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Strani Messaggi Erotici
*2024 stock. 27 copies limited edition* Industrial power electronics from Italy, based on Moana Pozzi the most famous Italian pornostar. Special package in a love letter with cards.
The card is contained in a black envelope measuring 12x9 cm. about. The black envelope is in embossed cardboard (300 grams) with a leather-like effect, and is closed by a red ribbon on which the coupon with the copy number is inserted. The figure on the coupon is a tribute to the historic International Press publishi…
Witchy Bitch
*2024 stock. 50 copies limited edition* A collaboration between BeTon FlashCut and Death In Venice Productions. A lost short track of Atrax Morgue, noise and power electronics from Italy with the demoniac voice of Marco Corbelli/Atrax Morgue. Usual strange edition with a resin witch!
The business card CDr and cover are contained in a plastic document holder (approx. 8x11.8 cm). The package is closed with a satin ribbon (black) on which is knotted a pendant in the shape of a witch made in colored…
Live In Trentville
Unlike the distant "18/8/81" or the more recent "Wrong Ninna Nanna", this new solo work contains no piano or other instrumental parts. In this release, which occurred like all truly welcome things in an unexpected and unsought way, I have collected some of my own compositions created only from sound material recorded around or taken from other recorded music. Such material has been mutated with various sound processings, and assembled by multiplying layers in both digital and analog environments…
Activis
*100 copies limited edition* Flip-Flap is pleased to announce that the series of works chosen by Conrad Schnitzler for publication with us is now continued with the help of the Dutch-based distributor Fonodroom. This selection of works was originally made by Conrad Schnitzler himself in 2008 for a 100 CD boxset edition planned to be released by the now defunct Waystyx label. As heirs to Waystyx, Flip-Flap offers Conrad's fans an opportunity to further immerse themselves in his universe of electr…
Aufzug
*100 copies limited edition* Flip-Flap is pleased to announce that the series of works chosen by Conrad Schnitzler for publication with us is now continued with the help of the Dutch-based distributor Fonodroom. This selection of works was originally made by Conrad Schnitzler himself in 2008 for a 100 CD boxset edition planned to be released by the now defunct Waystyx label. As heirs to Waystyx, Flip-Flap offers Conrad's fans an opportunity to further immerse themselves in his universe of electr…
Coxhill 85
Lol Coxhill was an English saxophone player, largely known for playing soprano and sopranino saxophones. He began playing aged 15 in 1947 and later in that decade, organised club sessions where he introduced music from the jazz coming from the US. He later toured with musicians in America. Back in the UK, he played with Otis Spann, Jack Dupree and many other musicians. Coxhill was unconventional in so many ways. Rather than a permanent trio, quartet or collaborator, he played with a host of diff…
Black Slaughter
Thrilled to unveil an exclusive edition of the Atrax Morgue tape, Black Slaughter, meticulously hand-numbered and limited to just 99 copies. This release is part of the Slaughter Productions tape series by Urashima, dedicated to lovingly reissuing the extraordinary catalog from Marco Corbelli's pioneering label. Each cassette features newly mastered tracks by Andrea Marutti. Presented in a sophisticated black opaque slipcase O-card 300g, the cassette is housed in a clear plastic box with j-card,…
Thrilling
*Much needed repress!!* The world premiere CD edition of Thrilling featuring Ennio Morricone's original (and almost unheard) complete soundtrack music for the 1965 Thriling film in three episodes directed by Ettore Scola, Carlo Lizzani and Gianluigi Polidoro. The score is a great mix of heavy and light, with one of his grooviest mid-60s moments, combining Morricone's floating style featuring bold and jazzy inflections in the instrumentation, a fantastic utilization of flute and saxophone, layere…
Outland
The Outland album series was a collaborative endeavor by the visionary US bassist-producer Bill Laswell and the late German musician Pete Namlook that pushed the boundaries of dark ambient and electronic music. Spanning five albums released over a thirteen-year period from 1994, this new boxset serves as a testament to the creative synergy between the two masterminds. At the time the duo joined forces, the New York-based Bill Laswell was already a famous producer with a massive client list that …
Imponderable evidence
Matchless Recordings presents a live concert by Eddie Prévost and Evan Parker recorded at Gateway Studios, Kingston-upon-Thames, London, on November 10th, 2003. The album includes five tracks performed by Evan Parker - tenor saxophone and Eddie Prévost - drums.
The Blackbird’s Whistle
Matchless Recordings presents a live concert by Eddie Prévost trio recorded at Gateway Studios, Kingston-upon-Thames, London on October 17th 2003. The album includes five tracks performed by Tom Chant - tenor saxophone, bass clarinet, John Edwards - double bass, and Eddie Prévost - drums.
Continuum +
Matchless Recordings presents a live concert by Eddie Prévost quartet. This album is composed of two parts. Part 1 was recorded at the Bracknell Jazz Festival on the 3rd of July, 1983. Part 2 was recorded at Porcupine Studios London. The album includes five tracks performed by Larry Stabbins - Tenor and Soprano Saxophones, Veryan Weston - Piano, Marcio Mattos - Double Bass, and Eddie Prévost - Drums.
"The music you hear on this DL has a distinct urgency and excitement. It moves forward in a comp…
Earle Brown Chamber Music
Matchless Recordings presents a collection of early works by Brown, written 1952-64.
The album includes eight tracks performed by Dal Niente projects: Simon Allen - vibraphone, marimba, percussion harmonicas, various sound-producing media; Peter Bevan - trombone; Bridget Carey - viola; Tania Chen - piano; Robert Coleridge - piano; Francesca Hanley - flute; Nicolas Hodges - piano; Mieko Kanno - violin; Lore Lixenburg - voice; Zoe Martlew - cello; Mannon Morris - harp; Fiona Ritchie - vibraphonem…
A Bright Nowhere
Matchless Recordings presents a live concert by Conditions recorded at Gateway Studios Kingston-upon-Thames Surrey England 16th November 2002 and 2nd March 2003.
The album includes six tracks performed by John Edwards - Double Bass, Eddie Prévost - Drums, Alex James - Piano, Nathaniel Catchpole - Tenor Saxophone, Jamie Coleman - Trumpet.
The Inexhaustible Document
Recorded live in London's beautiful Union Chapel in 1987. The organic control of sound on this is spectacular - pretty much a must for serious listeners worldwide.. Free imrovisation in the hands of Amm valorises the unknown, combining unpredictabiity with contexual coherence and the implicit drama of emotion and meaning in play. By opening out the moment it reveals the inherent wilderness of living processes that we lose sight of in an environment of over-determination, where the planned and th…
The Issue at Hand
The musicians who perform together on this CD are as unlikely a group of individuals that you are ever likely to find. Yoshikazu Iwamoto brings a cultural past that has deep aesthetic roots in Japanese Buddhism, while John Tilbury's classical European training brings a sensibility that has matured through contract with cultivated traditions of learning and discipline. Eddie Prévost by his presence draws everything together into an indivisible whole, through responses that have been honed from ye…
Most Materiall
"Double album, double solos of two distinctive musicians, becoming duets in a relatively rare space between solo playing and ensemble. Reed and percussion start at different places, the working through breath, the other pulse of materials being struck, one typically characterised by line, the other by attack, producing in the first pitch configurations, in the second beat patterns (Eddie Prévost doesn't use the specifically pitched mallet instruments). Each player comes with a distinctive sonic …
Fine
Music for dance, by AMM. Recording of the concert given together with the dancer Fine Kwiatkowski at Musique Action festival produced by CCAM, Vendoeuvre-les-Nancy, France on 24th May 2001. The album's title connotation is at least dual. This is a recording of a live performance done in conjunction with dancer Fine Kwiatkowski (who, incidentally, is not audible), and it's certainly "fine" in the qualitative sense. One hopes the aura of "finality" implicit in the title doesn't apply. This is one …
Combine + Laminates + Treatise (1984)
** Restocked, reduced price** A re-issue of the Pogus LP format with additional material taken from the same concert at the Arts Club, Chicago, USA, 25th May 1984. The difference in the music included on this CD version is the addition of Treatise '84. This, as the audience was aware, was an Amm improvisation inspired and guided, rather than dictated or controlled by Cornelius Cardew's graphic masterpiece. There is, of course, no way that this work could be identified as a composition in the acc…
Concert, V
Eddie Prévost & Veryan Weston. Recorded in England, 5/98, mixed by Evan Parker. "'Beauty as an Ear Thing' is a meticulous exploration of texture, full of soft explosions, the reverberant ring of spinning metals, and overtones that glow like embers, dying into silence; this music wouldn't be misplaced on an AMM disc. 'Clustered' rebuilds something out of the emptiness. The dislocated rhythmic feel is like an abstraction of something Monk and Max Roach might have played together. 'Fingers and drum…