We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Flutist Nicole Mitchell and percussionist Joe Westerlund, a former mentee of Milford Graves, improvise in a rural studio near Chapel Hill: looped flutes, mbiras, metallophones and live electronics, with no overdubs.
CP Unit in real time: Chris Pitsiokos, Sam Lisabeth, Henry Fraser and Jason Nazary between harmolodic funk, noise rock and musique concrète, recorded in Brooklyn in 2018.
Second CP Unit album on Clean Feed: Chris Pitsiokos with Sam Lisabeth and two rhythm sections, between Ornette Coleman's harmolodics, noise and Stockhausen.
The first CP Unit album: Chris Pitsiokos with Brandon Seabrook, Tim Dahl and Weasel Walter, jazz forms filled with noise and rock, recorded in Brooklyn in 2016.
Double CD by the Berlin CP Unit (Chris Pitsiokos, Marta Warelis, Dan Peter Sundland, Luca Marini): studio takes from October 2025 and a concert from April 2026.
Slow, static forms for alto saxophone, accordion, synthesizer, bass and drums: the Chris Pitsiokos Ensemble between late-1960s Miles Davis and Morton Feldman.
CP Unit's first live album, recorded at the Moers Festival and at Unlimited in Wels in 2018: Chris Pitsiokos with Sam Lisabeth, Henry Fraser and Jason Nazary.
Ikue Mori and Craig Taborn, the duo Highsmith, return after ten years and open up into three trios with Bill Frisell, Tomeka Reid and John Zorn, plus a few quintet pieces.
Raoul Björkenheim on guitar and Paal Nilssen-Love on drums, old partners from Scorch Trio, in nine pieces of free music recorded in Helsinki: wild and raw, at times delicate and introspective.
Cellist Tristan Honsinger and guitarist Olaf Rupp in their first recorded duo, Berlin, March 2010: one hour-long improvisation, Can You Imagine a Conversation Between a Table and a Chair?, in eight parts.
Peter Kowald solo on double bass and voice, live at Podewil in Berlin in November 2000 and edited by Kowald himself in June 2002: a concert version of his solo album Was da ist, in seven parts.
Manuela+, the quartet of Rüdiger Carl, Jin Hi Kim on komungo, Hans Reichel on guitar and daxophone and Carlos Zingaro on violin, live at the Total Music Meeting in Berlin in 1999: an hour-long improvisation in seven parts.
Peter Brötzmann's Die Like a Dog Quartet with Toshinori Kondo, William Parker and Hamid Drake, live at the Total Music Meeting in Berlin in November 1994: two long pieces, Close Up (Man) and Close Up (Woman).
Fred Van Hove alone at the piano: Prosper, recorded live at Flöz in Berlin in 1981, and Die Letzte, recorded at Studio Casablanca in 1986, the two SAJ solo LPs on one CD.
Radu Malfatti on trombone and Stephan Wittwer on guitar in Innsbruck, February 1977: the duo LP Und? plus Untitled?, a fourteen-minute piece from the same tapes released here for the first time.
Peter Brötzmann solo on clarinets and alto, tenor and bass saxophones, recorded at the FMP studio in May 1976: the twelve pieces of the LP Brötzmann/Solo, from 27 seconds to ten minutes.
Irène Schweizer, Rüdiger Carl and Louis Moholo: the LP Messer, live in Moers and in the FMP studio in 1975, followed by Tuned Boots, the twenty-minute trio piece recorded in Graz in 1977.
Steve Lacy in Berlin: the 1975 solo soprano recordings of the Stabs LP, plus the 1977 quintet with Steve Potts, Irène Aebi, Kent Carter and Oliver Johnson playing Esteem and Follies at the Workshop Freie Musik.
The Globe Unity Orchestra at ten years old, recorded in Baden-Baden in November 1975 with Braxton, Rava, Wheeler, Brötzmann, Parker, Mangelsdorff and Lovens: five pieces from inside the orchestra, nearly all unreleased until this CD.