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Michel Chion's music concrete from 1971-1997, mostly inspired by classical forms. The compositions are 'Etude d'apres Beethoven' and excerpts from other works. Opera is the central theme. As Chion says, "With concrete music, we can create an 'opera for the ear' in which the composer, because he is working on a sound that is fixed, with its own time and space, finds himself with the possibility of providing the music, decors, lighting and also conducting and directing this theater of louspeakers.…
Black Rose Recordings are proud to present the exceptional new album by Asmus Tietchens. Corrosion is a degradation mechanism. It is an insidious process often difficult to recognise until deterioration is well advanced. Are these new pieces a comment on the current state of noise music, serious music or both? As a pioneer of electronic composition his work spans over three decades and doesn't fit easily into any one category. Early recordings ranged from experiments with tape machines and elect…
limited to 500 copies only. Radio People is a project from Ohio-stalwart Sam Goldberg. After a handful of solo releases under his own name on Weird Forest, 905 Tapes and the Emeralds-run Wagon & Gneiss Things labels, he debuted Radio People on an ultra-limited self-titled cassette on his own Pizza Night imprint. At that point, there was no way back and the only move was to push forward with this cosmic beast. Two more short-run tapes followed and it was clear that this new chemically-imbalanced …
While in the widely neglected 39 Clocks, he made records that never sold and played gigs that few ever saw, Juergen Gleue has arguably been the most important exponent of electrified German sound since the late 1970s. Phantom Payn Daze was made in the mid to late 90s and has never been released. It's his final LP and is overflowing with all the elements that romanticized, loner / stoner music claims, an encoded expression of highly private feelings, an ambiguous, emotional quotient, and a dark…
Like this week's brilliant Sun Araw release, On Patrol, Robedoor's Burners is vying for sleeve art greatness, truly looking like something that's arrived from another age and most probably another dimension. Recorded and mixed last year at the same studio that birthed the band's formidable Raiders long-player, this new album joins some of the dots between the group's menacing drone past and their recent turn towards more confirmedly song-based material. Pick of the tracks has to be the …
First instalment in this new o series providing a long overdue and much needed vinyl-only glimpse into Jim O'rourke's electronic/synth music archive* 'Old News No.5' introduces a "nearly regular series of vinyl albums documenting analog synth and tape works (both studio and live) from the depths of Jim O'Rourke's archive, spanning a near quarter of a century in the field." Side A 'Pedal & Pedal' features 15 minutes recorded at Super Deluxe, Tokyo, 2010. It unfurls a series of tender pasto…
hand-numbered edition of 200 copies lp on manuel mota's private headlights imprint documenting a heavyweight duo set from marcia bassett of zaimph, hototogisu, double leopards, ghq et al and improvising portuguese bassist and guitarist margardia garcia. garcia is one of the major new generation european free players, coming out of the same scene as mota, and she's just as capable of generating swans-style industrial entropy as she is playing explosive fire music. here bassett uses keyboar…
RESTOCKED *Bit of a departure for the Old English Spelling bee, embracing scenic dubbed-out tapestries described by the label as a cross between Burial's sample-strewn claustrophobia and Ennio Morricone's spaghetti western scores...* The Olde English Spelling Bee label has lit up our week with this incredible debut from Forest Swords. Nope, we've never heard of them before either, but they're only based down the road in The Wirral so we'll send them a thank you message via carrier pigeon o…
Kye is proud to present Inland, the new LP by Clapton-based Astor. Advancing the cause of 2012's 'Alcor' LP, 'Inland' finds Mark Harwood and sometime collaborator Maja Larsson further complicating reason with dark and circuitous audio constructs. Inland' is sonically conceptualised through the meticulous choice of instrument used: ranging from an array of bells, gongs and ethno-percussion, alongside petrified piano melodies and a grinding organ. Accordingly, this is complemented by the use of T.…
Japanese turntable project probably best known for their work with Otomo Yoshihide and Hijokaidan, in their final LP, 2 compositions and 99 locked gooves. Side 1 = two elegant contemporary avant garde compositions -- kinda reminds me of AMM if they were DJs. Side 2 = 99 lock grooves."the debut lp, simultaneously the last issued recording by the duo of takahiro yamamoto & katsura mouri’s busratch, a decade-long-running & quite prolific turntable duo with a series high-profile collaboratio…
Beautiful new full length LP featuring Jefre Cantu-Ledesma (Root Strata, Tarentel), Evan Caminiti & Jon Porras from Barn Owl, Lisa McGee (Higuma), Gregg Kowalsky (Date Palms), Marielle Jakobsons (Date Palms), Maxwell Croy (Root Strata/EN) Steven Dye & Tony Cross (Tarentel alum) and Michel Elrod, who plays tambura with Date Palms, Barn Owl & The Alps among others. Edition of 500. Screen printed jackets. First 100 on color vinyl.
This large group is somehow able to focus and refine their so…
Glistening Examples is proud to announce “Soundtracks for Takeshi Murata”, the debut LP of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police a nd more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists including Oneohtrix Poin…
In the year since Luke Roberts recorded his debut Big Bells and Dime Songs a lot has changed. Luke now owns a guitar (a Collings 000 2H model) that his sophomore album was written on, he has moved from Brooklyn to Montana to Nashville, his childhood home, and the songs were written over a long period of time in his Brooklyn apartment (as opposed to largely on the bus down to the studio on the debut). The combination of changes made a significant and noticeable impact on the songwriting an…
NNCK LP soundtrack for the upcoming NNCK movie of the same name, directed by Adam Egypt Mortimer. This album presents recordings from the first NNCK rehearsal space at 195 Chrystie St. NYC in the years 1995-97. Two pieces were recorded for Harmony Korine's Gummo soundtrack but never released. Others are quintessential NNCK moments, including the first session joined by Butoh princess Michiko Takahachi, who instantly became a permanent member. The closing of the 195 Chrystie St. studio in 1997 ma…
Subscribers edition with bonus 7" limited to 250 copies. A selection of the best work of Cultural Amnesia spanning 1980--1983. Includes remastered tracks from their three released cassette albums and from compilations. Nearly half the tracks are previously unreleased, including pieces from two unfinished late albums that the band consider amongst their strongest songs.
in 1967 henning christiansen proposed to joseph beuys that he composes a major work for organ titled "fluxorum organum" for beuys's planned aktion "eurasienstab". henning christiansen composed a piece with five movements. the organist franz meiswinkel played the composition on the organ in düsseldorf's liebfrauenkirche. the first "eurasienstab" aktion took place in 1967 in vienna at the galerie nächst st. stephan. in 1968 there was a repeat performance at the wide white space gallery in antwerp.…
Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the "creatures of the night," the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by UNITS and THE SCREAMERS. Reininger's electric violin congeals with electronic atmospherics to unnerving ends on the instrumental "Litebulb Overkill." Few records do justice to the mania a…
For more than 25 years Jeph Jerman, previously with the moniker Hands To, has heavily explored the realm of field recordings and the devices to record it.Over the years his sound has become gradually more gaunt and essential, leaving more and more the electronic aspect apart and instead increasing the acoustic size.This made the sound of his compositions, if possible, even more organic, succeding to play entirely acoustic sets using only small objects found in nature such as stones, seeds, pine …