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Miroslav Vitous revisits Weather Report repertoire with a sextet of two saxophonists (Gary Campbell, Roberto Bonisolo), two drummers (Gerald Cleaver, Nasheet Waits) and keyboards. Recorded 2010-2011 at Universal Syncopations Studios, Clavesana.
Duo album by bassist Gary Peacock and pianist Marilyn Crispell: compositions by each, three free improvisations and a solo apiece, recorded January-February 2011 at Nevessa Production, Saugerties, NY, and self-produced. ECM 2292, 2013.
An improvising quartet featuring four of the finest and most innovative musicians, who have extended the ranges of their respective instruments - piano, saxophones, harp and double bass - into new, uncharted territories. As well as having exceptional techniques, they are all virtuoso listeners, so that these first two performances as a quartet sound as if they have being working together for years. 68 minutes.
First ECM solo piano album by Marilyn Crispell: seven improvised Vignettes and other pieces of her own, plus Jayna Nelson's Cuida Tu Espiritu and Arve Henriksen's Stilleweg. Recorded April 2007 at Auditorio Radio Svizzera, Lugano, produced by Manfred Eicher.
First ECM album by the Polish trio of Marcin Wasilewski (piano), Sławomir Kurkiewicz (double bass) and Michał Miśkiewicz (drums): originals, free improvisations and pieces by Björk, Wayne Shorter, Szymanowski and Stańko. Recorded March 2004, Rainbow Studio, Oslo.
Eight-part suite composed and conducted by Evan Parker for the 14-piece Transatlantic Art Ensemble, co-founded with Roscoe Mitchell, with Craig Taborn, Barry Guy, Paul Lytton and others. Recorded live September 2004 at the Muffathalle, Munich.
Second album by Thomas Strønen's quartet Parish, with Bobo Stenson (piano), Fredrik Ljungkvist (clarinet, tenor saxophone) and Mats Eilertsen (double bass). Recorded April 2004 at Rainbow Studio, Oslo, produced by Manfred Eicher.
Sacred song cycle by bassist Anders Jormin, commissioned for Västerås cathedral, with Lena Willemark (voice), Marilyn Crispell (piano), Karin Nelson (church organ) and Raymond Strid (percussion). Recorded May 2003 in the Organ Hall, Musikhögskolan, Gothenburg.
Live recording by Keith Jarrett (piano), Gary Peacock (double bass) and Jack DeJohnette (drums): four free improvisations and When I Fall in Love. Recorded 26 and 28 July 2000 at the Royal Festival Hall, London; produced by Manfred Eicher, released by ECM in 2001. CD edition.
Solo album by Mat Maneri on acoustic violin and viola: his own compositions and pieces by Matthew Shipp, Joe Morris, John Coltrane, Eric Dolphy and Joe Maneri, recorded July 1999 at Gateway Studio, Kingston, produced by Steve Lake. CD, 2001.
Recorded live at Théâtre Monnot, Beirut on 10 July 2005 at the 5th Irtijal Festival of Improvised Music. Mixed and mastered at The Experimental Sound Studio, Chicago. Limited edition of 1000 numbered copies
First duo album by Joe Maneri (alto and tenor saxophones, clarinet, piano) and his son Mat Maneri (acoustic and electric violins, electric viola), recorded October 1997 at Hardstudios, Winterthur, produced by Steve Lake.
Free improvisations by Paul Bley (piano), Evan Parker (tenor and soprano saxophones) and Barre Phillips (double bass), the first recorded Bley/Parker meeting. Recorded January 1994 at Rainbow Studio, Oslo, produced by Steve Lake. ECM 1537, 1995.
Expanded reissue of the debut Borbetomagus album from 1980 with the trio of Sauter, Dietrich and Miller further bolstered by Brian Doherty on electronics. These early recordings have a beautifully corrosive classical avant garde/Industrial edge that is as bluntly beguiling as low-grade splatter. Also features a winning shot of Donald Miller's legendary mullet on the back as well as the previously unreleased "Last Concordat" - bonus! The trio of Jim Sauter (reeds), Don Dietrich (reeds) and Donald…
Free improvisation session by Paul Bley (piano), Gary Peacock (bass), Tony Oxley (drums) and John Surman (baritone saxophone, bass clarinet), recorded September 1991 at Rainbow Studio, Oslo, produced by Manfred Eicher. ECM 1488, released 1993.
Chick Corea, Miroslav Vitous and Roy Haynes reunited in 1981: trio and duo improvisations plus seven Thelonious Monk pieces, recorded November 1981 at Mad Hatter Studios, Los Angeles, produced by Manfred Eicher. Originally a double album (ECM 1232/33, 1982), here on one CD.
Miroslav Vitous's first ECM album as leader in ten years: duets with Michel Portal, pieces with Jack DeJohnette and two suites with Esperanza Spalding, Bob Mintzer and orchestra, recorded 2003-2010 at his Universal Syncopations studio and produced with Manfred Eicher. LP edition.
A testament to the interaction between the experimental avant-garde and the countercultural underground, the album was originally released on Elektra, recorded by Jac Holzman (the label's founder, responsible for signing The Doors, Love, and The Stooges) and produced by DNA, a group that included Pink Floyd's first manager, Peter Jenner (the title of Pink Floyd's 'Flaming' is a tribute to AMM's 'Later During a Flaming Riviera Sunset'). Formed in 1965 by three players from the emerging British ja…