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The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the…
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the…
Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftnes…
This is a mostly beat-driven album with little background noise, ambient space, or reverb. There is also no big emphasis on Middle Eastern sounds, which (and you should be figuring this out by now) is a frequently occurring theme in Bryn Jones' polit…
Edition of 500. Izlamaphobia starts with an aggressive blast, "Hudood ordinance." With a rhythm track consisting of extremely tweaked and processed electronic beats and bleeps and only the gentlest of Arabic string instruments deep in the mix to r…
Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this s…
Another Muslimgauze discovery in Staalplaat's reissue series, with eight rare tracks from the mind of Bryn Jones. Hefty slabs of beefy beats are seasoned with spicy South Asian melodies while mouth numbingly hot bass lines are smothered in distortion…
"Kashmiri Queens" presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions.…
Part of Staalplaat’s ongoing Muslimgauze archive series, Sycophant of Purdah was submitted in 1994 then “replaced” by another master Bryn Jones felt more fit for release. Sycophant then languished in the vaults until present, nearly a decade after Jo…
"Was it yesterday or tomorrow?"
That release is a tape that Atom Heart did for the first edition of the Ambient City radio at the Museum of Contemporary Art in Helsinki 1994.
Guitarist Ava Mendoza, violinist gabby fluke-mogul, anddrummer Carolina Pérez release their debut album, MamaKilla, named for the Inca goddess of the moon. Mama Killaoffers eight tracks of high-volume, riff-based guitar-violinimprovisation bolstered …
Tim Berne - alto saxophoneTom Rainey - drumsGregg Belisle-Chi - guitar
All music composed by Tim Berne Party Music BMI except Julius Hemphill by Julius Hemphill.Subito Music Publishing (ASCAP).Mixed and mastered by David Torn.Vinyl artwork + design S…
Legendary pianist Cecil Taylor enjoyed a month-long residen-cy in Berlin in June and July 1988, during which he began anartistic partnership with drummer Tony Oxley which lasteduntil Taylor’s final public performances in 2016. Recorded at theOutside …
22/12/2017 Guilin Synthetic Daydream is a perceptual trap. Inspired by an experience of intense perceptive disorientation while crossing a market in China, Eve Aboulkheir reinstantiates, in the field of sounds, the swirling and anamorphic universe of…
Tip! “I first composed this music for myself as an adjunct to meditation, Tai Chi, and bodywork, and as music to play in the background of life, to replace the everyday cacophony with new and ordered sounds of an unpredictable nature. New sounds free…
*100 copies limited edition* Forbidden Questions in Space is a haunting, koan-inspired journey of ambient, vocal, and drone improvisations. Born from Zen riddles and cosmic wonder, Angela Winter transforms existential dread into spacious, contemplati…
The story of Father Yod, Yahowa 13 and the Source Family could literally fill books, but rest assured, they truly were the "apex of high" in terms of psychedelic music. A tale that transcends conventional music history, this legendary collective repr…
London’s The Lo Yo Yo was conceptualized by John “Alig” Pearce in 1984 after his primary group, the deservedly legendary Family Fodder, went dormant. Soon enough a few others were enlisted to round out the quartet, including Mick Hobbs of The Work an…
Ex Agent’s debut EP New Assumptions… is a collision of no-wave beauty, improv-adjacent disorder, and spoken-word poetics that teeter on the edge of collapse. Within this exquisitely precise disarray lie carefully constructed moments of fragility, rep…
These duets exemplify a compelling musical interplay, characterized by symmetrical encounters and an organic, intuitive dialogue that seamlessly weaves together elements of core improvisation, contemporary classical influences, and jazzy choruses, re…