Psych /
Easter Island
*150 copies limited edition* Easter Island's self-titled 1979 masterpiece rightfully stands in the midst of the top 10 US Prog Classics. It offers an emotionally captivating experience, marked by the melodic ebb and flow that is definitive of dexterously multilayered symphonic prog, interwoven with outbursts of heavy riffs. From the lush Mellotron textures and melodic bass lines of Genius of the Dance to the heavy progression of Face-to-Face, this is an album that grows within its listeners like…
La Oprika
Faun Tempol is an avante-garde psych-pop studio project based in Raleigh, North Carolina. Their work embodies the ongoing collaborative collision between multi-instrumentalists Thomas Simpson and Carter Gaj. Their debut double album, La Oprika, represents the sum total of a year spent tinkering with studio textures, rhythmic improvisations, unexpected compositional structures, and dream-bound excursions to fanciful locales. This album takes you on a psychedelic musical journey from start to fini…
Alto e Primitivo
Superb tripped out psych-garage-fuzzy funk by the Tallinn group Penza Penza (aka Misha Panfilov and friends).
Nucleus
SPLATTER PRESSING LIMITED TO 100! LP cut by Kevin Gray from the Mainstream Masters! LP pressed in the USA at Citizen for optimal sound! Interwoven Hammond organ riffs, heavy electric guitar and melodic bass lines give Nucleus an edge – their odd time signatures make it an aural lobotomy! Pressed on pink vinyl w/white splatter! The origins of Nucleus lay in late ‘60s Toronto combo The Lords Of London. They were a popular live attraction and appeared at the Canadian National Exhibition alongside T…
Blind Baby Has It's Mothers Eyes
Massive free-from psych from the Japanese cult band, three long tracks almost approaching 55 minutes in pure controlled chaos ! Formed by band leader Mizutani Takashi, their music remained remarkably familiar over the years, and is best described as high volume, raw lo-fi repetitive feedback-drenched guitar noise fests with nods in the direction of the Velvet Underground and Blues Creation.
Mosaics; Pieces of Stone
The sole album from male-female duo Jade Stone & Luv is a lost gem from the heart of the psychedelic 1970s. A long-time cult item and highly praised in the Acid Archives book. This reissue includes a bonus track, extensive liner notes and photos. 600 copies limited edition – multicolored vinyl. Composed and self-produced in Nashville, Mosaics; Pieces of Stone went unnoticed by the music industry upon release. While almost unknown outside specialist circles, Mosaics has been an underground cult f…
Träden
The highly praised and long sold-out 2LP album of transcendental psychedelic rock from the eternal Träden, formerly known as Träd, Gräs och Stenar, is finally available again. New limited edition pressing on multi-colored vinyl. Recorded live to tape in the band’s countryside music workshop, these mind-melting improvisations travel beyond time and space through the magical unknown, a manifestation of timeless organic music and free creation.
Super Onda Chicana Vol. 1
The dawn of psychedelic rock in Mexico, ten tracks introducing a worldwide phenomena in the realm of the South American memory. A fascinating voyage led by cultish band La Revolución De Emiliano Zapata and several other nuggets-style combo. Originally released in 1971 the compilation was aptly titled La Onda, referring to a broader cultural and political movement. La Onda Chicana grew rapidly in a few years, culminating in a two days “Mexican Woodstock” known as (Avándaro) which attracted ca. 30…
Live/Dead
Gatefold sleeve. Includes a 4-page booklet. Live/Dead is the first official live album (and fourth overall) released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording. "The Grateful Dead's fourth title was likewise their first extended concert recording. Spread over two LPs, Live/Dead (1969) finally was able to relay the intrinsic sonic magnificence of a Dead show in real t…
San Michael's
*100 copies limited edition black vinyl* The re-release of the 2 seminal psych/prog albums by San Michael’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progre…
Nattåg
*100 copies limited edition black vinyl* The re-release of the 2 seminal psych/prog albums by San Michael’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progre…
Lintunen / Ethän Tanssi Haudallain
Grooving, radical low-fi psychedelic, fuzz guitar rock.Jutta Luhtinen - drums, vocalsVille Pirinen - bass guitar, vocals
屋根裏 = YaneUra Sept. '80
In 1980, Fujio Yamaguchi joined Les Rallizes Dénudés for a legendary studio recording session. Now, the fiery intensity of those early sessions will finally be unleashed from the archived tapes!
Snowbug
After the high times and critical-mass arrangements of the previous two records, Snowbug exuded a breezy, spare, morning-after vibe. Edified by all manner of world-folk, classic Brazilian pop and the first volumes of the Ethiopiques comp, the Llamas recorded in London with Fulton Dingley and in Chicago with Bundy Brown and Jim O’Rourke engineering at Electrical Audio and John McEntire mixing at Soma. Snowbug is an understated, underrated gem.
Cold And Bouncy
Having passed – at least figuratively – through hundreds of years over the course of their previous two albums, the good ship High Llamas docked, fully loaded, into a congenial present moment for once in its life. O’Hagan’s continued work with Tim Gane and Stereolab caused a healthy dose of electronica to spike the Llamas’ already heady brew, creating an apex of late 90s-style neo-exotica. RIYL: Mouse On Mars, Oval, Grand Royal, Dots and Loops.
Hawaii
The High Llamas discover America – yes, it had been done before, but not via their envisaged pilgrims’ passage. Energized by the breakthroughs of Gideon Gaye, they went all-in, producing a wide-screen epic further exploring their unique agenda. The reference points multiplied, stretching through realms of classic pop and jazz, soundtrack music, exotica and neo-Americana, while charting a journey through musical landscapes of abiding lightness.
Gideon Gaye
This brave foray into conceptual art music produced a jaw-dropping reset on the 20th century pop perspective. The High Llamas engaged songwriting and production with an eye toward filmmaking. Digging through ephemera of choice vintages with post-modern zest, they struck a rich vein they could call their own – a kind of gothic Americana, formal aspects pushed to extremes. The spirit of discovery here can be vibrantly felt over 30 years later.
Santa Barbara
*1st ever LP pressing!* For The Llamas’ 1992 debut, Sean O’Hagan, working the sextant to navigate a post-Microdisney course in the musical world, posted them up as a guitar pop band (RIYL: NRBQ, Big Star, Steely Dan), with nine exquisitely crafted examples of the oft out-of-step sound. Had there been no more after this, Santa Barbara would still be sought-after buried treasure by the perennial waves of voyagers seeking these sweet, jangling spices to this very day.
Monster A Go-Go (Teen Trash From Psychedelic Tokyio '66-'69)
Sought-after compilation exploring the Group Sound movement that swept Japan in the mid 1960s. Under the influence of the Beatles dozens of Japanese bands devoted themselves to exporting a wide genre that ranged from surf-rock, garage fuzz, psych and wild R&B. Featuring the influential The Mops, the Filipino band (relocated to Hong Kong) D’Swooners and The Golden Cups.