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Eight years after the masterpiece Africa Oscura, Four Flies revisits Giuliano Sorgini’s afro-dark universe, unearthing and compiling another suite of previously unreleased music recorded by the Roman composer for television documentaries in the mid-1970s. Savana Selvaggia is a tribute to the continent that left the deepest mark on Sorgini’s creative trajectory. Traversing ancestral percussion, synthesizers, enigmatic themes, and mystical expanses almost like a spiritual journey, Savana Selvaggia…
New collaboration between the Jakarta trio Ali and Lebanese composer and multi-instrumentalist Charif Megarbane: 1970s Indonesian psychedelic funk, Melayu traditions, disco grooves and Arab melodic forms played on Western instruments.
Analog Africa proudly presents Dur-Dur Band – Volume 3 (1988) & Volume 4 (1989), a stunning double-vinyl collection celebrating one of the most distinctive and influential sounds to emerge from the Horn of Africa. Originally recorded during the late 1980s, these two volumes capture the Dur-Dur Band at the height of their powers: vibrant, rhythmic and irresistibly danceable. Driven by hypnotic basslines, propulsive percussion, swirling keyboards, expressive guitar work and unforgettable vocals, t…
Dalga – A Selection of ’80s Pop Oddities from Turkey is the first compilation to bring together rare Turkish pop oddities from the 1980s, and the first compilation to explore how new studio technologies shaped the sound of 1980s Turkish pop and dance music. Features six tracks that were released only on rare cassette tapes.
In the aftermath of Turkey’s 1980 military coup, collective music-making gradually gave way to studio-based production, as drum machines, samplers, and synthesisers took cent…
Another four Umiliani favourites remastered and reissued on seven inch for the first time. Dirty disco business on the A and super psych sounds on the B.
Dossier is taken from Moggi - News! News! News! (Sound Work Shop) 1979
Discomania is from The Soundwork-Shoppers - Discomusic (Sound Work Shop) 1978
Mondo Dove Vai? (Complesso Beat Con Effetti Elettronici Version) from Piero Umiliani – Questo Sporco Mondo Meraviglioso (Omicron) 1971
Hippies (Part 2) from Piero Umiliani – Psichedelica (Omicron) …
Available October 30th, 2026, this compilation pulls back the Iron Curtain to bring a bevy of physically unreleased music of Soviet-era Armenia. Songs that were exclusively broadcast on radio and television, stored on reel-to-reel tapes, and shelved in a government-owned vault alongside tens of thousands of various recordings by Armenian artists - all inaccessible to the public. Fully licensed from Public Radio of Armenia, with additional clearance from all composers or their living descendants …
"Sacre du Tympan is my orchestra and my instrument of expression for the past 25 years. With this ensemble, which has flexible (variable) instrumentation and has to its name about a dozen albums, along with numerous concerts in France and abroad, I express myself as both a composer and an arranger. In 2008, we created a program for the Jazz à la Villette festival with five musicians, prioritizing electronic music and synthesizers in the music of De Roubaix, a pioneer of the home studio and of sy…
After a handful of early summer aperitivi, we're proud to present a handsome album of new recordings from Martin Glass. “The Martin Glass Affair” sees our quixotic star riding the sumptuous curves of the Amalfitana, channelling the sun kissed spirit of '60s Italian lounge, european radiophonica and Hitchcock’s riviera as he goes. Rekindling the magic of 2017’s cult classic “Pacific Visions”, this is lavish modern psychedelia for fans of Vegyn, Nana Sinephro, Visible Cloaks and Christobal Tapia D…
On Loud World, Nicholas Tripi (a.k.a. Nick Tripi of Big Fun) turns the drummer’s vantage point into a full compositional engine. Rhythm is the load‑bearing wall for a delirious blend of space‑lounge, jungle jazz, KPM‑style library cues and krautrock pulse, ten compact pieces sketching a neon‑lit, nervy planet of their own.
On Twenty‑Two, Initials MB offers a quietly psychedelic slice of French pop that feels like a faded postcard from another decade. Reissued on vinyl a decade after its digital birth, the album folds jangling guitars, analogue keys and wistful melodies into compact songs that trace one songwriter’s search for sound, place and identity.
On Paradise Cove, Misha Panfilov and Shawn Lee build a sun‑bleached instrumental universe where deep‑funk pulse, soft‑psych haze and library exotica glide together. Surf‑tinted guitars, analogue keys and supple rhythm work trace a 35‑minute arc that feels like a lost soundtrack to a dream resort just slightly out of time.
On II, The Oscillators lock into a heady, loop‑driven chemistry where dubwise bass, analogue synth chatter and live‑wired percussion orbit the same gravitational field. Each piece feels like a workshop in motion: themes emerge, mutate and dissolve, turning the record into a continuous, hands‑on exploration rather than a fixed set of songs.
On Percussions, Saint Tropez Orchestra turn the drum kit into a bandleader, spreading 20 compact cuts across a spectrum of funk, library jazz and tropical pulse. Every arrangement is built from the skin outward, making rhythm the song’s spine, flesh and nervous system all at once.
Library of the Occult gathers, on a single 12", the two remixes that close Magick Knives' debut album: Justin Robertson and Hawksmoor each taking the desert band into a different shade of after-dark.
Savana Selvaggia collects two previously unreleased tracks by Giuliano Sorgini, highlighting one of the most visionary and experimental aspects of his library music: from an imagined African landscape through atmospheric melodies and analogue electronics ("I misteri del mondo"), to a mystical sound world where African and Middle Eastern influences merge with futuristic electronic textures and Krautrock-inspired rhythms (“Arabian Synthesizer”).
Crafted in his own Cat & Fox Studio in Rome, these …
Following the critical acclaim of his debut album "Sarda Sarda," London based Or Kantor is set to release a captivating tribute to the Japanese jazz legend Masaru Imada. The cover version, a reinterpretation of Imada's classic piece, is a testament to Kantor's unique musical style and his ability to infuse traditional jazz with Mediterranean influences. Kantor, whose debut album has garnered praise from stations like BBC 6, FIP, WYEP, and Kiss FM, discovered Imada's music through the encourageme…
On Nightshades, Celestial Hex step out of Berlin’s mist with a sleek strain of electro‑noir: neon‑bleeding synths, darkwave pulse and vampiric hooks that feel custom‑built for creatures of the night raised on grainy 80s cult cinema.
Magick Knives channel desert night into sound: cinematic post‑punk steeped in gothic rock, darkwave and shimmered synths, where hypnotic bass, spectral guitars and whispered occult glamour coil into slow‑burn rituals.
On Break The Faith, Repeated Viewing drags his VHS‑streaked horror synths onto the factory floor, hammering grime, dread and adrenaline into a streamlined industrial brawler built for raves in the rubble rather than candlelit cult screenings.
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band artefact.