Isao Suzuki
Mari Nakamoto III
*2026 stock* The third album from singer Mari Nakamoto for Three Blind Mice, and the one that pushes hardest at the conventions of mainstream vocal jazz. The line-up is the giveaway: alongside Nakamoto's voice, the record places bassist Isao Suzuki at the centre of the rhythm section and brings in Kazumi Watanabe on guitar, the same Watanabe who would shortly become one of the major figures in Japanese fusion and progressive jazz. The result is a vocal record where the accompaniment is unmistaka…
Now's The Time
*2026 stock* A live document from the legendary “5 Days In Jazz” festival in Tokyo in March 1974, and one of the most ambitious multi-band albums in the Three Blind Mice catalogue. The record gathers some of the most important working units of the moment: bassist Isao Suzuki and guitarist Sunao Wada sharing the front of the stage, the Tsuyoshi Yamamoto Trio holding things together from the rhythm section, and the George Otsuka Quintet stepping in with the alto-led horn front-line that defined th…
My Spare Time
On My Spare Time, Isao Suzuki steps out front on piccolo bass in a luminous set of standards and ballads, wrapping bossa, Ellington and songbook classics in a warm, conversational post‑bop glow with some of Japan’s finest players.
Cadillac Woman
On Cadillac Woman, Isao Suzuki steers his bass into sleek crossover territory, blending jazz‑funk, fusion and soulful vocals into a polished, club‑ready ride that still carries his unmistakable sense of groove and melodic finesse.
Ako's Dream
One of the wonderfully creative 70s sets from Japanese stringman Isao Suzuki – an artist who also plays bass, but who works here on jazz cello – for a very unusual approach! The set has Suzuki's work on the light strings matched in a combo with lead guitar from Kazumi Watanabe – who's nicely restrained here, and falls in with Isao's strings at a level that's quite different than his own material of the time. Watanabe's lead is augmented by further rhythm guitar work by Kazumasa Akiyama, and the …
Blow Up
Japanese edition. 180 gram vinyl, comes with Ob A fantastic electric album from one of the most unique bassists of the 70s – Blow Up is one of the most sough-after titles from the acclaimed Three Blind Mice catalog. Isao Suzuki's Blow-Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded "Jazz of Japan" Award and the Jazz Disc Award of "Swing Journal" in 1973."This adventurous set finds Suzuki and his band mates (drumme…
A Day of the Sun / Innocent Canon (2LP bundle, coloured vinyl)
This bundle includes coloured versions of the two following albums from Cinedelic's Orient Series:- Masahiko Togashi, Isao Suzuki "A Day of the Sun" LP, 1979- Takeshi Inomata & Sound Limited "Innocent Canon" LP, 1971Masahiko Togashi, Isao Suzuki "A Day of the Sun"A spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles…
A Day Of The Sun
** Coloured Vinyl edition ** A spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles. In addition to being skilled performers they demonstrate extraordinary compositional talent that transcends their sensibilities and wisdom of more conventional jazz.
They are together a wonderful combination of techniques, but witho…
Four Wings
The members of the Hidehiko Matsumoto Quartet, a famous combo from the 1960s, reunited for one night only. Their performance was on a grand scale, as if they were flapping their wings on four different wings, including the groovy "Speak Low" and the swinging "Four Wings".
Blue City
Craftman Records presents Blue City by Isao Suzuki Quartet. Art Direction, Cover – Ben Nishizawa, Bass, Cello – Isao Suzuki, Drums – Tetsujiro Obara, Engineer [Recording], Mixed By – Yoshihiko Kannari, Executive-Producer – A. Fukutomi, K. Saga, Y. Uozu, Guitar – Kazumi Wanatabe, Liner Notes – Osamu Uchida, Teruo Isono, Photography By [Cover] – Isao Suzuki, Piano – Kunihiko Sugano, Producer – Takeshi Fujii.
All Right!
** 2021 Stock. In process of stocking ** Craftman Records presents All Right! by Isao Suzuki Quartet. Recorded November 18 and 19, 1974. Bass – Osamu Kawakami, Drums – Shinji Mori, Electric Bass – Akira Okazawa, Electric Guitar, Acoustic Guitar – Kazumi Watanabe, Electric Piano, Cello, Bass, Organ [Hammond], Drums, Vocals, Vibraphone [Vibraharp] – Isao Suzuki.
Touch
** 2021 Stock. In process of stocking ** Craftman Records presents Touch by Isao Suzuki & His Fellows. Recorded November 20 and 26, 1975. Art Direction – Ben Nishizawa, Bass – Isao Suzuki, Congas – Yoichi Ogawa, Drums – Tetsujiro Obara, Engineer [Recording Engineer] – Yoshihiko Kannari, Guitar – Kazumi Watanabe, Masayuki Ise, Liner Notes – いソノてルヲ, Piano – Kunihiko Sugano, Producer – Isao Suzuki, Takeshi Fujii.
Orang-Utan
Bassist Isao Suzuki's popularity shot up to stratosphere with the release of Blow Up from the Three Blind Mice label. By the time he recorded this, fourth album for the label, he was actually the winner of the Swing Journal Readers' Poll. And this rather strangely titled album doesn't disappoint.Suzuki had a knack for surrounding himself with superb musicians and playing brilliant, groovy music that is firmly rooted in the jazz tradition. This time, he picked as the all-important horn player Ken…