We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Stephen O'Malley

Stephen O'Malley is a musician, predominantly a guitarist, producer and composer from Seattle, Washington who has conceptualized and participated in numerous drone doom, death/doom, and experimental music groups. O'Malley is a founding member of several groups including Sunn O))), Burning Witch, KTL, Khanate. He has collaborated with a variety of artists including Greg Anderson, Merzbow, James Plotkin, Julian Cope, Joe Preston, Attila Csihar, Peter Rehberg aka PITA, Lee Dorrian, Kristoffer Rygg, Aaron Turner, Oren Ambarchi, Alexander Tucker, and percussionist Z'EV.

Stephen O'Malley is a musician, predominantly a guitarist, producer and composer from Seattle, Washington who has conceptualized and participated in numerous drone doom, death/doom, and experimental music groups. O'Malley is a founding member of several groups including Sunn O))), Burning Witch, KTL, Khanate. He has collaborated with a variety of artists including Greg Anderson, Merzbow, James Plotkin, Julian Cope, Joe Preston, Attila Csihar, Peter Rehberg aka PITA, Lee Dorrian, Kristoffer Rygg, Aaron Turner, Oren Ambarchi, Alexander Tucker, and percussionist Z'EV.

Member of: St. Francis Duo
Eternelle Idole
**second edition of 500 copies, white vinyl and duty cover with gloss varnish, with 16 pages 30 x 30 cm saddle stitched booklet** This double LP documents Stephen O'Malley's Eternelle Idole, his score for Paris-based choreographer Gisèle Vienne's artistic ice-skating piece of the same name. Comprising 47 minutes of music spread over three sides and enhanced by an elegant and chilling photoset by Estelle Hanania, the album features familiar O'Malley collaborators Steve Moore, Daniel O'Sullivan…
Gruides
The dark interpreter Stephen O'Malley ov Sunn O))) presents his towering orchestral composition Guidés, commissioned by French 35-piece improv orchestra ONCEIM -- l'Orchestre de Nouvelles Créations, Expérimentations et Improvisation Musicales -- and released thru Demdike Stare's DDS label. In early 2014 O'Malley was approached by pianist and composer Frédéric Blondy to write a work for the orchestra, which is made up of exceptional musicians from the fields of contemporary, jazz, experimental, i…
Shade Themes From Kairos
"Shade Themes from Kairos is a new iteration of the dream for all the guitar freaks out there, bringing together a couple of singular players together, just to see what happens. In this case, the players were old friends and collaborators Oren Ambarchi and Stephen O'Malley, playing in a space engineered and co-populated by Randall Dunn. From the top, Shade Themes from Kairos is resonant as a collective inquest in sound, with all the players deeply immersed within the panorama they are creating. …
St. Francis Duo
“Having played together in Æthenor for the last couple of years, Steve Noble & Stephen O’Malley came together to play as a duo at Cafe Oto in 2011. These recordings are the results of these two hot and sticky nights in East London. Noble is a regular at Bo’Weavil Recordings, having appeared on over nine recordings for the label, and a linch pin in London’s improvising community. Steve Noble studied with Nigeria master drummer Elkan Ogunde and in the early 1980s and over the last 20 years …
Cocon & Oiseau De Nuit
Editions Mego present one longform exploratory performance from Sunn 0)))'s Stephan O'Malley, recorded in Paris during the winter of 2006 and recently excavated, revamped, and mastered at Piethopraxis in Köln. The first in a series of three cassette releases for EMego, the 40+ minutes of 'Cocon & Oiseau De Nuit' are similar in form to his 'Keep An Eye Out' LP for Table Of The Elements and the 'Salt' album for iDEAL recordings, wresting the blackest sub-harmonics and inherent micro-tonal s…
Petite Geante
Recorded in 1208 Saalfelden, 01-0209 Brest. Stephen O'Malley: Electrical guitar, Supro, Fulltone tape echo, sine wave, field recording. Originally commissioned for the Enter sound installation series at Tou Scene, Stavanger, Norway curated by Anne Hilde Neset. Appears as a 4 channel work which loops for a full day, on a cycle with 9 other artists, every tenth day, for at least two years. More information about Tou Scene and Enter can be found at www.touscene.com. Published by Ideologic Organ (BM…
Banks Violette - TeamGallery & Gladstone Gallery, New York
This volume presents Violette's recent two-part exhibition at Barbara Gladstone and Team galleries in New York in 2007, and includes a 12-inch LP of his five-channel audio installation for Gladstone. Recorded at Team Gallery, it was composed and performed by frequent collaborator Stephen O'Malley of Sunn O))) with vocals by Attila Csihar.   
Keep An Eye Out
Table of the Elements continues to celebrate its 15th anniversary with the tenth installment in its Guitar Series Vols. 3 & 4. It’s a 12xLP romp of deviant fretnoise by some of experimental music’s most prominent players, including Christian Fennesz, Thurston Moore, and Sunn O)))’s Stephen O’Malley. Sunn O))) founder Stephen O’Malley summons a mesmerizing drone, absorbing the listener into an aural tar pit of deep, inexorable oblivion. He wears a cloak of post-metal allegiances with behemoths li…
Salt
Stephen O'malley: guitar & production. Recorded in 230 W 108 #4d, NYC spring 2005. Mastering & bass wave assistance by Mell Dettmer at Aleph, Seattle. Art by Banks Violette. Design by SOMA. 600 copies in oversized cardboard cover. salt is the audion component created for Bleed, the initial collaboration between sculptor Banks Violette and musician Stephen O'malley. First shown at Barbara Gladstone Gallery, NYC summer 2005 Bleed was part of the group show Bridge Freezes Before Road, curated by Ne…
6¡fskyquake\'003
 '6¡Fskyquake is an audio composition designed in 2001 but explored conjunction with the american sculptor Banks Violette's solo shows in summer 2007. Actually, two shows at two different galleries, Barbara Gladstone & Team, running simultaneously for the duration. The interaction of sound and Violette's work revisited concepts touched in prior collaboration of loss, absence, residual energy of a missed evocative experience. The composition was captured at a recording session during the installa…
1 2