Sound Art / Generative Music

A generative system set loose on BBC Radio 3: Jasper Marsalis lets a microcomputer photograph and crossfade the radio's spectrum into an ever-shifting chord of 2048 voices, after Pauline Oliveros and Luigi Russolo.

Special Edition* contains: five Historic Postcards featuring Nikola Tesla operating the Harmonic Telegraph, UDP-USB 4GB Chip preloaded with original posters, high-resolution PDFs, and full project notes + original Archival Audio from Canal 4 — unearthed sounds from the vault + audio CD of the complete recording. Fully Functional DIY Tesla Coil Kit — build and experience the spark of invention In 1990, CM von Hausswolff, while on a tour in the United States with Karkowski/Bilting, PHAUSS, and Th…

Limited 2 LP edition. "Alter-" is Automatisme's reaction to altermodernism in sound art.  "For the Automatisme - Alter- album. I am inspired by how the art historian Nicolas Bourriaud defines the Altermodernism. Bourriaud understands the term "Alter" as a way to mean "other". The altermodernism would be another modernity that is different from the avant-garde modernism and post-modernism. More precisely, this is a new paradigm from the XXIe century with alternative ways to motivate artists to be…

** 100 copies, clear LP in silkscreened PVC sleeve ** Personfølsom Musik (Personal Sensitive Music) is a series of live sonifications in which Niels Lyhne Løkkegaard translates the numbers of NemID-keycards into music using various musical instruments. NemID (EasyID) keycards came into use in 2010 and contain a list of one-time codes that one uses as a level of security when logging into private and public digital platforms to access services like banking, health care, and other services vital t…

Tip! *100 copies limited edition* Fades/Costellazioni is a work of sound art designed to be exhibited in a dedicated space. It has been realised in the form of a web application: to listen to it you need an internet connection and a stereo audio system. It is a work to be explored and perceived in its plasticity, because the material of which it is made - the sound - by its own nature does not fill the air in a uniform way, manifesting itself instead through hollows and plenums, areas that thick…