out. Back then the Würzburg-based project consisted solely of Christian Schoppik, who later welcomed Katie Rich to take over the vocals. He used to perform as Agnes Beil, but dropped the name when, while making this album realized his music was becoming "much gentler and more fragile". Aprilnacht already …