Jazz /
At Yoshi's
When any recording made by George Coleman is issued, it's an instant event. Though Coleman has always been busy performing, writing, and especially teaching, scant few LPs or CDs have come listeners' way. It is especially thrilling to hear him live in concert performance at the initial site of the then newly minted Yoshi's in Oakland, CA, as his extended techniques and heightened sense of tonal ideas come fully to the fore. Coleman and pianist Harold Mabern, both originally from the fertile jazz…
Live New York, Revisited
Temporary Super Offer! Recorded 1964, 1965 & 1966 live New York. 7 Tracks, 2 tracks never on CD available. "This fabulous album, recorded during three New York club engagements in 1964, 1965 and 1966, ranks among the finest in the pianist/composer's illustrious catalogue. There are several things going for it: the quality and shared intentionality of the two, slightly different, lineups; the choice of material and its careful sequencing; the vibrancy of the performances, which is enough to pract…
Green Line
*In process of stocking.* Terrific session originally licensed on Japanese indie label Nivico in 1970. Recorded at Victor Studio, Aoyama Tokyo 11 September, the album is the essential work of four wicked minds. Saxophone player Steve Marcus has been cutting his teeth in late sixties with the Jazz Composer's Orchestra, while Miroslav Vitous was the former bass player in jazz-rock pioneers Weather Report. Sharrock is still considered one of the most original player in creative music, his guitar pl…
Kirk's Work
*Limited edition of 300 copies.* Roland Kirk was one of the most creative, extravagant figures in jazz history. A master multi instrumentalist with no boundaries in terms of language, style and technique. Here we find him co-leading a strong studio session with organ specialist "Brother" Jack Mcduff. Backed up by Joe Benjamin on bass and Art Taylor on drums, Kirk and McDuff give voice to a soulful post-bop set full of groovy riffs and highly inventive instrumental ping pong. Recorded by Rudy Van…
It Might As Well Be Spring
*Limited edition of 300 copies.* Recorded in 1961 and released on Blue Note in 1964, "It May As Well Be Spring" is often considered as an ideal companion to Quebec's famous "Heavy Soul" . Here the saxophone player displays a relaxed set of standards, including classic songs from the American repertoire such as "Willow Weep For Me", "Lover Man" and "Ol Man River". Perfect material to express his warm, lyrical tenor sax voice while Freddie Roach on organ, Milt Hinton on bass, and Al Harewood on d…
Erich Kleinschuster ORF 1968-71 Bundle
In process of restock This bundle includes three double LP sets, namely "Erich Kleinschuster 6tet Feat. Clifford Jordan & Charles Tolliver / ORF / 1968-69," "Erich Kleinschuster 6tet Feat. Joe Henderson & Dusko Goykovich / ORF / 1968-70" and "Erich Kleinschuster 6tet Feat. Carmell Jones, Slide Hampton & Art Farmer / ORF / 1968-71".Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 196…
Erich Kleinschuster 6tet – Feat. Clifford Jordan & Charles Tolliver – ORF / 1968-69
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Miles In St. Louis
This collector's LP mostly features the 1963 Miles Davis Quintet (which included tenor-saxophonist George Coleman, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams) during a live apperance in St. Louis. The previously unissued music is reasonably well-recorded and gives listeners additional versions of such standards as "I Thought About You," "All Blues" and "Seven Steps to Heaven." - Scott Yanow, Allmusic.com
Red Clay
The first Freddie Hubbard album released on Creed Taylor CTI label marked a shift away from Hubbard's recording with Blue Note Records. It was the album that established Taylor's vision for the music that was to appear on his labels in the coming decade. "Red Clay" is Freddie Hubbard's seventeenth overall album.
Fire Music To Mama Too Tight, Revisited
Temporary Super Offer! 'Jost may have had Fire Music and Mama Too Tight in mind when he suggested that by 1965 Archie Shepp spoke “basically two musical languages whose grammar and syntax had hardly anything in common.” This reflected the commentaries’s insistence that a chasm existed between free jazz and mainstream jazz practices, and, implicitly, between the New Wave in Jazz and the New Breed led by James Brown. What was revolutionary about Shepp’s music is that it rejected the underlying bin…
Adam's Apple
It is unclear whether it was Wayne Shorter’s initial intention to do anything particularly ambitious during the two visits to Rudy Van Gelder’s studio in February 1966 that produced Adam’s Apple. Certainly, neither the repertoire—five recently composed Shorter tunes in AABA format and “502 Blues,” by pianist Jimmy Rowles, a hard drinker, as Shorter was at the time (the subtitle denotes the police code for drinking and driving)—nor the treatments contain the radical originality of the five pieces…
Unity
'On Unity, jazz organist Larry Young began to display some of the angular drive that made him a natural for the jazz-rock explosion to come barely four years later. While about as far from the groove jazz of Jimmy Smith as you could get, Young hadn't made the complete leap into freeform jazz-rock either. Here he finds himself in very distinguished company: drummer Elvin Jones, trumpeter Woody Shaw, and saxman Joe Henderson. Young was clearly taken by the explorations of saxophonists Coleman and …
I Had the Craziest Dream: Modern Jazz and Hard-Bop in Post War London, Vol. 1
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
Volume 2 - Sextet
In only his second date as a leader, 18-year-old trumpeter Lee Morgan was already emerging from the long shadow cast by Clifford Brown, and this session is another step in the trumpet prodigy’s molting. Still, the set may be as notable for the four hard bop compositions of Benny Golson – including the first appearance of the soon-to-be-standard “Whisper Not” – and a stellar band of (mostly) young turks that included Hank Mobley on tenor, Horace Silver on piano, Paul Chambers on bass, Charlie Per…
Cloud 10
Saxophonist, flautist Chip Wickham takes us to Cloud 10 with his most soulful and lyrical album to date Chip Wickham is a jazz musician and producer who divides his time between Spain, UK and the Middle-East and who has made a name for himself with a series of beautifully crafted solo albums that draw equally on the hard swinging spiritual jazz of Roland Kirk, Yusef Lateef and Sahih Shihab, alongside the music of British jazz legends such as Tubby Hayes and Harold McNair and the more contemporar…
How Long This Time? Live 1970
*All tracks previously unreleased. Stereophonic sound.* Featuring the classic KTG frontline of Marc Charig, Nick Evans and Elton Dean with rhythm section appearances by British jazz luminaries Jeff Clyne, Trevor Tomkins, Roy Babbington and Bryan Spring. These six previously unreleased live studio tracks were recorded for broadcast purposes in January and August of 1970, between the group’s two now seminal British jazz/rock releases for the Polydor and Vertigo labels respectively, 1969’s ‘You Are…
The Prophet
In 1954, during his first trip to Paris, the adventurous pianist and be-bop pioneer Thelonious Monk recorded a handful of songs for French radio, later issued as The Prophet. Unencumbered by bass, drums or other a companiment, Monk gives us all we need in left-hand rhythms and right-hand melodies; ‘Round About Midnight’ and ‘Reflections’ di play masterful command and there’s a one-off take of ‘Smoke Gets In Your Eyes.’ Highlighting his capabilities in full, this is required listening for Monk fa…
Hamburg 1968
*All tracks previously unreleased. Stereophonic sound. In process of stocking* Composer/bassist, Graham Collier’s career was littered with “firsts” – Britain’s first jazz graduate, first jazz musician to be awarded an Arts Council grant, founder of the first full-time jazz degree in the UK. More to the point for our purposes here, he was the first British musician to perform his own music at the Hamburg Jazz Workshop. Collier opened doors to opportunities for himself and other British musicians …
Blakey In Paris
*300 copies limited edition* This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and…
Down With It
*2022 stock* Futura Marge presents Down With It by James Spaulding (saxophone alto & flute), Pierre Christophe (piano), Raphaël Dever (contrabass) & Mourad Benhammou (drums).
Recorded live in Paris at the Sunside on July 22nd, 2006. ℗ & © 2006 Terronès