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Following the critical acclaim of his debut album "Sarda Sarda," London based Or Kantor is set to release a captivating tribute to the Japanese jazz legend Masaru Imada. The cover version, a reinterpretation of Imada's classic piece, is a testament t…
On Nightshades, Celestial Hex step out of Berlin’s mist with a sleek strain of electro‑noir: neon‑bleeding synths, darkwave pulse and vampiric hooks that feel custom‑built for creatures of the night raised on grainy 80s cult cinema.
Magick Knives channel desert night into sound: cinematic post‑punk steeped in gothic rock, darkwave and shimmered synths, where hypnotic bass, spectral guitars and whispered occult glamour coil into slow‑burn rituals.
On Break The Faith, Repeated Viewing drags his VHS‑streaked horror synths onto the factory floor, hammering grime, dread and adrenaline into a streamlined industrial brawler built for raves in the rubble rather than candlelit cult screenings.
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band arte…
Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.
On Poco zucchero, Faust'O sharpens Italian songwriting with new‑wave edge, threading synth‑driven melancholy through eight compact tales of absence and longing, anchored by "Oh! Oh! Oh!", the 1979 Festivalbar hit that made his name stick.
In Italy, during the 1970s, the state television (the only one available; no other channels existed yet) used to entertain evening viewers with multi-part fiction that often dealt with dark, esoteric, mysterious, science fiction, or even outright hor…
One of the most iconic Italian library music albums ever, Woman’s Colours by the Giancarlo Barigozzi Group (with Sergio Farina and Oscar Rocchi) emerged from Milan’s vibrant studio scene. Originally released in 1974 under the supervision of Fabio Fab…
On Heavy Soul Dance Party, Saint Tropez Orchestra boil their library‑funk fantasies down to pure floor business: 11 cuts of raw, four‑track psych‑soul and break-heavy grooves that sound like they’ve been beamed straight from a 1972 basement to your l…
On Thèmes et Atmosphères Volume Two, Saint Tropez Orchestra turbo‑charges its fake‑soundtrack brief into a sweat‑slicked library‑funk fantasia: breaks, bass and Hammond‑driven strut custom‑built for crate‑diggers, b‑boys and imaginary 1970s spy reels…
To mark the centenary of composer Piero Umiliani, born in Florence in 1926, Cinevox Record is pleased to reissue his fabulous score for the 1970 film 5 Dolls for the August Moon, directed by Mario Bava, on a double CD. To produce this double CD, we w…
Moving Images is a collaborative album by composers Frank Maston and Greg Foat, and marks the inaugural release on Magic Hollow, the new imprint founded by Daniel O’Sullivan. Rooted firmly in the tradition of classic library music, the album draws fr…
Barbara Moore's seminal 1981 library music masterpiece Bright And Shining receives its first-ever vinyl reissue, limited to 750 copies worldwide on 140g vinyl. This breezy, dreamy fusion of jazzy soul grooves, Fender Rhodes, pumping bass, and celest…
Here comes one of the most hidden 70s Cosmic Soul Funk vinyl 45 from East Germany. With the desire to bring the black Soul & Funk rhythm to the stages and dance floors of the GDR, a short-lived top band was formed after the dissolution of the Horst K…
Psyché II is the sophomore album from the Neapolitan band formed by Marcello Giannini, Paolo Petrella, Andrea De Fazio, and Roberto Porzio. While their debut was rooted in the myths of the Mediterranean, Psyché II pushes beyond those borders. Here, t…
On Mocomono, Hifiklub & Alain Johannes turn a two‑decade friendship into a glowing, slow‑burn suite: guitars, textures and voices dissolving into an ambient rock vapor where the Toulon collective’s restlessness meets Johannes’ desert‑honed lyricism.
On High Tide, Eddie Suzuki and his New Hawaii band fold psych shimmer, island melody and 70s pop craft into a quietly visionary song cycle - a warm, Hammond‑lit portrait of “now Hawaii” that feels both homemade and gently cosmic.
Recorded and mixed at Reverb Eye Sound Palace by Alexey Chilakhin in 2021-2024.Produced by Get High Sofa Social Club.Photos by Maksim Gaganov.Design by Spasibo Records.
Artem Petrov - bassDanila Sochnev - guitarAlexey Chilakhin - guitarAndrey Panin …