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Mass Hysterism: In Another Situation, a 1983 record by the late Japanese noise-guitar hellion Masayuki Takayanagi (1932–1991) is one of those albums that always going to be lurking in my attic, so to speak. I can put it away for a while, but it never goes to sleep—it's always calling me. Even if it takes a few years, I'll be back. (As an illustration of this, I obsessed over Takayanagi in a February 2007 post as well.) It's a bashing, clanging exorcism: two electric guitars (the other played by …
Masayukia Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
The extraordinary improvising duo of John Edwards and Mark Sanders have recorded together in countless groups, but only once as a duo [Nisus Duets Emanem 2002]. For this recording, Mark uses an unorthodox kit setup with horizontal orchestral bass drum. John's huge bass sound is captured in full by the old RCA ribbon microphone used in this recording. Constantly imaginative, thrilling playing.
Vladimir Tarasov - drums, percussion, cimbalom and hunting horn, Eugenijus Kanevicius – bass and electronics, and Liudas Mockunas - soprano and tenor saxophones, clarinet and bass clarinet. Recorded at Vladimir Tarasov home studio in Vilnius, June 2014. Limited edition of 400 copies.
This limited edition LP documents a collectively birthed exploration spread across the two sides by the visiting German pair of reedman Thomas Borgmann and long time associate drummer Willi Kellers, who team up with NYC bassist Max Johnson. The concert took place as part of the New York Tenor Saxophone Festival at Ibeam in 2015 organized by Cisco Bradley of Jazz Right Now fame, hence the title. The trio constitutes a favored format for Borgmann. He's helmed two killer outfits in the past, firstl…
Otomo Yoshihide's Guitar Solo "LEFT" was released last summer but "RIGHT" is completely different from "LEFT". the 123 short fragments of Otomo's guitar sounds are run by computer programming at random so no one know how the sound played. This CD is one infinity."-Doubtmusic
"What is most remarkable about the single, 62-minute track on Otomo Yoshihide's Guitar Solos 2015 RIGHT is how consistent, top to bottom, it sounds. Or, viewed through a different lens, how much coherence (real or imagined)…
** 2020 restock, nice price** Albert Ayler's trio with Gary Peacock and Sunny Murray is best known for the July 10, 1964, recording of Spiritual Unity (ESPDISK 1002CD), the album that made both Ayler and ESP-Disk' famous when it was released in 1965. A decade after that, in 1975, ESP-Disk' also released, as Prophecy(ESP-3030), the first documentation of the group, recorded a month before Spiritual Unity by Canadian poet Paul Haines at a concert at a 91st Street club. These Cellar Café recordings…
Cello solo. Recorded on January 15, 1977. Originally released as a limited edition audio cassette (10 copies). Yves Bouliane studied double bass with Roland Desjardins at the Montreal Conservatory in the early 1970s. Not yet twenty, he had been improvising with Robert M. Lepage since 1969. Together, they formed the Trio Expansible, a group that evolved continuously in the early part of the decade (Roger Boudreau, Vincent Dionne and other improvisers succeeded one another during the few years tha…
To kick off their new “Jukebox Series”, Trost Records provide us with a single pairing up the jubilarian with German painter Albert Oehlen. It’s certainly a somewhat unexpected collaboration; but then again, Gustafsson is a restless soul, constantly looking for new challenges, constantly seeking to push the envelope – so why not team up with someone from the visual arts? Besides, Oehlen is no complete stranger to the world of music. In the 80’s, he was part of the Neue Wilde art movement – along…
Trost continues its Trost Jukebox Series of 7"s. Raymond Boni is a French jazz guitarist and composer. Joe McPhee (born November 3, 1939) is an American jazz multi-instrumentalist born in Miami, Florida, a player of tenor, alto, and soprano saxophone, the trumpet, flugelhorn and valve trombone. McPhee grew up in Poughkeepsie, New York, and is most notable for his free jazz work done from the late 1960s to the present day. Raymond Boni - guitar and electronics / Joe McPhee - soprano saxophone, vo…
Trost continues its Trost Jukebox Series of 7"s. Mats Gustafsson: tenor and baritone saxophones; Ingebrigt Håker Flaten: double bass; Paal Nilssen-Love: drums, percussion, and megaphone-sampler. It seemed to be a split between The Thing and Shit and Shine but instead they are playing together and make the most awful but visceral racket. Thumping hardcore repeato-punk is married to madcap electronics to well and truly cleanse your ears out once and for all. Both sides sort of sound like the Napal…
new album by the trio comprised of Martin Küchen – tenor and soprano saxophones, Jon Rune Strøm - double bass, Tollef Østvang - drums, released in a edition of 300. Not Quite All Included or Some Included might be appropriate names for the trio of Swedish saxophonist Martin Küchen, and Norwegian bassist Jon Rune Strøm and drummer Tollef Østvang. Reason being that the repertoire on Melted Snow partially replicates that on Satan in Plain Clothes (Clean Feed, 2015) by All Included, which comprises …
Tip! New album by the trio comprised of Giovanni Di Domenico, Peter Jacquemyn and Chris Corsano, recorded 31st October 2013 at Studio Grez, Brussels by Giovanni Di Domenico and released in a edition of 300
The Art Ensemble of Chicago is an avant-garde jazz ensemble that grew out of Chicago's AACM in the late 1960s. The Art Ensemble is notable for its integration of musical styles spanning jazz's entire history and for their multi-instrumentalism, especially the use of what they termed “little instruments” in addition to the traditional jazz lineup; “little instruments” can include bicycle horns, bells, birthday party noisemakers, wind chimes, and a vast array of percussion instruments (including f…
Much needed reissue of Emanem 4301, a classic concert and studio performances from '70-'72 by the innovative trio of Paul Rutherford (trombone, piano) Derek Bailey (guitar) and Barry Guy (double bass), which was a much expanded reissue of the early and legendary Incus LP of the same name. "What a feast! A three-CD set (totaling more than 190 minutes) compiled from six concerts featuring three of the leading British free-jazz improvisers of the 20th century: trombonist Paul Rutherford, guitarist …
Bomb! 500 copies. After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of their own making, which relies on a staggering density of ideas, chops to burn and a preternatural responsiveness. Live At Maya Recordings Festival, captured at Winterthur, Switzerland in 2011 forms another t…
A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. There are times when one fantasises about the possible collaborations that might have been: Hendrix with Miles Davis, Jeffrey Lee Pierce with R.L Burnside, Capt. Beefheart with Sun Ra ― imagination is a wonderful thing. But when a vault somewhere pops open and a collaboration of two of improvised music's ti…
"I was already familiar with Pascal Niggenkemper's work as a result of the release, Klippe by Thomas Heberer, early this summer and a superb trio with Robin Verheyen and Tyshawn Sorey, PN Trio. So this was always going to be an exciting adventure to see what his new trio would put forth. And the new album, Upcoming Hurricane, pretty much says it all. This is a heavy storm of sound that comes on quietly but resonates brightly over 60+ minutes. Clean, open and improvised, Niggenkemper is a brillia…
"It's almost a given that any new release on the Lithuanian No Business label is going to be a bit out of the ordinary. As the catalogue grows, so does its depth and breadth. Turbina Anthem vouchsafes that proposition, comprising an unusual guitar and trumpet duet by two Portuguese improvisers who deserve a wider audience. Trumpeter Sei Miguel boasts a discography stretching back to 1998 in the company of compatriots, but in recent years has made a number of appearances with American free guitar…