Otomo Yoshihide

Recorded live at RedBull Studios as part of Improfest 4/2017 - Festival Internacional de Improvisação e Arte Sonora, São Paulo, Brazil. The legendary Otomo Yoshihide playing guitar and bass as well as turntables in company of: Antonio Panda Gianfratti (Contemporary Percussion, Drums) Marco Scarassatti (Viola de Cocho, Self-made instruments: Kraiser, PássaroCocho, Tromp Kirk Roland)  Paulo Hartmann (Prepared 3rd Bridge Guitar, Freteless preparerd Chiquita, Gambelão and Effects). Great!

Recorded in Liverpool back in 2003, this improvised performance unites two of the UK's foremost improv exponents (Tony Bevan and Paul Hession) with two pioneers of modern free music, the multi-talented guitarist, turntablist and noise artist Otomo Yoshihide and the late, great Derek Bailey.The performance shuffles into first gear during the speculative, tentative first throes of "No Hiding Place/Softly Softly", establishing a ruthlessly abstract sound world from the outset, only to tighten up sl…

Otomo Yoshihide's Guitar Solo "LEFT" was released last summer but "RIGHT" is completely different from "LEFT". the 123 short fragments of Otomo's guitar sounds are run by computer programming at random so no one know how the sound played. This CD is one infinity."-Doubtmusic "What is most remarkable about the single, 62-minute track on Otomo Yoshihide's Guitar Solos 2015 RIGHT is how consistent, top to bottom, it sounds. Or, viewed through a different lens, how much coherence (real or imagined)…

English living legend percussionist, Roger Turner plays in Japan last year and this is one of the live performance in Tokyo. Roger's feathery and dynamic percussion playing and Otomo Yoshihide's noisy electric guitar playing. An improv meeting of two masters with very different but equally impressive histories. Across two long tracks they give an object lesson in the art of duo improvisation, a format in which both players are constantly exposed with no easy place to hide, although that clear…

Reflecting on his studies with guitarist Masayuki Takayanagi, Otomo Yoshihide plays one of Takayanagi's favorite electric guitars, a 1963 Gibson-175, to record 6 extended and informed free improvisations, including Ornette's "Lonely Woman" and "Song for Che"."It's been a quarter-century since I broke away from my teacher, Masayuki Takayanagi. In recording this album, I used a 1963 Gibson-175 electric guitar that had been one of Takayanagi-san's favorites. The occasion that led to this guitar com…

The first duo release ever by these two masters of improvised music presents revelatory and astonishing music for electric guitar and drums. A landmark ! The LP comes in an awesome heavy and sturdy gatefold. The CD comes in a nice digipak. 'This is one ear-cleansing ride. One to play loud and one to play on repeat for a couple of time. Excellent recording of an excellent concert.' Vital Weekly, number 935. 

Recorded live at Cafe OTO in March 2009 during Otomo Yoshihide's first residency here. This was one of only a handful of solo piano performances Otomo has given where he uses the instrument as a control matrix for harmonically rich feedback tones and devastating clusters of complex noise. Beautifully rendered with maximum dynamic range by Lupo's 45rpm cut!

Otomo Yoshihide, guitar. Paal Nilssen-Love, drums. Lasse Marhaug, turntable and electronics. Recorded at Gok Sound Tokyo by Yoshiaki Kondo, 2011. Mixed by James Plotkin. Coproduced by Pica et PNL. Gatefold cover. 500 copies. Intense energy, progressive and sustained

Concert film by Pavel Borodin featuring the Peter Brötzmann Chicago Tentet benefit concert at the Music Unlimited festival in Wels. Guests: Toshinori Kondo, Michiyo Yagi, Yoshihide Otomo and Akira Sakata It was a special wish of the curator of the 2011 Music Unlimited Festival (Wels, Austria), Peter Brötzmann, to organize a charity concert in aid of the Fukushima nuclear disaster recovery effort. For that purpose, the Chicago Tentet, one of Brötzmann's main bands since 15 years, invited f…

Two short sides of sound collage from Tokyo's masterful sample artist Otomo Yoshihide. These pieces are made up of short sound samples of almost any instrument imaginable: saxophone blasts, cello strokes, short metallic chord bursts, single plucks of the guitar as well as the noises made by hand movements all set to a metronomic sampled drumbeat. Quite interesting, but not a fully realized work. If Otomo chooses to continue this process, it could potentially have wonderful results.

This album consist of two live perfomance in Japan at Aoyama Cay. Side A was played by Ito Maq, Mikawa Toshiji and Otomo Yoshihide. this track is full of Harsh Noises taht was made of a Rap top, a turntable and electronics. Side A was played by Edwin Van Der Heide and Tetsuo Furudate. this track contains silence sounds and Harsh Noise sounds.

Music(s) is the intimist portrait of Japanese composer Otomo Yoshihide.Music(s) is the intimist portrait of Japanese composer Otomo Yoshihide.In 1990, he founded the mythic group 'Ground Zero' produced by John Zorn, and is one of the major players on the current Japanese scene. An adept of free jazz and noisy music, he travels around the globe with his various jazz ensembles as well as solo on guitar or with his astonishing turntables. This double DVD presents a talented artist through th…

Zai Kuning (g., vo., perc., misc.), Otomo Yoshihide (g., turntables, perc., misc.). 'The Asian improvisation of the present, a connection between Singapore, Tokyo and Hong Kong. A vivid 71-minute performance moving back and forth between turbulence and stillness. 'Book from hell' is the denomination of the concert, Zai Kuning organized on September 2008 in Singapore. CD title is used as it is and also CD cover is the poster of 'Book from hell' concert, Zai designed. This is Asian improvi…

Otomo Yoshihide (turntable), Ozeki Mikito (kirie), Mats Gustafsson (baritone saxophone from Mats Gustafsson's solo LP 'It Is All About' on Tyyfus label). Mastered by Jun Numata. Released to commemorate the exhibition Ensembles '09: With Records at Gallery 45-8, Tokyo, October 11-November 8, 2009. No cover, limited 800 copies, serial numbers. Otomo Yoshihide (turntables), Ozeki Mikito (cutout art) and Mats Gustafsson (baritone sax).

Back in stock. 'It is an album that Otomo Yoshihide arrange & produce the tune of hachidai nakamura who is the great composer (he made the base of popsong of Japan.) The vocalist is Yuki Saga. Backing musicians are the member of the ONJO etc 'All songs composed by Hachidai Nakamura. Lyrics by Rokusuke Ei, Hachidai Nakamura, Naomi Kodaira, Rokuro Yanai, Michio Yamagami and Tokiko Iwatani. Yuki Saga: vocals, mellophone, field recording. Otomo Yoshihide: electric guitar, banjo-guitar, sound collage…

Otomo Yoshihide: electric guitar, acoustic guitar. Seiichi Yamamoto: electric guitar, acoustic guitar. Produced by Otomo Yoshihide and Seiichi Yamamoto. Recorded and mixed by Yoshiaki Kondo at GOK Sound, Tokyo, August 2007. Mastered by Tetsuya Kotani at Omega Sound, Osaka.

Luc Ferrari's composition Archives sauvées des eaux for two DJs was premiered in Japan and performed by the composer himself and Otomo Yoshihide at SuperDeluxe in Tokyo in 2003. This CD is a live recording of their first and the only performance, before the French composer passed away in 2005. The included are the intimate liner notes by Brunhild Ferrari and Otomo, and a 10 minute CD-Extra edition of live video clip slow landing, produced by studio Malaparte, as a bonus track for the initial pre…

Since last year, those titles had been a hold by various matters but ONJO (Otomo Yoshihide's New Jazz Orchestra) Live CD are finally released at last. Those essential titles, 2CDs x 2 sets are organized various Live performances and indicate the future ONJO. The sound of ONJO contains every connection between tone, onkyo, sonority, melody, rhythm and so on. Disc 1 : Shichinin no Keiji (Berlin + Tokyo), Gazzelloni (Kyoto), Te recuerdo Amanda > Song For Che > Reducing Agent (Tokyo), Super Jetter (…

Since last year, those titles had been a hold by various matters but ONJO (Otomo Yoshihide's New Jazz Orchestra) Live CD are finally released at last. Those essential titles, 2CDs x 2 sets are organized various Live performances and indicate the future ONJO. The sound of ONJO contains every connection between tone, onkyo, sonority, melody, rhythm and so on. Disc 1 : Lost In The Rain (Berlin), Out To Lunch (Tokyo), Playgirl BGM (Berlin + Tokyo), Double Command II (Tokyo), Single Command (Tokyo), …

Performer, sculptor, and sound artist Christian Marclay has been experimenting with phonograph records and turntables, applying the constructs of hip-hop to avant-garde sound art deconstruction since 1979. Having teamed up with Japanese turntablist and guitar player Otomo Yoshihide for their collaboration Moving Parts, the two continue in their ongoing quest to evolve music and sound far beyond anything that is even remotely accessible to a mainstream audience. Moving Parts is a ravenous bricola…

Core Anode  is the roaring-sound project of the versatile and multifaceted Otomo Yoshihide, who works in genres ranging from free improvisation to jazz to rock to movie and TV music. The CD contains 3 pieces recorded live at concerts in Tokyo (2002), Copenhagen (2006), and London (2006). The players/numbers of players differed at each performance. In all cases, the musicians were outside the audience area, surrounding the listeners, and in all cases they put out nothing but roaring sound. In Tok…

Otomo Yoshide (turntables, guitar) is active on a worldwide scale in such fields as free improvisation, composition, and film music. On a trip to Seoul in May of 2002, Otomo made a studio recording with Seoul musicians Park Je Chun (percussion) and Mi Yeon (piano). Known as a brilliant student of Kang Tae Hwan, the pioneer of the Korean improvised music scene, Park was formerly a member of Kang's band. Mi Yeon, an artist firmly grounded in contemporary classical music, has collaborated with Park…

Taku Sugimoto: electric guitar, Tetuzi Akiyama: turntable without records, contact microphones, Yasuhiro Yoshigaki: waterphone, Kumiko Takara: snare drum, Masahiro Uemura: bells, Ami Yoshida: voice, Itoken: crotales, Mari Furuta: snare drum, Yoshimitsu Ichiraku: cymbal with bow, Sachiko M: sine waves, contact microphone, Yoko Nishi: prepared 17-string koto, Andrea Neumann: inside piano, Yoshihide Otomo: turntable. This album was recorded intermittently between May 2001 and March 2002. Most of th…

Featuring French multi-instrumentist Xavier Charles and the well known experimental Japanese musician Otomo Yoshihide. Together their sounds create a monochrome mental image in a field of ambient drone and glitches. 'Difference Between The Two Clocks' is an involving, sometimes uneasy listen, during which the duo explore the relationship between sound and silence, focusing on non beating rhythms and minimalist texture and volume.

Soundtrack for a movie by Shu Kei. Chino Shuichi: piano, organ, synthesizer; Uchihashi Kazuhisa: guitar, bass, banjo; Matsumoto Osamu (5): trombone; Otsubo Hirohiko (2,10,16,17): contrabass; Nasuno Mitsuru (5): bass; Yoshigaki Yasuhiro: drums, latin percussions; Aya (2,16,17): vocal; Otomo Yoshihide (1): sampler.

This is the long-anticipated encounter between Martin Tétreault and Otomo Yoshihide, recorded in the CBC studios in Montréal. Witness for yourself the clash of two masterful turntable manipulators, one from Japan, the other from Quebec: two universes, two attitudes and one electro-mechanical encounter around the record player. The result is a stunning collection of twenty-one improvised “situations” exploring themes such as science fiction, education, jungle, cartoons, and seventeen additional s…

This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…

Turntables & Computers is an uncut live recording of Otomo Yoshihide and Nobukazu Takemura performing an improvised live set at the Super Deluxe club in Roppongi, for the 'Space Invaded' event on March 29, 2003. This live album documents the first performance ever of these two world renowned musicians together, and the intense collision between the sounds of Otomo's turntables and Takemura's computers.

The legendary Unlimited Festival in Wels, Austria in 1999 was curated by Otomo Yoshihide (Ground Zero). We are happy to release this sampler that captures the great musicians, bands and projects: Otomo Yoshihide solo, Radian, Incapacitants, Kaffe Matthews / Neumann / Krebs, Tetreault / Labrosse, Nagata Kazunao, Novo Tono, Keith Rowe / Taku / Otomo, Poire_Z, O.Y. New Jazz Quintet (their first performance ever!!), Hoahio, O.Y. solo (finale).

2003 release ** Featuring: Thomas Lehn, Toshimaru Nakamura, Tetuzi Akiyama, Günter Müller, Christof Kurzmann, Taku Sugimoto, Keith Rowe, Marcus Schmickler, Otomo Yoshihide, Burkhard Stangl, Sachiko M, Cosmos. "A document of the 2002 Amplify festival in Tokyo curated by Erstwhile's Jon Abbey. Disc 1 and 7 are smaller club shows that took place outside the Festival proper, disc 2 is a studio session that took place around the time of the festival and discs 3-6 feature eight of the twelve sets that…

Recorded by Laurent Perrier Sonorisation at the former state prison of Sion, May 4, 2003.

Well, 'Holy Good Night!' seems an appropriate reaction when faced with a substantial double-disc offering from the 'holy triumvirate' of Japanese reduced improvisation and minimal electronics, ie Otomo Yoshihide, Sachiko Matsubara and Toshimaru Nakamura. In August 2003, they quietly entered a studio in Tokyo and laid down the basis for this music in only two days. The following month saw a final mixdown issue from their hands. Amazingly, the roof did not fall in on the musical world as a result.…

Recorded at GOK Sound, Tokyo, July 1998. Mixed at GOK Sound, Tokyo, March 1999. Mastered at Transonic Studio, Tokyo, March 1999.

2nd works is the covers of famous Eric Dolphy's Out To lunch! otomo's post-modern interpretation of Dolphy's compositions by Orchestra is very beautiful and intensive. Gazzelloni is translated to hardcore punk version, or Straight Up And Down ? Will Be Back is translated to improvisation that is swift to respond each other and most beautiful onkyo sound. This is the marvels of jazz! otomo Yoshihide (guitar, conduct on 4), Axel Doerner (trumpet, slide trumpet), Aoki Taisei (trombone, bamboo flute…

Guitar solo performed by otomo Yoshihide. Recorded on12th Octber 2004 @ Shinjuku Pit Inn, Tokyo. First otomo's guitar solo work. This work include beautiful acoustic pieces and intense electric pieces, recorded on 12th Oct, 2004 at Shinjuku Pit Inn and new studio recording piece.

Live recording, Instants Chavirés, Montreuil, France May 29, 2001.Thanks to Instants Chavirés, Musique Action Festival, Etienne Foyer, Soizig Le Calvez and Hugh X Vorp.

ErstLive 005 is from the quartet of Keith Rowe, Sachiko M, Toshimaru Nakamura, and Otomo Yoshihide, the centerpiece show of AMPLIFY 2004: addition, the "four hour quartet". ErstLive 005 contains three individually packaged slimline CDs in a slipcase with original artwork by Keith Rowe, which wraps around the entire box, front, side, and back, as well as liner notes from all four musicians and numerous pictures from Yuko Zama. ErstLive 005 documents only the second performance of this quartet, a…

Recorded on October 17th, 2002 at Gok Sound, Tokyo.

"On Monochrome Otomo presents 18 pieces that illustrate the entire range of his solo work from pieces constructed entirely of feedback, static and randomly generated radio noise, to sine wave experiments that bring to mind the humming of the solar wind as it wafts through intergalactic space. There are also rhythmic bursts of feedback and percussion that are almost danceable and subtle Zen like meditations full of slow sustained notes that fill the air with otherworldly overtones. The Mult…