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*300 copies limited release* In 1963 Eric Dolphy recorded some sessions in New York with producer Alan Douglas, the fruits of which were issued on small labels as the LPs Conversations and Iron Man. They've been reissued a number of times on various labels, occasionally compiled together, but never with quite the treatment they deserve (which is perhaps why they're not as celebrated as they should be). In whatever form, though, it's classic, essential Dolphy that stands as some of his finest wor…
'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was not recording this concert, but the mixing desk engineer kept a tape rolling, just in case, and negotiations toward the release of this performance were already in progress when fate struck. There is magic on this record, especially in the last minu…
'As evidenced by this release of the set, the music played that night was intimate, even delicate. It still seems that Dixon didn't quite sit down at the table with his mates, and his electronic effects don't do him any favors, but credit seems due to him for keeping the set at an unusual slow burn. There aren't the displays of pyrotechnics evidenced in Taylor and Oxley's duo performances. Instead, piano and drums dance lightly around the trumpet's background wash, creating a music both sparse a…
'Simply put, this is a stunning piece of work, performed in front of a stunned audience that was won over from the first few notes. After a spell of a few years, Anthony Braxton was back in Victoriaville in 2005 to present a new line-up. This sextet of young musicians (except for tuba player Jay Rozen, who is more experienced) is impressive to say the least. Taylor Ho Bynum makes a flashy trumpeter, quickly rising to the status of Toshinori Kondo. Violinist Jessica Pavone waltzes her way through…
'A happening. Not that these two heavyweight reedsmen had never shared a stage, but this was going to be a face-off, a clash between two of the hardest-working free improv trios on the circuit. On the left side of the stage: Evan Parker, with drummer Paul Lytton and pianist Alex von Schlippenbach, the latter filling in for bassist Barry Guy. On the right side: Peter Brötzmann and his trusty rhythm section, bassist William Parker and drummer Hamid Drake. These are two highly experienced and gifte…
Reverberations from bassist Peter Kowald's passing continue to be felt two years later. Last year, a long-time bass quartet with one sub gathered to bathe Kowald's spirit in a bass balm. Comprised of close associates or admirers of Kowald, this quartet represents a summit from across borders and generations, sharing only remarkable technique and a love of the unknown.Barre Phillips helped legitimize improvised solo bass, as well as expanding its vocabulary with extended techniques. Joëlle Léandr…
*50th Anniversary Remaster* Outstanding!! Matsuli Music presents soul, spirituality and avant-garde jazz from South African political exile Ndikho Xaba. Its rarity has until now served to obscure both its beauty and its historical significance. Making profound links between the struggle against apartheid and the Black Power movement in the USA Ndikho Xaba and the Natives is arguably the most complete and complex South African jazz LP recorded in the USA. It stands out as a critical document in t…
*In process of stocking* Spectacular mystical jazz infused psychedelics from Canary islands cult band GAF. Adopting a series of different addendums to their names (Love Supreme Arkestra, La Estrela de la Muerte, etc) to illustrate what mutation or influence they are feeding through at the time of recording, the Love Supreme Arkestra here being the more Coltrane-ish (Alice more than John) and Sun Ra-esque influenced the matic of the project. Over a series of 7 huge sounding themes, we can hear sa…
“We’re improvisers first and we’re bringing “moment music” into these other zones of hip hop and electronic music, drum-machine music, sound-system culture… Acoustic musicians sun-kissed by electro-magnetism, flowing out into everything. This is the shit that we want to be playing on big ass systems. Omnivorous, energy space time, mosh pit dance-music. Get it in the subwoofers so you can feel it hit, cuz the music has to begin in the body!” – jaimie branch jaimie branch and Jason Nazary are Ante…
The music on this album was created using only Electric Guitar * Using a single instrument - Electric Guitar - As A frame and the studio as the limit ie :The sound of ‘Harp’The layering of a single, guitar chord. The sound of ‘Trumpets’ & ‘Saxophone’Were designed and treated using fuzz / Wah Wah / Pitch Box / Delay & Mic Gate.
The sound of ‘hi hat’ was designed through the scratching of two guitar strings repeatedlyetc. Thank you for listening Michael Grossman & Jai Morris-Smith
Curious Music.
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"Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the definitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Cent…
Recently rediscovered while digging through our vaults, this is the original 1984 vinyl edition of the album. It doesn't get any better than this! This is an album featuring octet led by the Milanese musician Giorgio Gaslini.
** Limited to 300 double vinyl copies, two inlays with photos and liner notes. Originally released in 1974 on Preiser Records** »It’s Up to You« is a free sound art and performance project by sound artist and singer Limpe Fuchs, sculptor and sound artist Paul Fuchs, and pianist and recorder player Friedrich Gulda, who formed the trio Anima at the time of the recordings in 1974. As musical guests they were able to enlist the trombonist Albert Mangelsdorff, the bassist Barre Phillips, the oud play…
*In process of stocking* We are beyond thrilled to present the latest from South African drummer / cultural worker / organizer Asher Gamedze. I'm sure many of you are familiar with his incredible debut Dialectic Soul (On The Corner, 2020) or his work with Angel Bat Dawid and Tha Brothahood, and we're happy to unveil another side of Gamedze's work with out side work | two duets. out side work | two duets is a very literal album as the album features Gamedze in a conversation of sorts, a recordi…
Lefto presents Jazz Cats volume 2, features a balance of known and obscure artists. From the thrilling frenetic grooves and innovative soundscapes of Bandler Ching and the electronic influenced Stellar Legions (Andrew Claes from (STUFF.), to the jazz fusion collective LũpḁGangGang and weaving musical odyssey that is M.Chuzi, ‘Lefto presents Jazz Cats volume 2’ is a melting pot of the best musical talent coming out one of the smallest countries in Europe. In addition, there’s the beautiful unease…
Temporary Super Offer! On Ezz-thetics: Eric Dolphy alto saxophone, bass clarinet, Don Ellis trumpet, David Baker trombone, George Russell piano, Steve Swallow double bass & Joe Hunt drums. On The Stratus Seekers: Paul Plummer tenor saxophone , John Peirce alto saxophone, Don Ellis trumpet, David Baker trombone, George Russell piano, Steve Swallow double bass & Joe Hunt drums. The six albums that George Russell recorded in just two years – starting with Sextet at the Five Spot in September 1960 …
Temporary Super Offer! 'The studio side of Coltrane’s catalog has greater consistency in terms of caliber of aural presentation, but fewer occasions for extended improvisation and creation. This is particularly evident in an analysis of the recordings made of his Classic Quartet comprising pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones. An ensemble that was a work in progress well before it was a finished cohort, Coltrane’s most fertile band was also best suited to the hot h…
We Are Busy Bodies announces the officially licensed reissue of the 1966 cosmic, free jazz album Zodiac by French saxophonist and composer Barney Wilen. The album’s astrological theme and Robert Crumb-esque comic-book style cover art, illustrated by the renowned cartoonist Siné, marks it as a European parallel to the burgeoning counter-cultural happenings of the same period in the USA.
The reissue also offers tantalising glimpses of a projected animated tie-in film that never was. Wilen's friend…
The fourth issue of We Jazz Magazine, "The Call" for Horace Tapscott. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Horace Tapscott by Andy Thomas, Ava Mendoza by Stuart Smith, Tigran Hamasyan by Rui Miguel Abreu, Istanbul Scene by Alper Kaliber, Isaiah Collier by Daniel Spicer, Bill Frisell by Debra Richards, DJ Old Crank by Matti Nives, Tokyo Jazz Joints Vol. 2 by Philip Arneill, reviews…
“Orbit of Sound” is the new release from composer/double bassist Max Johnson’s newest trio, with Anna Webber on tenor saxophone/flute, and Michael Sarin on drumset. Formed in 2018, the trio traverses tightly knit composed music and patient, sprawling improvised textures, highlighting all three individual voices as improvisers. The trio completed their inaugural tour of Europe in February & March, having to cancel their final concert and subsequent recording due to the pandemic, delaying the reco…