Jazz /
And
Derek Bailey, electric guitar. Pat Thomas, keyboards. Steve Noble, turntables. Recorded at Moat Studios, London, August 1997.
Thread
'We all met in Berlin at different times. Anthea and I had been playing as a duo since about 2006. Anthea also developed a performance/installation project with Annette I think around 2008. About a year later, I organised a house concert and we decided to play as a trio, which seemed very organic and easy immediately. We recorded parts of the album shortly after that. [] There was not much editing involved in either of the recordings, just minor changes. As for the general style - we act…
The Magic Of Ju-Ju
Gatefold 180 gram reissue of tenor saxophonist Archie Shepp's 1967 "tour de force." "...combining free jazz tenor with steady frenetic African drumming. Shepp's emotional and fiery tenor takes off immediately, gradually morphing with the five percussionists -- Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles, and Dennis Charles -- who perform on instruments including rhythm logs and talking drums. Shepp never loses the initial energy, moving forward like a man possessed as the dr…
Curare
Daunik Lazro - baritone & alto sax. Jean-François Pauvros - electric guitars. Roger Turner - drums & percussion. Tracks 1 and 2 recorded live at Instants Chavirés (Montreuil) by Jean-Marc Foussat and Dominique Pauvros on 7th November 2008. Tracks 3 and 4 recorded live at festival Jazz en Frache-Comté (Besançon) by Jean-Marc Foussat on June 30th 2010. Edited and mixed by Jean-Marc Foussat
Vilnius Noir
Ran Blake, piano. David 'Knife' Fabris, guitar. Ran Blake solo and duo with David 'Knife' Fabris. Works from Alexander Olshansky, Joel Yennior, Jason Yeager, George Russell, Peter Udell, Tommy Goodman, Michel Legrand, Herman Yablokoff, Abraham Ellstein, Antonio Carlos Jobim, Stevie Wonder, Duke Ellington, Barney Bigard, Irving Mills. Recorded live on 10th December, 2010 at St. Catherine's Church by Arunas Zujus. Limited edition of 500 records
Goldsmiths
A previously unissued 1972 concert by the original version of Iskra 1903 - Paul Rutherford (trombone), Derek Bailey (guitar) and Barry Guy (double bass) - extraordinary performances, plus 2 short extracts from another concert. "Iskra 1903 was one of my favourite groups. I cannot remember hearing a performance that I did not enjoy, although inevitably some were better than others. The previously unissued concert on this CD was arguably one of their best.I first heard this recording about ten year…
Black Man's Blues
Recorded 29th May 1977 at A Day in Solidarity with Soweto: A Fund Raiser, Harlem Fight-Back, 1 East 125th St., New York Violinist Billy Bang made his recording debut as a leader with the Survival Ensemble, the first working band he ever led, on New York Collage in 1979. Bang, saxophonists Bilal Abdur Rahman and Henry Warner, bassist William Parker, and percussionists Rashid Bakr and Khuwana John Fuller played incendiary free jazz more clearly indebted to the New York avant-garde of the precedin…
Crossing Points
A colossal encounter of drummer William Hooker and the late wind player Thomas Chapin performing at the 9th Street Gallery in NYC in 1992, 3 massive improvisations from the jazz underground. This is a monster duo! One of the greatest duo events of all time. There were a series of weekly duo encounters with William Hooker and different saxists at Jerome Cooper's loft during the summer in the early nineties. I caught two of these with Louie Belogenis and Thomas Chapin and both were incredible.I re…
Scrutables
John Butcher and Derek Bailey first played in duo around 1989, at London's Red Rose Club. Butcher then took part in the 1990 & 1992 (London) and 1996 (Vancouver) Company weeks. Various other playing situations materialised in the 90s, ranging from Saturday afternoons at the Oasis Wine Bar in Hackney, to a quartet with Robyn Schulkowsky in France, and a trio with Joelle Leandre at Tonic in New York in 2000.A comparatively long lived grouping was with tuba player Oren Marshall - which relea…
Guitar Solo
The Guitar Solo album was produced by Takeshi Fujii, the producer of the legendary jazz label "Three Blind Myth", in June 1981. Takayanagi responded to the request with "Lonely Woman" recorded in August 1982. As stated in the liner notes of this work, Takayanagi said: "In my two years of fighting against illness, my thoughts have changed, and now I'm thinking rather than making a group album. The form of solo would be appropriate to put it together" and he worked on the guitar solo as the first…
Droplets
Dominic Lash, double bass. Patrick Farmer, percussion. Sarah Hughes, zither & piano. A 20-minute improvisation plus realisations of scores by the Wandelweiser composers Eva-Maria Houben & Taylan Susam, including an extraordinary outdoor performance of Houben's Nachtstück recorded in a wood in Derbyshire during a rainstorm. 'It's exciting to play Wandelweiser music because of its difference from improvisation, the satisfaction of being given specific tasks to carry out and attempting to do so to …
Dias das cinzas
200 copies, numbered Born in 1970 and based in Lisbon, Manuel Mota is known for his very personal language in guitar playing. His music is part of a tradition rooted in blues and reveals a multitude of influences and historical references being at the same time actual, with an enigmatic sense of timelessness. This is his last solo LP recorded in a basement of a XIX century house in lisbon - limited 200 copies numbered
Splintered Visions
BR worked with Adam Kriney of La Otracina and Owl Xounds on the Owl Xounds/Family Battle Snake split cassette back in May 2007, and its great to have this raging free jazz improv psyche out bunch back on Blackest Rainbow again for this awesome LP. 'Splintered Visions' was recorded back in February 2007, and has been torn from the archives of some of the wildest jams put to tape. This time round the group is in a quartet zone with Kriney on drums, Gene Janas on upright bass, Mario Rechtern on sax…
s/t
In this incredible big band-style ensemble you'll find the likes of Rob Mazurek and Jeff Parker supporting trumpeter and composer Bill Dixon. Spread across three long-form orchestral narratives, featuring various horns and woodwinds, guitar, piano, vibraphone, timpanis and voice. Far from being the muddled affair it could have become, the musicians each somehow find their own space to cut loose a little within the composition, with an accommodating, airy production to match. Of the three pieces,…
Beneath tones floor
300 copies. Combining the beauty of art, poetry and music this beautiful package (available as compact disc or LP) makes for a fitting send off for the great bassist Sirone who passed away not long after this recording was completed. Along with Sirone’s deep and resonant bass, the musicians in this collective performance include Oluyemi Thomas on bass clarinet, flute, soprano, musette and percussion (he also composed the music) and Michael Wimberly on drums and percussion. Like the meditative po…
Tsktsking
In improvised music, double bass and drums have a very different role to that in rock or jazz. Freed of the duties of “the rhythm section,” they are featured as much as any other instrument, without having to wait in line for their turn to solo. They are equal partners in the collective enterprise of music making. Bassists or drummers who have arrived at improv via rock or jazz often seem to relish the freedom they are afforded and become more extroverted. One need look no further than Ha…
Journey
On Journey, violinist India Cooke and bassist Joelle Leandre improvise in that exalted state of grace that every improviser hopes to attain. It’s a state in which everything they play just works. It’s as if they can’t play a bad note or make a sound that doesn’t advance the music. In this state, the music unfolds without prior arrangement and at speeds too fast for conscious control, yet it’s development and intent is always clear. That deep communication between two or more people is exactly wh…
AD
Angharad Davies, violin. Axel Dörner, trumpet. 'Neither player should need much introduction, as both are widely acknowledged as leading improvisers on their respective instruments. These domestic recordings mark their first meeting as a duo, and - in the words of another early reviewer, David Grundy - create 'the atmosphere of surprise - of magic - that great improvisation is still so uniquely capable of providing'.'
Old Dogs (2007)
Jerry Hemingway joined and remained a member of the infamous Anthony Braxton quartet for eleven years from 1983 - 1994. This set documents their first recorded collaboration in 12 years. Using an hourglass as a guide, each CD contains one 60-minute improvisation, and each improvisation is very different in character and instrumentation. These studio recordings were made at Wesleyan University in August 2007. Released to celebrate Braxton's 65th birthday, the recordings are packaged in ca…
Prayer for peace
Back in stock: In the late 60s, British jazz was in a state of flux, pulling itself into strange new shapes influenced by the U.S. avant garde, European improvisation and rock and giving birth to bands such as Keith Tippett's Centipede, Nucleus, and Trevor Watts' Amalgam. Alto saxophonist Watts was the driving force behind the legendary Spontaneous Music Ensemble, alongside drummer John Stevens. While that outfit took post Coltrane jazz further out into the spiky landscapes of what was later to …