We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Bruno Maderna

"My grandfather thought that if you could play the violin, you could then do anything, even become the biggest gangster. If you play the violin, you are always sure of a place in heaven."

"My grandfather thought that if you could play the violin, you could then do anything, even become the biggest gangster. If you play the violin, you are always sure of a place in heaven."

Concerto Per Violino / Concerto N.2 Per Oboe / Quadrivium
*2024 stock* Three recordings of three different performances from the 60's written and directed by Bruno Maderna.
La Morte ha Fatto l'Uovo
Wow! ** Deluxe LP  + insert. Orange Vinyl. Edition of 400 copies ** “La morte ha fatto l’uovo” (1968), published here for the first time on vinyl, is a score distinguished by avant-garde soundscapes that mix the dazzling tones of an unusual thriller that pays homage to Luis Buñuel's filmography. “Death Laid an Egg”, directed in 1968 by Giulio Questi, with an international cast starring Ewa Aulin, Gina Lollobrigida and Jean-Louis Trintignant, features a distinctive warm and glittering photography…
Music in 2 Dimensions – Works for Flute
In honor of the 40th anniversary of great composer/ conductor Bruno Maderna’s (1920-73) death, Mode is pleased to release the first complete CD of Maderna’s music for flute. The flute played an important part in Maderna’s oeuvre due to his friendship with the exceptional flutist Severino Gazzelloni, who had premiered almost all of the flute compositions. Musica su due dimensioni is among the earliest examples to make live music interact with electro-acoustic sounds recorded on tape. There …
Imagination at play. Prix Italia and Radiophonic Experimentation
Finally restocked! After five years of intense, passionate and sometimes painful work Die Schachtel (in collaboration with RAI) is proud to announce the release of the long-awaited massive Book (Edited by Angela Ida de Benedictis and Maddalena Novati) with 6CDs boxed edition dedicated to some of the most compelling Italian radio works which took part in the prestigious Prix Italia, a world-famous contest established by the RAI (the National Italian broadcasting company) in the early Sixties and …
Oboe Concertos
The oboe more than suited Maderna's partiality for clear structures and sensual-concrete sounds. It was not without good reason that at a time when the supply of music dedicated to the oboe was anything but plenty, Maderna wrote, not one, not two, but three concertos (besides several other works for oboe) for this "nasal" sounding member of the woodwind family. The first oboe concerto (1963) seems almost classical in its character, in the interplay of oboe and orchestra, or involving other instr…
Orchestral Works
From this combination of ancient styles and arts of the past with contemporary music arises a series of particularly impressive works. In his Ausstrahlung, for instance, Maderna uses texts from an ancient Persian anthology and poems by various Persian authors in English, Italian, French and German translations, which are recited, sung and played from tape. Some ten years before, Maderna wrote the Konzert für Oboe und Kammerensemble out of fondness for the oboe. Another two concerts would follow …
Musica elettronica
An amazing CD that compiles most of the Maderna electronic music production on magnetic tape from 1956 to 1962, all tapes created at the Studio di Fonologia Musicale della RAI Radio televisione Italiana in Milan. Bruno Maderna is yet regarded as one of the giants of post-war modernism, becoming one of the first Italians to produce electronic works. But it was not in technical progress that he saw music's future. Like his contemporaries, he also adopted 12-tone writing in the 1950s, yet Maderna r…
Acousmatrix 7
Seventh volume in the Acousmatrix series. "In 1955, Luciano Berio and Bruno Maderna founded a Studio di Fonologia at a Milan radio station; it was the first electronic music studio in Italy. Berio became very active there, organizing concerts and also publishing a new music journal, both under the name Incontri Musicali. Berio explored the frontiers of sound, particularly vocal sound, thanks to his association with Cathy Berberian. She was willing and able to produce a remarkable variety of exte…
1