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"Lately I’m seeing that it would be nice to turn one’s thoughts inside-out, which is possible for me, because I don’t compose in a straight line. I always compose around the periphery, you know." - David TudorUdo Schindler, b-flat, bass & double bass…
Tropic of Capricorn is the second album by Lawrence English and Werner Dafeldecker. Based on field recordings made by the prolific Room40 owner that were subtly but decisively altered with electroacoustic techniques through the German improv legend, …
A note from Valerio Tricoli: "It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be…
Intense, mind-bending, and spectral long-form drone works inspired by the way neural networks self-organise thru repetition, variation and reiteration. Features input of Lucio Capece and Judith Hamman.
In the lockdown of early 2020, Berlin fell silent. As reflects Nicholas Bussmann, “it felt like the early 90s in East Berlin”, the place where he grew up and experienced social change and uncertainty, and presumably a lot of empty, silent space. Her…
"Improvised music at this level of concentration may touch the roots of human culture, the transformative power of the cave and the paintings of Lascaux and Altamira." – Stuart Broomer (liner notes) Burkhard Beins percussion John Butcher tenor and so…
Two improvisations from an astonishing Munich performance in May 2019 by the Berlin-based duo of Lucio Capece - bass clarinet, slide saxophone, room acoustics and mini-speakers & Werner Dafeldecker - double bass.
"The two pieces were recorded last ye…
Estimable Austrian double bassist Werner Dafeldecker commits his first electro-acoustic full length with an engrossing side of textural roil for Room 40 comparable with enigmas by Kevin Drumm, Emptyset or Cam Deas and primed for deep immersion.
Edition of 300. Small Worlds (2004) is a 42-minute composition for improvising sextet by Austrian double bassist, composer and improviser Werner Dafeldecker. The score is written for any instrument and divides the players into two virtual trios whose…
**Edition of 200** The unfathomable quantity of Pan Daijing meets Werner Dafeldecker’s mercurial sound art on this surprise, limited edition 7" pressing.
Leading on from her heavily arresting Lack album for the PAN label, A Page To A Corner is Daij…
Shadow of the Monolith is the collaboration of acclaimed artists Lawrence English and Werner Dafeldecker. Recorded across the Antarctic Peninsula and produced in Brisbane Australia, Shadow of the Monolith works across aesthetic disciplines exploring …
Approaching the original score from a contemporary perspective, this new interpretation of Williams Mix contains a close analysis of the relationship between early tape music and current digital production, including video, allowing for original para…
The rebirth of cool" m=minimal is pleased to release a masterpiece of the early 21st century on vinyl. "till the old world's blown up and a new one is created" is an outstanding work of reductionism and minimalism. martin brandlmyar (radian / trapist…
Axel Dörner, trumpet. Werner Dafeldecker, doublebass. Sven-Ake Johansson, drums. Recorded in May 2010 in Gothenburg by Bengt Pettersson and Bertil Karlsson.
This is the first double bass solo record of the musician, composer and producer (co-founder of Durian) Werner Dafeldecker that focuses his work on improvisation, electronic music and cross-over projects
It's onward, ever onward for New Zealand's foremost guitar experimentalist, Dean Roberts. Before you know it, he'll be as ubiquitous as Thurston Moore, a New Music gadfly gatecrashing every weird feast going. The latest outpost in a transition from l…