Jazz /
Pleasures of the Horror
Bisou Records asked Eugene Chadbourne to do an album for children and he proposed an album about horror movies and monsters. Some references are obvious, like “The Thing”, “Blacky Lagoony”, etc., and some are about strange characters, like “Vampire Tiger Girl”, and some are covers (Sam And The Shams, Shockabilly). It’s probably the best recorded album of Eugene Chadbourne. Eugene met Steve Beresford and Alex Ward in London at Eastcote Studios (where Adele, Duran Duran, Aswad, Tindersticks…
Thirsty Ears
Jaap Blonk (born 1953, Woerden) is a Dutch avant-garde composer and soundpoet. He is primarily self-taught, both as a sound artist and as a visual/stage performer. One of his early influences was Kurt Schwitters, whose Ursonate he first heard in 1979; he memorized the entire work, and it became one of the cornerstones of his repertory; he has recited portions of the piece hundreds of times in various public places. His performances of sound poetry are unique and world renowned, making use…
Live at Bennington College, 1969
**ltd/numbered 1/30, one-sided picture disk** extract ! historical doc/ensemble with Arthur Doyle at the fiercest !
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“Music to me [is] the universal language, the universal way of communicating.” For Arthur Doyle, saxophonist, flautist and vocalist, music was the life force, and Doyle’s dedication to the music had him playing fast and free jazz for most of his life. “That was my first love,” he once said to Patrick Marley, in an interview from Muckraker: “playing free and spontaneous.” Born on …
Arthur Doyle Trio
**ltd/numbered 1/50, with paste-on cover** unique formation/one of a kind Doyle LP with one long track each side, deep spiritual dimension
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“Music to me [is] the universal language, the universal way of communicating.” For Arthur Doyle, saxophonist, flautist and vocalist, music was the life force, and Doyle’s dedication to the music had him playing fast and free jazz for most of his life. “That was my first love,” he once said to Patrick Marley, in an interview from Muckraker: “playing free and…
Live 1980
**ltd/numbered 1/50, with paste-on cover** Three long tracks, amazing/perfect duo (they'd have played a lot together, real tight/know each other real well); both musicians are still very very underrated ?! fantastic solos by Mr. Reid. Recorded at the New England Repertory Theatre; Feb. 25 1980
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One of the unsung baritonists in jazz, Charles Tyler had a huge tone on his instrument and played with a great deal of fire, usually in fairly free settings. After studying piano growing up in Indianapol…
Fresh From The Ruins
Dog Life explores free improvised music on a high-energetic plateau, descending from the outskirts of free jazz, and further towards a harder, darker and undefined terrain. Their debut album was critically acclaimed in Europe as well as in the US. On their new album Fresh From the Ruins, Doglife continue to push the freejazz-punk limits and sets out new directions with elements of doom and noise.
Closer
When Oscar Peterson moved from Montréal to New York in 1949, then-17-year-old Paul Bley took over Peterson's residency at the Alberta Lounge on Peterson's recommendation; in his 20s, Bley played with Charlie Parker. Bley incorporated maverick pianist Lennie Tristano's approach to improvisation and collaborated with Charles Mingus, and in 1958 in Los Angeles famously put together a band with Ornette Coleman, Don Cherry, Charlie Haden, and Billy Higgins. His move into free improvisation in the gro…
1973: Live in Zonderschot
Incredible vinyl release of a previously unreleased live recording of a Belgian concert by the Freddie Hubbard Quintet in 1973. It was recorded by Belgian radio & television broadcasting service (BRT) and is now remastered. It is a sweet electric set recorded right in the middle of his classic years for CTI – and with a sound that's maybe even more sublime than his work for that legendary label! The group here is a hip quintet – with Junior Cook on tenor, and George Cables on some especially gr…
Earlier Outbreaks of Iconoclasm
Three early recordings by the long lasting duo of Milo Fine (clarinet, percussion and piano) and Steve Gnitka (electric guitar). The first two sessions, HAH! from 1976 and The Constant Extension of Inescapable Tradition from 1977, were issued on two hat Hut LPs (with two tracks missing). The third, When I was five years old, I predicted your whole life from 1978, was scheduled to appear on Horo, but that label went bust before it happened, so this material is now making a very belated first …
Ariha Brass Quartet
Originally released on CD by Beirut based Al Maslakh Recordings in 2015. Mark Corroto about Ariha Brass Quartet in All About Jazz upon its initial release: "The practitioners here, three trumpeters Axel Dörner, Franz Hautzinger, Mazen Kerbaj, and Carl Ludwig Hübsch on tuba, practice a unique approach to their instruments. All four musicians set aside a traditional approach to playing, substituting breath for notes, abandoning a mouthpiece, and applying amplification to microscopic sounds. Th…
Thinking out loud
Boneshaker are Mars Williams (reeds, toy instruments), Paal Nilssen-Love (drums & percussion) and Kent Kessler (bass), three prolific powerhouse musicians, carrying among them a Grammy nomination and decades of experience with the top ensembles in the world. Thinking Out Loud is their third album. Personnel: Mars Williams - reeds; Paal Nilssen-Love - drums; Kent Kessler - bass.
1977-1981
Restocked, reduced price. A collection of rare free-jazz pieces performed by John Zorn and selected by the American guitarist and music critic Eugene Chadbourne. Come out in 1998 to accompany the book release “Sonora: John Zorn” (Materiali Sonori), the album is presented here for the first time in an exclusive release in limited edition on vinyl.The special issue includes the original book that features exclusive interviews, essays and photos about the artist’s entire oeuvre up to 1988.
Hydro
300 copies. Devoting most of his time to performing with various international groups, Liudas Mockunas is hailed as an ambassador of Lithuanian jazz. He is a multi-reeds player and composer, whose name stands for masterly performance and intriguing compositions. His 'natural' idiom is an explosive mixture of free jazz, lyricism and expressionism combined with highly unconventional performance techniques. His in-depth exploration of the properties of sound and possibilities of harmonic series lea…
Walthamstow Moon ('61 Revisited)
On November 17th 1961, John Coltrane played at the Granada Theatre in Walthamstow. On November 23rd, 55 years later, free jazz legend Evan Parker made this six track recording in the same space with John Russell and John Edwards. This recording has personal resonances for Evan: he attended Coltrane's performance 55 years ago at the Granada. Evan Parker: "John Russell, John Edwards and I are going to record in that same cinema. It has had the usual chequered life of classic old cinemas of the…
Asakusa Follies
Asakusa Follies is a luminous scene of interplay between melody, breath, and the shakuhachi flute. Following on from the initial triptych of electro-acoustic releases on the Cuspeditions imprint, Clive Bell’s Asakusa Follies shifts the listener away from the studio and toward the player himself. Breath is a central theme in the album where a punctuation of purring, spitting, flicking and gasping intersects the tones, overtones and noise of the shakuhachi. The opening composition Ultramoder…
Distinction Without A Difference
A reissue of the long out-of-print first solo record by American violinist Billy Bang (1947-2011), recorded at Gaku Gallery in New York on August 12, 1979. Originally released on Hat Hut Records in 1980. Distinction Without A Difference features Bang's own compositions, extrapolated at length in an intimate live concert, as well as traditional and improvised material. Remastered from original tapes and augmented by newly discovered recordings from the same concert. Part of the large cache of his…
King Alcohol
A reissue of King Alcohol, recorded for the German FMP label in 1972. King Alcohol is one of the landmark recordings of free jazz in Europe, a mind-blowing studio session featuring Rüdiger Carl on tenor saxophone, Günter Christmann on trombone, and the astonishing Detlef Schönenberg on drums. Volatile and precise, anticipating much of the future sound of free music in Europe but also paying homage to American antecedents like Roswell Rudd and Archie Shepp, King Alcohol is truly a lost jewel. Fir…
Nuclear Family
2016 release. Multi-instrumental master Joe McPheeand his longtime colleague, French saxophonist and clarinetist André Jaume, joined forces for this studio recording in 1979 that was prepared but never released. It is primarily structured around pairs of tunes by Charles Mingus, Thelonious Monk, and Duke Ellington (or Billy Strayhorn), adding Ornette Coleman's "Lonely Woman" for good measure. The results are stunningly intimate and show the twosome's capacity for creative interplay at a fairly e…
There'll Be No Tears Tonight
2016 release. A reissue of Eugene Chadbourne's There'll Be No Tears Tonight, originally released by Parachute in 1980. One of the absolute essentials of Eugene Chadbourne's oeuvre, what he described as "free improvised country and western bebop", featuring his frantic, skewed interpretations of classic songs such as Merle Haggard's "Swingin' Doors", Roger Miller's "The Last Word In Lonesome Is Me", and Willie Nelson's "Mr. Record Man", There'll Be No Tears Tonight was recorded in Spring of 1980.…
Staffan Harde
2015 release. A reissue of Staffan Harde's self-titled album, originally released on Svenska Jazzriksförbunded Records (SJR) in 1972. Based on the tiny Swedish fishing island of Smogen, guitarist Staffan Harde created a wholly unique and wondrous approach to his instrument, documented assiduously on hand-made reel-to-reel tapes and this lone LP from 1972, which features Harde solo and with small groups. His accomplices included pianist Lars Sjösten, bassist Lars-Urban Helje, and the acclaimed pe…