Jazz /
Expansions
When Lonnie Liston Smith left the Miles Davis band in 1974 for a solo career, he was, like so many of his fellow alumni, embarking on a musical odyssey. For a committed fusioneer, he had no idea at the time that he was about to enter an abyss that it would take him the better part of two decades to return from. Looking back upon his catalog from the period, this is the only record that stands out -- not only from his own work, but also from every sense of the word: It is fully a jazz album, and …
Nothing but the Music
The sounds of late '70s and '80s east coast avant-garde jazz, soul, and punk rock are well documented, but in Nothing but the Music Thulani Davis gives us something beyond, delivering a collection of synesthetic, transportive documentary poems that breathe anecdotal and impressionistic life into a sonic-social history about which most can only speculate. Davis' verse takes free flight with its muses, scatting and leaping off the page and the shoulders of the musicians, nightclubs, and choreograp…
Armitage Road
**Seminal Spiritual Jazz from South Africa, 1970. Officially licensed and remastered re-issue**. With a unique sound founded on a persuasive mix of American and African jazz, Armitage Road, originally released in 1970, was the only studio recording released by South Africa’s Heshoo Beshoo Group. As a highly prized collector’s item, a re-issue and re-appraisal of this lost gem from the apartheid era has been long overdue. Heshoo Beshoo loosely translates from the inter-tribal lingo of the townshi…
Rejoice
Reissue. Originally released in 1981. "A two-LP set on Theresa, Rejoice features Pharoah Sanders in excellent form in 1981. Sanders sounds much more mellow than he had a decade earlier, often improvising in a style similar to late-'50s John Coltrane, particularly on 'When Lights Are Low,' 'Moments Notice,' and 'Central Park West.' The personnel changes on many of the selections and includes such top players as pianists Joe Bonner and John Hicks, bassist Art Davis, drummers Elvin Jones and Billy …
Black Is The Color: Live in Poughkeepsie and New Windsor 1969-70
Never-before-issued music from three very different settings in upstate New York, all recorded in the period running up to Poughkeepsie multi-instrumentalist Joe McPhee's Nation Time (CVSD 054CD). From a year before that landmark LP, in the same hall at Vassar College, McPhee led a band with soulful vibraphonist Ernie Bostic and voluble rhythm section of Tyrone Crabb and Bruce Thompson, both of Nation Time fame, performing a John Coltrane-oriented set that included versions of Mongo Santamaria's…
Relativity Suite
**Strictly limited to 300 copies. Clear Vinyl** Finally available again on vinyl! Don Cherry's Relativity Suite, recorded with the Jazz Composer's Orchestra in 1973. At this time, Cherry was becoming increasingly interested in Middle Eastern and traditional African and Indian music, having traveled extensively and studied with Indian musician Vasant Rai. This suite of songs was particularly influenced by the Indian karnatic singing tradition, as can be heard from the very opening moments of the …
Why Don't You Listen? - Live at LACMA, 1998
CD Version. This previously unreleased concert recording by the Pan Afrikan Peoples Arkestra of pianist-composer-bandleader Horace Tapscott and a chorus under the direction of vocalist Dwight Trible is a wonderful example of how Tapscott channeled the political and cultural aspirations of a community into music of deep beauty and lasting value.
The album opens with a big band version of “aiee! The Phantom,” a Tapscott original propelled by a vamp that spurs Michael Sessions into a melodic tenor…
The Weather Up There
Chicago drummer and composer Jeremy Cunningham wrote The Weather Up There in response to the loss of his brother Andrew, who died in a home invasion robbery in 2008. Co-produced by Jeff Parker and Paul Bryan, and engineered by Paul Bryan and John McEntire, this new work confronts the tragedy of violence and examines the acute ripple effect on several people's lives through the lens of memory, response, and collage. Further deepening the textural and emotive impact, Cunningham formed a “drum choi…
Jazz Rock
They say you can't judge a book by its cover, and going by 'Jazz Rock’, nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'yō music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost …
A Love Supreme
One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet-- Elvin Jones, McCoy Tyner, and Jimmy Garrison -- stepped into the studio and created one of t…
Elevation
Born in Paris, raised in Vienna, resident in Ibiza, saxophonist and composer Muriel Grossmann embodies the borderless, pan-continental energies of contemporary European jazz. Her music emerges from the lineage of European jazz that’s absorbed the progressive music of Coltrane, Dolphy and Sanders.
Today, she cites players such as Illinois Jacquet and Lester Young in the same breath as the masters of the avant-garde, and her playing marries the directness and eloquence of the older generation with…
Deep Stream
It was way back in 1979 when multi-instrumentalist Dawan Muhammad joined forces with a swathe of talented fellow jazz musicians to record and ultimately release Deep Stream, a private press exploration of spiritual jazz that has long been a must-have among serious collectors. Here High Jazz delivers the reissue we've all been waiting for. The set remains as timeless as ever, with highlights including the breezy bliss of the title track, the epic, reach-for-the-stars flex of "Sun/Moon/Stars" (whi…
The Music Finds a Way
In the post World War II era, dozens of young African Americans in South Central Los Angeles found their way to careers in music. In a community facing challenging social conditions and with little to no outside support, they would become artists, supported by the best that their community and culture had to offer, from neighborhood and family to schools and churches, private teachers, formal and informal spaces and institutions, and more than a few unsung heroes.
“The neighborhood was tough, b…
Sweet Heritage
Rare private press Jazz-Funk with breaks and some spiritual influences reminiscent of Brother Ahh at times. The group cover Stevie Wonder’s You Are the Sunshine of My Life and play originals that include Sweet Heritage, Free Will, One of a Kind (Love Affair), Serene Beauty, and In the Fall of the Year. This is a beautiful sounding record with elements of straight Jazz, Soul-Jazz, and some funky stuff including some Free and Afro-centric influences.The main man is Jaman himself (J.E. Manuel) on k…
Oracy
**Seminal Spiritual Jazz from Detroit, 1977. Officially licensed and re-mastered re-issue**. Comes with fold-out insert of Ade Olatunji’s Poetry that features on the album and never before seen artwork designed by New Zealand based designer David Broome. Oracy' by The Positive Force & Ade Olatunji belongs to the body of 1970s recordings that joined two of the great African American vehicles for expression, jazz and poetry, into a single, powerful force. A profoundly inspiring that doubles as an …
Pyramid Pieces : Modal & Eco-Jazz From Australia 1969 1979
Borrowing its title from an infamous Australian jazz composition, Pyramid Pieces is a long overdue compilation which documents a period of Australian modern jazz that flourished during the late 1960s and 70s. A brief yet vital survey which examines an isolated yet thriving vibrant scene that was largely unheard outside of its own country. Whilst many local musicians found success abroad in the UK or the USA, those that remained found limited support for jazz from the commercially-minded mainstre…
Blacknuss
Blacknuss was a trend-setting iconic contribution to jazz. Rahsaan Roland Kirk’s creative force helped to define musical culture. From its opening bars, with Bill Salter's bass and Rahsaan's flute passionately playing Bill Withers' "Ain't No Sunshine", you know this isn't an ordinary Roland Kirk album (were any of them?). As the string section, electric piano, percussion, and Cornel Dupree's guitar slip in the back door, one can feel the deep soul groove Kirk is bringing to the jazz fore here. A…
Journey To The One
A later album by Pharoah, but one of his best! The record has a solidity that matches all of the soulful spirituality of his Impulse years with the a tightness that really sends the message home. Sanders on this LP is next to perfect
Visions Of A New World
Pianist Lonnie Liston Smith began his true professional career with Pharoah Sanders and then moved on to the very electric Miles Davis band before embarking on his own journey -- one that took him deep into the waters of pop music and disco by the late '70s. On "Visions Of A New World", Smith, accompanied by his working unit the Cosmic Echoes, digs deeper into the soul-jazz vein that he had begun exploring on "Expansions" and "Funk Extraction" in 1973 and 1974, respectively. In 1975, Smith was l…
Oiro Pena 2
Tip! **350 copies, to be released on 30.05.2020** Second release from Finland’s finest underground jazz collective, four new tracks in the same spiritual-energetic playful bag we dig! Limited edition 10", comes numbered and with download code insert.