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Buwen is both composer and organist, accompanying saxophonist Priesner on this rather academic program of duets. An earnest but dull remnant of late high modernism, the title piece inadvertently points up the limitations of classical sax technique, ignoring the expressive possibilities of the instrument almost completely. Buwen is self-effacing in the extreme, content to provide ground figures for Preisner to bounce off. Strange to think that one could write music this bland about a subject so c…
Apart from a large orchestra, Kraanerg, composed in 1968/69, requires audio feeds of recorded parts played by the orchestra and of the results of the manipulation of electro-acoustical phenomena. “I do not work with basic building blocks. I start afresh every time,“ Xenakis once said. This statement may help explain the extremely independent sonic universe created afresh in his compositions again and again. In the same vein, he rejects any attempt to foist semantic patterns onto the music of Kra…
Finally the overdue and long awaited re-release of IOVAE’s Quatervois which came originally as a limited CD-R release on Drone Disco. IOVAE, native of Cincinnati is a true alchemist, working out lo-fi tape collages and simple four track assemblages. He uses unusual sound sources and layers these into rather dense and industrial etudes of found sound. Iovae (Ron Orovitz) has been playing with sound in the culturally insular confines of Cincinnati Ohio since circa 1988. Initially, tape & turntable…
restocked: Swedish percussionist Erik Carlsson in a solo work using multi-tracking to create a set of composition ranging from ominous environments to quirky abstractions, an excellent collection of modern percussion pieces. "This is a fine album of carefully constructed, but also somehow partly unconsidered works by a finely talented musician. The six pieces each make clear musical statements, separate to one another and yet they form a well rounded, nicely balanced suite when brought tog…
Originally released under the title "Bleistiftmusik" as a C30 cassette in a signed and numbered edition of 80 copies by Edition Hundertmark as 74. Karton. "I was surprised that it was possible to read the acoustic event from the object drawn, and some insecurity about the association of visual signs and sound phenomena (caused by the directional openness of the reading process) appears to increase even more the attraction of seeing them combined. The pencil-sound piece did not always remain th…
One of the world's most creative harpists, Zeena Parkins has contributed her inimitable playing style to the work of artists like Bjork, John Zorn, Yoko Ono,Sonic Youth and Matmos, whilst also recording a number of wonderful solo albums (including the timeless Nightmare Alley) and a couple of Phantom Orchard collaborations with electronics guru Ikue Mori. What most immediately sets Parkins apart from her peers is a roving appetite to look beyond the ordinary constraints of her instrument. While …
Franz Schubert may not have been an expert dancer, but he certainly was an extremely skilled composer of dance music. Most of his numerous dances – often miniatures comprising only a few chords – were improvisations created for special occasions, such as house parties. And many of these impromptu waltzes were noted down by Schubert later, including several pieces for piano four hands. Brahms, who held Schubert's music in high esteem, remained faithful to his own majestic musical language in his …
From the Kitchen Archives Vol. 3. Amplified: New Music Meets Rock, 1981-1986 is the third release in a series of CDs compiled from The Kitchen's archive that documents historic concert recordings at The Kitchen from the early 1970s to the mid-1980s. While the first two releases, New Music, New York 1979 and Steve Reich and Musicians, Live 1977 focused on major figures of new and experimental music from The Kitchen's first decade, Amplified moves into the early 1980s, representing a vocabulary th…
1991 CD reissue of the 2nd TG album, originally issued in 1978; digitally remastered by Chris Carter. Adds 2 bonus tracks from the legendary Sordide Sentimental 7" ("We Hate You (Little Girls)" & "Five Knuckle Shuffle". Breaking from the live sound of the previous Second Annual Report, D.O.A. finds the group assembling collages of computer noise, cassette tapes on fast forward, looped feedback and tape hiss, surreptitiously recorded conversation, threatening phone calls, and much more, all to a …
The most ambitious and grandest of his projects would of course never see completion. For over forty years, Ives continued to supplement the material for his Universe Symphony, adding both notes and details. At some point, the scenario he envisaged got somewhat out of hand, Henry Cowell reported. “Several orchestras and large parties of singers, male and female, were to be placed in valleys, on mountain slopes and on summits,” and “6 to 10 different orchestras on several mountain tops, each movi…
Almost one hour of gong solo. A perfect continuum ! An incredible performance. Gong recorded at casa delle masche, piedmont, italy on april 28, 2011. voice recordings at the same location on several days in summer 2011. performed, recorded and mixed by fritz hauser. mastered by martin pearson at platinum one, zürich, switzerland.
Archimedes Badkar (Archimedes Bathtub) was a Swedish group formed by percussionist/pianist/composer Per Tjernberg that existed between 1972 -1980, recording four LPs (including a 2 LP set) that has since achieved cult status in several camps. World Music was not yet a household term, but for once that description seems perfect for what Archimedes Badkar must definitely be regarded as one of the pioneering bands. Several of the members had travelled and studied music in North and South India, Mor…
Beautiful duets between Brigitte Fontaine and Areski -- and an album that's filled with loads of short little tracks that stand with some of their greatest work ever! Instrumentation is spare, but incredibly haunting -- a bit jazzy at times, slightly experimental at others -- but always quiet enough to allow the slightly-whispered vocals of the pair dominate the record. There's a strong sense of poetry here -- but without any of the stiffness or pretension that might imply -- and the re…
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
Aided by musician M.D.T. (aka the Museum of Torture), this time leaving Bianchi concessions acoustic Antarctic Mosaic and MI Nheem Alysm (where an upright piano hammers for 10 minutes a tether claustrophobic) to resume the speech sound historical works as Symphony For A Genocide (grazed in the title) and Regel. If the departure (Departure) aligns with the hordes of former electronics student Merzbow, in pieces like Return or Arrival distortion is channeled into a world of skinny senryu metal and…
The Soirée Vian, a kind of meta-cabaret created in 1991 based on a commission by the WDR, develops along the narrative red thread of Boris Vian's novel The red grass and turns into a dizzying journey through the absurdly crazy worlds of Vian's universe. The fullness and polystylism of this venture undertaken by Denys Bouliane might indeed almost make the listener dizzy, not least due to the fantastic performance by the electro-acoustic ensemble "Série B." Their "musical roller coaster ride from …
Fela Anikulapo Kuti, inventor of Afrobeat, is one of the greatest musicians ever to have lived. He was an innovator, musically gifted, and more important, he was the people's musician.
Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu. Digitally remastered by Pompon (Translab Paris, Paris, France). With the inclusion of Nigerian master musician Fela Anikulapo Kuti's incendiary 1977 single, "Zombie," "Mr. Follow Follow," a typical anti-authoritarian exhortation, and a couple of hitherto-unreleased live cuts from the 1978 Berlin Jazz festival, ZOMBIE finds the iconoclastic singer and bandleader at his electrifying best. The title track, …
As part of its Japan focus the 1999 Biennial Festival for New Music in Hannover also presented Toshio Hosokawa's exploration into the music of his "musical ancestors." This CD was recorded live during the performance and includes three works from the 17th and 19th centuries. Chidori no kyoku by Yoshizawa kengyô II (1808-1872) is based on the 31-syllable poems of the classical poetry anthology Kokin wakashû (10th century), so-called waka poems; chidori is the Japanese plover, whose calls have bee…