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Reissue of Hiroshi Suzuki’s glorious jazz-fusion-funk Holy Grail Cat. Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown. The result, …
Pioneering, magisterial compilation, which turned many of us here onto Mustafa Ozkent, Fikret Kizilok, Erkin Koray, Temiz and co, a decade ago. Still dazzling, fresh, essential.
1991 release ** "Combining rhythic rock strength with the unrestrainable consequence of free improvisation. In the course of playing, amazingly sharp contours arise. There is no expression for style that can describe this audacious mixture of precision and imagination. Music as a celebration of the moment with the undertone of euphoria, reflection, pure desire and wild anger. Mobile architecture, movable sounds, moving and hair-raisingly beautiful. Jon Rose: Cello, Violin, Keyboards - Peter Holl…
Live at BBC 1970 captures the raw energy and innovation of Nucleus in their formative year, presenting a selection of live sessions recorded for the BBC just as the group was redefining British jazz-rock. Founded by trumpeter Ian Carr, Nucleus emerged from London’s vibrant late-60s scene and quickly established themselves at the forefront of jazz fusion, inspired by the electric revolution of Miles Davis.
This LP features standout performances of key tracks from their groundbreaking debut Elasti…
2001 release ** "Gravitar were an American band who appear to be influenced by K.K. Null’s work in Zeni Geva, with similar dense walls of oppresive guitar but more expansive in it's approach. Self-proclaimed as the "world's loudest Jazz band" and described by WM. Rage as "Too noise for rock, too rock for noise...". Extreme music inspired by everything from Charlie Parker to John Zorn to the sound of breaking glass. Heavy and harsh walls of psychedelic noise!!!"
2007 release ** "Improvisations between jazz, minimalism, cosmic influences and acid rock; few are the possible comparisons, above all probably Sunburned Hand Of The Man. The music creates a decidedly hypnotic but also tribal effect, all immersed in a spatial atmosphere in which dilated and rarefied sounds are lost around percussions that oscillate between hypnosis and obsession."
This vinyl album by Micheal Mantler is new old stock from Ecm archives. For light relief from his darker, more existential works, Michael Mantler assembled two fine ensembles at the end of the 1970s to play music that might be described as the Thinking Man’s Answer to Fusion. Imagine walking into an art house cinema where the projector runs without film - the stories unfolding purely through Michael Mantler's haunting trumpet and the alchemy of his stellar ensemble. That's the experience of Movi…
Widely regarded as one of Pat Metheny's most inspired recordings and now considered a classic of instrumental and improvised music, *80/81* unveiled a bold new dimension of the then-26-year-old guitarist's sonic world. Released in 1980, this groundbreaking album marked Metheny's first collaboration with jazz luminaries from multiple generations, including bassist Charlie Haden, saxophonists Dewey Redman and Michael Brecker, and drummer Jack DeJohnette.
Drawing equally from the freewheeling spiri…
Over the years, Pat Metheny Group's Grammy-winning double live album Travels has earned a singular reputation among jazz aficionados as one of the most distinctive and impeccably recorded live jazz albums of all time. Upon its initial release, it appeared on numerous year-end best-of lists, with The Wire hailing it as simply "remarkable" and "superbly recorded."
The album captures the Pat Metheny Group during their 1982 US tour, a period when Brazilian percussionist Nana Vasconcelos had become a…
A vibrant blend of Finnish jazz-rock, featuring intricate arrangements, modal harmonies, and memorable melodies. The result is an immersive, forward-thinking listening experience
Soul Media, led by Jiro Inagaki, played a part in the development of jazz rock in Japan. This work, "Memory Lane" recorded in 1980, was the final work under the same name. Inagaki said about this work, "We tried to create this work while predicting the fate of fusion music" and it is true that the sound is completely different from ordinary fusion. The mellow and emotional "Memory Lane" the stormy and refreshing "I Will Give You Samba" and the groovy and edgy "Take My Hand". The sound that was c…
*2025 much needed repress!!* Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
*2025 much needed repress!!* Since it's formation in 1969, Soul Media had been advocating a fusion of jazz and rock. The next step along that line was this album, In the Groove, recorded in 1973. The sharpness of jazz is brought to the forefront, with rock melting in to give it an edge, and funk injected to imbue it with power and resilience. The result was a strong, sophisticated, and simply "cool music" that could not be categorized within existing genres such as jazz rock, jazz funk, or fusio…
2007 release ** "Pangolinorchestrà is a hybrid between a village band, ICP-tet, Liberation Music Orchestra, Albert Ayler Band, Jimi Hendrix Experience, N.E.E.M., Screamin Jay Hawkins, Jannacci and assorted Bennink-stuff. “Ex-perimento #5” - recorded at the “Centro Stabile di Cultura” in San Vito di Leguzzano and produced by the same Center in cooperation with Idee Nere and Stella Nera - gives a good image of a band whose forte should be the action directed from above the stage."
Right out of the gate one feels the energy and excitement between Japanese trumpeter Natsuki Tamura and NY drummer Jim Black, each pushing the other through strong instrumental character and outrageous technique over nine Tamura compositions recorded in the studio in Switzerland, their first recording in 25 years since their 1999 Buzz Records album White and Blue.
Propelled by the confidence and intimacy that a familial relationship brings to two improvisers, imbued by each player's masterful technical skills and creative drive, the husband and wife duo of pianist Satoko Fujii and trumpeter Natsuki Tamura expand their catalog with this set of magnificent dialogs, sometimes quirky, always powerful and implicitly lyrical.
Massacre was a guitar trio formed by Fred Frith, who moved to New York after the break-up of Henry Cow, with Bill Laswell (b) and Fred Marr (dr). The album was greeted with surprise and acclaim at the time as the work that steered Frith towards an aggressive, sharp-edged sound based on improvisation. The trio disbanded after one album and reformed in 1998, replacing Charles Hayward on drums, and this time the album is reissued at the correct pitch, as intended by the artist, after being released…
2025 stock Recorded during a show at the Storyville jazz club in Molde in May 2012, this could very well be their finest recorded effort during their ten years of Bushman's Revenge as a band. Bringing new meaning to the concept of loose but tight, they blend the freedom of jazz with the energy of rock in the most convincing ways as they race through numbers from all their previous four Rune Grammofon albums, taking no prisoners along the ride. On top of everything it´s also really well recorded …
2025 stock It's no secret that we have a soft spot for this fabulous group and would wish nothing less than world domination for them. With one leg in heavy rock and one in jazz, what they do seems to be almost a lost art when it comes to making records. Basically meaning great musicians playing together in a proper recording studio, interacting and playing off each other. The tracks are mostly first or second takes, there is no editing and just a couple of overdubs on the whole album. And while…
2025 stock Formed in 2003, the Oslo based trio are upfront about their love for the progressive rock of Cream and Jimi Hendrix, the galactic jazz of Sun Ra, Ornette Coleman, Sonny Sharrock and Alice Coltrane, plus the raw power of Black Sabbath and The Pixies. «Thou Shalt Boogie!» is their sixth album on Rune Grammofon and has a velvety, warm sound that was captured at Athletic Sound in Halden, Norway, a legendary old school studio with a 30-year history. Superbly paced, and poised in the indefi…