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"Space Jungle Luv" emerged in 1976 (a year after the classic "African Rhythms" set) and marked a distinct change of direction for Plunky and co. Their feet were still in the ghetto, but this time they were looking at the stars; headed up by the strong, sweet vocal stylings of Jacqueline Holman (aka Lady Eka-Ete) and Branch's often effects drenched saxophones, this is cosmic dancefloor jazz of the first water.
Also known as the leader of the jazz trio Inga, Sam Gendel is an L.A. saxophonist who has developed a free and unique sound that has been described as psychedelic, outsider, and meditative, and Shin Sasakubo is a Chichibu-based guitarist. A new album by the duo of Sam Gendel, an up-and-coming saxophonist from LA, and Shin Sasakubo, an uncanny guitarist based in Chichibu, who is also active as a photographer and contemporary artist. The two showed great chemistry in Shin Sasakubo's previous work …
** Deluxe 3LP set, housed in heavy tip-on box with pigment ink foil stamping, mounted film laminated cover painting by Jeff Schlanger, three printed inner sleeves with original notes by William Parker and Alan Licht, original concert flyer re-print and a five photograph portfolio in black envelope ** A legendary concert by one of the great unrecorded bands in free jazz history is here at last. WEBO, the third installment in the Black Editions Archive series of previously unreleased recordings fr…
Tip! The word Asapani is part of the artistic vocabulary of Paolo "Batà" Bianconcini, percussionist of the La Scimmia Records collective, founding member of the Circolo Psiconautico and part of the Neapolitan bands Parbleu, Funkin' Machine and Nu Genea. This ancient-sounding term is a creation of the artist, who defines it as a word of nature, but also the (italian) acronym of Listen to the Silence, Listen to the Peace, Listen to the Inner Nothingness. More than a simple term, an exhortation. T…
jazz milestone from Los Angeles-based musicians Sam Gendel & Sam Wilkes. Music for Saxofone and Bass Guitar is a collection of recordings captured live on a Marantz PMD-720 4-Track Cassette Recorder at Mh Zh and Pacê between November 2017 - February 2018 in Los Angeles, CA
4th edition of 500 units*4th edition cover art, reversible JCard*4th edition clear cassette shell*album audio in-full on both sides*shrink-wrapped
The follow-up to 2018's underground jazz milestone from Los Angeles-based musicians Sam Gendel & Sam Wilkes. Music for Saxofone & Bass Guitar More Songs collects nine additional songs from the duo. Performed, recorded, mixed and produced by Sam Gendel + Sam Wilkes additional bass by Daniel Aged
*2nd edition of 500 units*2nd edition reversible JCard*black shell, sticker label*album audio in-full on both sides*shrink-wrapped
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Limited and numbered first edition of 300 copies, signed by the artist. This incredible triple LP box contains the masterpieces of the percussive art of Andrea Centazzo. Realized in 1980, this album took Andrea Centazzo at the peak of his percussionist career.Indian Tapes is not, as one might be led to think, an album inspired by the music of native Americans (which consists mostly of simple monadic and …
*2023 stock* Percussion improvisations and compositions from the early years. Using an array of 300 percussion instruments and the first models of electronic analog percussion Centazzo created a sonic landscape where the interaction of skin, metal and wood sounds and electronic sounds are endless in an original and futuristic blend.
Just Restocked ** The three groundbreaking Milford Graves LPs in bundle at a special price. Sourced from the master tapes. First-time vinyl reissue ** Babi: By the early '70s, Milford Graves had more or less stopped gigging. Having learned his lesson the hard way in multiple-night runs like a legendary Slugs' residency with Albert Ayler, he knew that the level of energy that he put out during a performance would be difficult to sustain over the long haul. A concert was a kind of absolute ritual …
Mega Tip! **Sourced from the master tapes. First-time vinyl reissue ** By the early '70s, Milford Graves had more or less stopped gigging. Having learned his lesson the hard way in multiple-night runs like a legendary Slugs' residency with Albert Ayler, he knew that the level of energy that he put out during a performance would be difficult to sustain over the long haul. A concert was a kind of absolute ritual for him, after which he would be totally spent, emotionally and physically. Graves rar…
ecoegoe is an ensemble led by bassist, composer, and producer Mark Ibsgaard Gregersen. During early developments, he had experiences where acoustically made sounds would resemble digital samples, echoes, and compression. Or was it just an idea? Their sound is loud and intense while also containing the fragility and closeness of an interplaying acoustic ensemble. The septet consisting of saxophones, percussion, double bass and synthesizer explore sonic, rhythmic and structural inspirations from e…
The singular Norwegian percussionist Ingar Zach, a long-time member of paradigm-shifting experimental ensembles like Huntsville and Dans les arbes, delivers his eighth solo recording, and his first on the superb Belgian imprint Aspen Edities. The percussionist digs even deeper into his sonic research, transforming a massive bass drum used in orchestral music, as a resonant surface for otherworldly, texture-rich excursions that mix-and-match rhythm and color in ever-shifting combinations.
**300 copies** Edmony Krater grew up on the side of Morne Rouge in Sainte-Rose, north of Guadeloupe. His mother sang in church, but Edmony was drawn to the sound of Gwo Ka, which was frowned upon but very present in ceremonies or funeral vigils.
As both a fashion designer for the theater and a musician (percussion, trumpet, vocals) in the group Gwakasonné, formed by Robert Oumaou and Georges Troupé, Edmony left Guadeloupe in 1983 to settle in mainland France just after recording their first albu…
Black Editions Archive is ecstatic to announce the next chapter in the Milford Graves Archive series, the double LP Children of the Forest, previously unreleased 1976 sessions with Hugh Glover and Arthur Doyle that re-write the book on Milford Graves' ensemble music of the 1970s. Graves recorded these sessions himself in his legendary Queens basement laboratory and workshop in the months immediately leading up to the March 1976 session that produced what many consider his most iconic album, Bäbi…
This discounted bundle includes both double LPs released so far in the "Hyperituals: Black Saint / Soul Note" series:Various Artists "Hyperituals Vol. 1 - Soul Note" (2LP)Various Artists "Hyperituals Vol. 2 - Black Saint" (2LP)"Hyperituals Vol. 1 - Soul Note" (2LP)After enjoying roughly half a century at the center of popular culture - despite its continued, towering cultural importance - by the 1970s jazz had fallen onto hard times. Its audiences drifted away, heeding the call of less demanding…
Drawing to light rhythms, grooves and Afrocentric traditions, Hyperjazz Records takes an unprecedented dive into the incredible back catalog of the seminal Italian imprint, Soul Note, with “Hyperituals Vol. 2”. Gathering an astounding group of recordings by Sun Ra Arkestra, Archie Shepp, Karl Berger, Muhal Richard Abrams, Lester Bowie, Cecil McBee, John Carter, Joseph Jarman, Don Moye, Johnny Dyani, Don Pullen, World Saxophone Quartet, and others - many of which have never before appeared on vin…
One of the towering creative musicians of our time, a master drummer and multiple percussionist, Hamid Drake has anchored inumerable bands. As a hard working player, constantly touring the globe, he's collaborated with most of the major figures in improvised music and contemporary jazz, from David Murray and Peter Brötzmann to Pharoah Sanders and Don Cherry. Along the way, Drake has never had an opportunity to stop and make a solo record. Indeed, he's only performed solo on a few occasions. John…
*2022 stock* Amazing 1976 record by drummer George Otsuka, Physical Structure is an amazing jazz-fusion record featuring Fumio Karashima on piano and Fender Rhodes and Shozo Sasaki on tenor sax. Check the surprising and sublime cover of Naima which alone justifies to get this record! Personell list: George Ostuka (drums), Shozo Sasaki (tenor and soprano sax), Fumio Karashima (piano, electric piano and synthesizer), Mitsuako Furuno (bass), Norio Ohno (percussion).
There are many cultures that use repetitive, percussive music to induce meditative states. In cultures as diverse as those in Asia, the Middle East, and West Africa, the drum has been used to weave entrancing patterns that move the body and mind. Drummer/composer Dan Kurfirst has been studying the drums, rhythms, and their combined effects on the body and mind. His new recording, Arkinetics, provides a fascinating encapsulation of his study of global rhythms, free improvisation, and engaging pro…
*Limited edition of 500 copies* Drummer and composer Edward Vesala, the most internationally renowned jazz musician from Finland, was very keen on percussion instruments. Oddly enough, this broad and enduring interest is hardly evident on his albums.Whether playing on his own albums or contributing to other musicians’ work, Vesala played a standard drum kit most of the time. He hardly used external percussionists on his own albums either. And most of all: his music was almost never percussive, a…