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Following his striking 1968 debut Ghetto Music, the radical trumpeter and composer Eddie Gale presented an extension of that vision continuing to seek truth and justice through his music on his magnificent 2nd Blue Note album Black Rhythm Happening, recorded in 1969. Joining the Noble Gale Musicians (Gale, saxophonist/flutist Russell Lyle, and bassists Judah Samuel and Henry Pearson) and Noble Gale Singers (including Joann Gale Stevens and Fulumi Prince) are guest musicians including alto saxoph…
*2026 repress!!!* Oh yes! First ever official reissue of the positively sublime and very rare Butterfly LP, recorded in Tokyo in 1979 by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse M…
*2026 repress!!!* What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records. Maybe it was a little too out there for the time, but it’s aged very, v…
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…
Harold Ousley’s The Kid! is a superb example of early-1970s soul-jazz and jazz-funk, putting the spotlight on the saxophonist’s distinctive tone and commanding presence. From the first notes, the album radiates energy and character, marrying dynamic phrasing with a deeply confident sense of swing.
The record thrives on infectious grooves, a tightly locked rhythm section, and spirited improvisation that keeps the music moving at every turn. Seamlessly blending the worlds of jazz, funk, and soul, …
On Timeless Records: From The Archives (1974–1991), Antal rethreads the Dutch label’s glory years into a double‑LP of modal and spiritual fire - from Pharoah Sanders to Art Blakey, Woody Shaw and beyond - built for dancers, diggers and late‑night headphones alike.
*2026 stock* A mid-seventies entry from the Tsuyoshi Yamamoto Trio, and one of the records where the leader's bluesy, groove-conscious side comes most clearly to the front. The title track is the Ramsey Lewis standard, and the choice tells you most of what you need to know about the date: Yamamoto's trio was a working unit happy to engage with the soul-jazz and groove-jazz vocabularies that had been moving the music since the late sixties.
The rest of the programme balances that with the lyrical…
*2026 stock* A later Sunao Wada session for Three Blind Mice, and one of the more outward-looking records in his TBM run. The quintet-plus-one format brings the saxophonist and flautist Minoru Ikeno alongside Wada's working group, and the addition shifts the music's centre of gravity, opening up the writing to longer tones and more spacious harmonies. There's still plenty of the bluesy swing that runs through Wada's discography, but the textures here are wider: Fender Rhodes lacing through the h…
*2026 much needed repress!!* "Written and arranged by Hiromasa Suzuki, and originally released in 1975 on Nippon Columbia, this album is incredible, and truly well-named - funky stuff, indeed! Fat bass, a great variety of guitar sounds, horns and organ, and crisp drums: this is an instant favorite! From the end of the 1960s, saxophonist Jiro Inagaki led groups such as The Soul Mates, and His Black Rhythm Machine, blasting down the jazz rock road before forming Soul Media in 1969. The album Funky…
This album is a masterpiece in which the three core pillars of Akira Ishikawa’s musical vision—jazz, rock, and African music—are fused in a sublime and thrilling balance. One arresting track follows another: the solemn and majestic “Prayer”, evoking the eternal land; the clear yet subtly psychedelic “Dawn”; the serene and beautiful “Love”; and the highly dynamic, explosive “Jumbo”. The brilliance of Hirmasa Suzuki’s arrangements deserves special mention—simple yet profoundly deep, they give vivi…
On Schematics For A Blank Stare Volume 4, Jeffery Scott Greer digs deeper into his cracked-beat, sample-scarred universe, sketching late-night instrumentals that flicker between head-nod hypnosis and uneasy, half-remembered dream logic.
Open Sky Unit capture a warm‑blooded corner of 1970s Belgian jazz where a family of musicians stretches soul songs into jazz‑funk sermons, turning a small Liège club into a glowing, rough‑edged sanctuary.
*2026 repress* Searching was self-recorded in Ronald’s living room on a 4-Track Tape Recorder in 1984. The recordings symbolise his engagement to cross-over everything that was known to him musically at that time. Most importantly, all recordings reflect his personal way of searching; searching for his own characteristic sound. Rhythmical patterns meet well balanced distortion, shaping the music into a mirror of his character. He was part of several Dutch Latin and Jazz bands, including Cascada …
On Motherland, The Visitors - brothers Earl and Carl Grubbs on alto and tenor saxophone - channel late Coltrane’s searching fire into a spiritual soul‑jazz ritual, all tenderness and incantation wrapped in a warm, analogue glow.
This 1973 album captures Roy Ayers in the midst of a creative evolution toward a sound increasingly influenced by soul and funk, surrounded by accomplished collaborators such as keyboardist Harry Whitaker and Strata-East musicians Charles Tolliver and Sonny Fortune. The album includes outstanding versions of ‘Ain’t No Sunshine’ and ‘Day Dreaming,’ along with original compositions such as ‘Cocoa Butter,’ ‘Rhythms of Your Mind,’ and the superb title track, ‘Red Black & Green.’
In the early 1970s, …
Originally released in New York in 1968 on Baraka's own Jihad label, "Black and Beautiful Soule and madness" is a fiery document of the 1960s. It could be mistaken for a lost ESP-Disk release, sitting well between Sun Ra / the Fugs/ and Albert Ayler. The group was vocal in all the ways; sometimes singing, Doo-wop & Soul, sometimes rapping in a Last Poets-style, often doing both at the same time. Emotionally compelling and extremely powerful,we are proud to have it back in print on vinyl for the …
Released in 1979, Tete Mbambisa's Did You Tell Your Mother delivers the ultimate blend of African groove with American modal grace, making it one of the all-time classic albums of South African jazz. With Mbambisa presenting original compositions at the piano alongside Basil "Mannenberg" Coetzee on tenor sax and flute, the acoustic quartet featured here is rounded out by Zulu Bidi from the band Batsumi on bass locking in with Dollar Brand drummer Monty Weber. This 2026 reissue presents a flat tr…
Awarded an honorary doctorate from the University of Cape Town in 2023, pianist Tete Mbambisa (84) is a legendary figure in South African jazz. Supported by the cream of the local scene, his albums from the 1970s are among the most cherished vinyl documents from this golden era. A monumental archival undertaking, African Day compiles unreleased recordings from 1976 to resurrect a "lost" Tete Mbambisa double album that falls between his seminal works Tete's Big Sound (1975) and Did You Tell Your …
Two 1970s’ CTI albums and 1980’s ‘Skagly’ make up this triumvirate from trumpeter Freddie Hubbard. Amongst those sidesmen featured on these albums are Billy Cobham, George Duke, George Benson, Hubert Law and Jeff Baxter. ‘Keep Your Soul Together’ and ‘Polar AC” both made the US Top 200.
Digitally remastered and slipcased with extensive new notes.