Robert Fripp

The 2022 Fourth Edition of Fripp's 1979 debut, mixed from the original multitracks by Steven Wilson, with the alternate vocal tracks on CD and hi-res and 5.1 versions on DVD.

The 2021 remaster of Fripp's 1980 album, one side of Frippertronics and one of Discotronics with David Byrne, Busta Jones and Paul Duskin, with almost half an hour of extra material.

The 2021 David Singleton remaster of Fripp's 1981 Frippertronics album, on CD for the first time in decades, with three extra tracks found during the work on the Exposures box.

The Frippertronics residency of July and August 1981 in New York, on CD with a DVD carrying the same material in 24/48 hi-res stereo and DTS-HD surround, in digipak with slipcase.

Japanese 200 gram vinyl edition. Totally essential LP re-release for the first collaboration between Robert Fripp and Brian Eno in over 30 years, that nearly equals the effuse beauty of their celebrated 70s works. "Ambient is a spacious, electronic music that is concerned with sonic texture, not songwriting or composing," says the All-Music Guide. That seems reasonable, although I suspect Brian Eno might take issue with the notion that his music is somehow unconcerned with composition. As wit…

1977 Italian re-issue on Polydor of the first solo album from 1974 after the departure from Roxy Music, as all Eno's early albums an experimental rock masterpiece. Featuring Robert Fripp, fellow Roxy Music Andy Mackay and Phil Manzanera and King Crimson's John Wetton.

1977 Italian edition (with no prints) on Polydor of the 1977 solo album,, as all Eno's early albums an experimental rock masterpiece. Featuring Robert Fripp, Can's Jaki Liebezeit, Genesis' Phil Collins, Henry Cow's Fred Frith, Moebius & Roedelius.

Original Italian edition on Polydor of the actual first ambient album from 1978 before the Ambient series, featuring Robert Fripp, Fred Frith, John Cale and éhil Collins among others. Classic.

Original UK edition on Polydor/EG of the electrifying debut album by Fripp's new wave band with XTC's Barry Andrews, released in 1981.

Unofficial 1981 LP on Raven Records with a live recording of Fripp's new wave band under the name Robin Hood & The Bunch Of Women.

Original Italian edition on EG/Virgin of the debut album of Fripp's mid-1980's acoustic-guitar and Frippertronics project, released in 1986.

Original Italian edition on Virgin of Japan's singer's second solo double-album of refined art-pop and ambient music from 1986, featuring Robert Fripp, Bill Nelson and fellow Japan Steve Jansen and Richard Barbieri among others.

A 2022 Fourth Edition of Robert Fripp's innovative debut from 1979 mixed (from the original multi-track tapes) by Steven Wilson. 200g vinyl edition mastered by Jason Mitchell at Loud Mastering. Featuring contributions from: Barry Andrews, Phil Collins, Brian Eno, Peter Gabriel Daryl Hall, Peter Hammill, Tony Levin, Jerry Marotta,. Sid McGinnis, Terre Roche and Narada Michael Walden. The definitive LP version of a truly classic album.   After King Crimson's dissolution in 1974, Robert Fripp embar…

First edition on white vinyl released in 1980 by Italian Records of one of the most outstanding and amazing albums from the early 80's by one of the most original avant-garde post-modern theatre groups, using voices, electronics and fragments of Brian Eno, Robert Fripp, Billie Holliday, Brion Gysin, Jon Hassel, Miles Davis, David Byrne. With original innersleeve and official Magazzini Generali stamps on front and back cover (only a few copies had these).

2025 stock In August 1972 King Crimson guitarist Robert Fripp was producing some material for Robert Wyatt. Brian Eno - then a member of Roxy Music, came to the studio to add synth to the same sessions. Fripp and Eno found common cause. The 21 minutes piece of music that resulted, 'The Heavenly Music Corporation' became one of the most significant and influential pieces of electronic music ever recorded. The other track on the album 'Swastika Girls' was not recorded until over a year later in au…

When Robert Fripp’s Music For Quiet Moments started to appear with relatively little fanfare in May 2020, as a series of weekly uploads to YouTube and streaming services, their overall effect was one of balm. Moving through the digital ether, Fripp’s ambient soundscapes slowly drifted their way through a collective psychological environment grappling with the uncertainty of pandemic times. The series unfolded over a year, 52 weekly entries, each offering another aspect of an ever-changing same: …

Although they have sewn their names into the thread of rock history with their work with King Crimson, Roxy Music and production work ranging from Keith Tippett to U2, the three albums these boys have recorded together are equally important. It’s ironic that No Pussyfooting was withheld by Eno’s record company for two years, as they feared it would destroy his career. Its blend and textures of Eno’s electronics and Fripp’s treated guitars was as important to left-field music as Eno’s solo ambien…

Pressed on 180-gram vinyl; includes 23" x 23" foldout poster. Originally issued in 1981, Miniatures is a concept compilation album that is certain to delight the listener on a multitude of fronts simultaneously. Conceived in 1980 by Morgan Fisher (erstwhile keyboardist for Mott the Hoople) as a means of addressing the scope of music and musicians that he loved but lacked time enough to release, Miniatures draws from an array of artists whose submissions exist within the strict framework of a 60-…

The subject of many poor quality bootlegs, this concert - one of only a handful undertaken by Fripp & Eno - is routinely described as legendary. Hearing the tapes in fully restored audio quality, it's easy to understand why it attracts such reverence now and perhaps, why the shows attracted such hostility then. No Roxy Music hits, No King Crimson riffs, just a duo sitting in near darkness with a reel to reel tape recorder, improvising over the pre-recorded loops with a filmed background projecti…

**200g super-heavyweight vinyl and presented in a re-print of the original sleeve** In 1975 with King Crimson on hiatus (as it would remain until 1980), Robert Fripp's appearances on album or on stage were rare. When he did appear, it was with Brian Eno. Circumstances following an accident in January 1975 led to Eno formulating the idea of ambient music as detailed in the notes to Discreet Music - released in December 1975. The title track of Discreet Music was initially conceived as a backing l…