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Sissy Spacek
Sissy Spacek is an experimental grindcore band comprised of John Wiese, Jesse Jackson, and Cory Ronnau. Their music typically consists of Ronnau on vocals and Wiese on bass/drum machine, and Jackson on guitar with the results often cut up at a very fast tempo using a computer.
Sissy Spacek is an experimental grindcore band comprised of John Wiese, Jesse Jackson, and Cory Ronnau. Their music typically consists of Ronnau on vocals and Wiese on bass/drum machine, and Jackson on guitar with the results often cut up at a very fast tempo using a computer.
Gong, newly reissued on CD with bonus tracks, finds Sissy Spacek at their inventive peak, transforming the noise duo format into a meticulous, sprawling environment. The album’s two extended pieces are collages of violently manipulated junk noise, shattered electronics, and warped musical fragments, merging chaos and structure. Through masterful tape edits and dense, eerie atmospherics—including glass, metal, piano, and field recordings—the band delivers an immersive, unpredictable journey into …
Raiser captures a 2013 Bronson session of Sissy Spacek—Phil Blankenship, Charlie Mumma, and John Wiese—in Los Angeles, channeling an intense fusion of harsh noise and noisecore. The album is a relentless, cathartic experience: shriek-laced blasts, searing electronics, and disintegrating metal fragments, all reassembled into monstrous, meticulously pieced sound collages. The result is sonic destruction made compositional, a full-spectrum assault that melts into jittery static and transformed debr…
2010 release ** "Recorded at 21 Grand in Oakland, California, this disc features a truly monster lineup of musicians adding to the Sissy Spacek core duo of John Wiese and Corydon Ronnau. We’ve got guitarists, woodwind, percussion, drum and double bass – hell, even a koto player makes an appearance, and each musician is a shining light of the Californian experimental musical landscape. Guided by a graphic score the musicians play in a semi-improvised manner, eschewing the traditional punk hyperac…
Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestu…
In their first collaborative album, pioneering Japanese sound artist Merzbow and prolific outsider outfit Sissy Spacek unite to unleash an unstoppable firebomb of frenzied electronics and raging percussion across two 45-minute discs in this monumental set. Assembled July–September 2023, it features a lineup of Masami Akita, Charlie Mumma, and John Wiese, with a special appearance by Phil Blankenship (The Cherry Point). Beautifully packaged in a metallic gatefold digipak with artwork by John Wies…
A new Sissy Spacek album in the realm of free-improv, but a great expansion of the perimeter. This power trio features Charlie Mumma on drums, Masahiko Ohno (Solmania) on guitar, and John Wiese on organ. Unlike anything that's come before.
Diehard oxblood red vinyl, limited to 100 copies. Bone-crushing U.S. noisecore avalanche, brand new recordings from this prolific unit terrorizing the masses since 1999! Special line-up consisting of: Isaac Horne (Mankind’s Devastation, Sulfuric Cautery), Charlie Mumma (Sewer System, Knelt Rote), John Wiese (lhd, White Gold). Grindcore From Noise: taking the band’s long-term experience in harsh noise detonation and combining it with the sickest elements of brutalizing grindcore delivered at inhu…
A scorching assembly of recordings from Sissy Spacek's 2022 ensemble tour, featuring the first John Wiese solo as Sissy Spacek since 2001 and two sets from the trio of Chris Goudreau/Jay Randall/John Wiese. Jewel case with heavy 28-page booklet.
Sissy Spacek is known for their extended approach to sound and performance. Founded in 1999, the group (since 2013, primarily a duo of Charlie Mumma and John Wiese) have released a broad range of work, from grindcore to musique concrète, with a considerable gulf of experimentation in between. Their performance at Empty Gallery in Hong Kong and its peripheral documentation is an example of the band’s abstracting style and approach. Recorded on the occasion of Takeshi Murata’s “Infinite Doors” ope…
Tip! 200 Copies. Staggering concrète tape cut-ups and raw electronic collage from from the duo lineup of Charlie Mumma and John Wiese. Another pinnacle of modern, harsh musique concrète!
Tip! An entropic vortex of full-room tear-up texture. Duo lineup of Charlie Mumma and John Wiese. Originally released in 2018 on LP/CS, this crucial CD reissue brings back into a print a pinnacle of modern, harsh musique concrète – with nearly 15 minutes of bonus material!
‘Another stunning, definitive and beyond harsh release from the arguably the most forward thinking ultra-sonic-destruction unit in the world.’ - Brandon Hill
*2022 stock* New Forces is proud to celebrate the twentieth anniversary of Sissy Spacek with their latest LP, "Trash Staging." Sissy Spacek have been one of my favorite bands for a long time, with a genre-bending catalog that spans grind, noisecore, collage, tape music, free improvisation, and large ensembles. Throughout, they have injected a frantic intensity into their music that is as addictive as it is unrelenting. "Trash Staging" could not be more perfectly calibrated to what I love most ab…
Tip! A screeching smash of searing grit and demolished shock from the trio of Blankenship / Mumma / Wiese, which can be identified as a distinct subgroup within the Sissy Spacek discography, responsible for such carnage as Wreck (2013), Basement (2014), and Slow Move (2017). BMW stands as a sharp-edged monument in the trio’s advancing decay, culled from a session at Blankenship's high-security Bronson studio and utilizing the equipment and environment that fueled sessions by LHD, White Gold, and…
While we may live in an oversaturated time of hi-definition, microwave-pulse paced images and video snippets, one format that has remained in play since the early 1900’s is that of radio. A format perhaps overlooked most in its ability to not only act as a conduit of audio, but also that of a uniquely non-visual live performance, facilitating a direct audio-only portal from performer to the imagination of the listener.Radio is a place where live collaboration and conversation can occur not just …