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"The edges of Schlippenbach’s trio/quartet music have gradually feathered over the past dozen years, a process benchmarked by “Anticlockwise”. Evan Parker’s careening tenor prompts a dramatic sweep from the group that echoes Coltrane’s last period, as on Ore; his multiphonic-oriented soprano style elicits a more spiky rapport. The exceptional American bassist Alan Silva makes an intriguing debut with the quartet, his incisive phrasing and nuance-filled arco technique serving as a lynchpin betwee…
Recorded at ADA in Peter Brötzmann’s hometown Wuppertal as part of his 80th birthday concerts, Naked Nudes brings together two of his most unusual collaborators, Heather Leigh (pedal steel guitar) and Fred Lonberg-Holm (cello) for one of the most elegiac releases in his discography. The relationships between the players are tonally odd: woozy, mournful, almost baroque blues or even more chamber music in feel, the quality of the interplay is subtle and natural, like modern ballads. In the recordi…
2023 small repress. The year 1965 was a turning point in the life of John Coltrane. It was at this point that he crossed the line into the free jazz arena that he had been approaching since the early '60s. Besides his landmark Ascension, no album better illustrates this than the awe-inspiring Meditations. Coltrane's regular quartet -- McCoy Tyner (piano), Jimmy Garrison (bass), and Elvin Jones (drums) -- is expanded here with second drummer Rashied Ali (who assumed Jones' spot after this album) …
*2023 stock* "Don’t follow.” That’s the admonition saxophonist and composer Roscoe Mitchell (b. 1940) was known to give his students at Oakland’s Mills College in one-on-one sessions. In musical communication and creation, not following or directly responding to others is central to Mitchell’s philosophy and approach. As he said to me in a recent conversation, “I just let things develop with my intent, with my work, and I’ve never been a person that went around looking for people to play with. I…
Temporary Super Offer! "Only ghosts don’t make footfalls (another Beckett title!) that we can hear, don’t need to open and close doors to effect passage. These men together are enacting over a longer duration a strong sense of life- as-lived. They are conspiring, not in the political or legal sense, but simply breathing-together. It isn’t forbiddingly abstract music. It simply enacts our various ways of living together. Take a deep breath and enjoy." - Brian Morton
Swiss artist Lukas Traxel releases his powerful debut album One-Eyed Daruma on We Jazz Records, March 10. The trio features Traxel on double bass, Otis Sandsjö on sax and Moritz Baumgärtner on drums. Compact, deep, and organic to the bone, Traxel & co's sound echoes the innovations of rhythmically driven avantgarde jazz while keeping things moving at all times. There's both drive and freedom to this sound.
One-Eyed Daruma features eight new compositions by Traxel, who crafted the outline for the…
Bassist Ubadah McConner recounts the evolution and history of this home based cultural, educational, and music center in Pontiac, Michigan that embraced the revolutionary spirit of the 60s and 70s Black artistic renaissance through all night sessions of fire music, mutual support and conversation.
McConner’s weekend sessions lasted thirty years, until 2002, and were open to everyone so there is name-dropping galore, but the reader may not be familiar with many of the names. As patrick brennan n…
The first recording by these pioneers of electro-acoustic improvisation, AMMMusic stands the test of time both as a remarkably prescient session and as an utterly powerful and deep piece of 20th century music
"Always at the helm, the sound magician Jean-Marc Foussat offers us four new releases from his catalogue. In April 2022 in Le Mans, this champion of combinations between electronics and acoustics brought together Emmanuelle Parrenin on the hurdy-gurdy, a very old instrument that is sometimes considered the ancestor of the synthesizer (!) and Quentin Rollet on the saxophones, an "impossible" trio if ever there was one. Yet these instruments are in perfect harmony, blending and harmonising in the …
"Periferia is an ancient greek word which dérives from the verb perifero,i.e, to bear, bring about; Periferoalso means to let someone know or makesomething known to people, therefore to spread and communicate.
Periferia as a specific area is the perimeter of any closed system. But the1ine of letter Фcuts like a sword the circumference of the solid circle. Periferia symbolizes the fact that you are always far from the center, thatyou follow paths which will never bring you towards the center — yo…
"Is it the fall of Icarus, whose vertiginous stridulation we hear from the very first notes of this album, to which Jean-Marc Foussat once again mixes his AKS synth and his voice? A sharp whistle has just pierced the atmosphere and is lost in the urban bustle where the police sirens can easily be distinguished. It is with this scene worthy of a Michael Mann or Christopher Nolan film that this trio recording opens, bringing together saxophonist Urs Leimgruber, who has already signed a magnificent…
"There is a landscape of sonic ideas, of banging, of entity, of new forms of stimulating the body and of prehension moved by our human, urban, maybe even cubist surroundings, or by the big wild country where, we say, music does what it wants. Unless, we misread and “music knows what it wants.” Both! With one stroke, knowing and doing unanimously converge into one. A point of intersection - there are so many - between the desiredl iberties and sublime agitation provoked by the embrasure of paths …
Tip! *Silkscreen printed cover. Edition of 200, hand-numbered on the back cover. Totally sold out at source *Muumiot is an Italian-Finnish sextet, which also features Ho Chi Moon’s Pekkola. Gau Ri Laa is a set of four songs, released on ten-inch vinyl and digitally. V. Genta - eceltric piano & saxophones, T. Kemppainen - double bass, S. Pekkola - saxophones & shrutiboxes, T. Tammi - trumpet, T. Tiheäsalo - electric guitar, D. Vanzan - drums
Killer stuff!
*In process of stocking* "Sting And Grid is an album of great joy and great sensitivity which bears repeated listening due to its relatively calm nature. A real delight for any improv lovers." – Mr Olivetti, FREQ
Two world class players from the Manchester UK free improvisation scene deliver here a beautifully recorded set of pieces founded on pure instrumental skill. Hanslip's elegant, singing lines are delivered with calm and precision, driven by Cheetham's multi-textural percussion.
*2023 stock* "A few rare albums fit perfectly into your emotional state of mind and capture the fragility of our impermanent lives so beautifully as Another Way of the Heart by Norwegian reeds and trumpet player Torben Snekkestad and Danish pianist Søren Kjærgaard. Both Snekkestad and Kjærgaard were associated with the Danish label-musicians cooperative Ilk Music but, unfortunately, their discographies, especially in recent years, don't match their great creative potential.
Snekkestad and Kjærga…
The most important artists in the history of Japanese free jazz, Masahiko Togashi, Masayuki Takayanagi, Mototeru Takagi and Motoharu Yoshizawa. A solemn and crazy improvisation work originally recorded in 1969! "It was not until 1969, when this album was recorded, that the quality of Japanese free jazz works reached a world-class level. The most important artists in the history of Japanese free jazz feast the solemn and insane improvisation has not faded away even in the present age of 2023." - …
*In process of stocking* "A magic dwells in each beginning.” The members of the freeform psych-inducing collective known as Spiritczualic Enhancement Center are of the same mind as Hermann Hesse on that one. Within the mythologically-rich universe assembled by the band - Transporting Salt - Enhanced Edition is a serious deluxe revisit of their most original encounters. In the five years since it was hermetically spawned, the group has stretched into an esoteric wave of musicians counting well ov…
It was a magical Autumn day in Vilnius - Mr. Howard Riley was giving his rare solo performance at St. Catherine’s Church.The outcome is this two LP set of deep musical contemplation, freedom and lyricism. After the concert Howard Riley said that this was his best solo performance in many years.
*2023 stock* "This record documents long-term musical partnerships; duets with artists who have helped me refine my creative vocabulary. Yet my deepest musical relationship is with the bassoon itself, the kernel of my inspiration. It is the nurturer, the supporter, the quiet glue in an ensemble. It is awkward, huge, and demure. Even as a child, I was drawn to its uniqueness—its textures, timbres, and a sound that inspires movement. While I certainly appreciate orchestral playing in the Western c…
* 2023 Stock. Originally released 1967; exact reissue, 180 Gram, Gatefold sleeve * "During 1967-69 avant-garde innovator Albert Ayler recorded a series of albums for Impulse that started on a high level and gradually declined in quality. This LP, Ayler's first Impulse set, was probably his best for that label. There are two selections apiece from a pair of live appearances with Ayler having a rare outing on alto on the emotional 'For John Coltrane' and the more violent 'Change Has Come' while ba…