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Le Jardin Perdu / Talweg
*100 copies limited release.* Antoine Bellanger’s unconventional trajectory traverses the realms of radio pieces, indie rock for adults, rock for kids, and contemporary art with sound at its core. Since his arrival in the Basque Country, always further from the city lights, this versatile artist with strong ecological convictions roams his homeland, continually exploring the field recording world, capturing the in situ and the open sky. His soundtrack then outlines a sonic landscape where stripp…
Momentary Lapses
*100 copies limited edition* Spoken word, synth, modules & beats invite the listener into an electronic landscape where smell is colour and sound has weight. 'Momentary Lapses' is the second collaborative album from London based artists BAG (Jody DeSchutter and Daniel Allison), and Collapsing Drums (Charlie Behrens). This is a deeply artful work that is simultaneously engrossing and challenging, and one that benefits from repeated listening.
Embedded
AMK & Willie Zarate bring you a noisy collection that steals liberally from Leonard Cohen, Witold Lutosławski, Borbatomagus and Gary Numan, combining it with overzealous use of string instruments, record players, distortion boxes, junk electronics and birds.
Taipei, Seoul 2019, 2022
*2023 stock. 30 copies limited edition C90* This recording is an album containing the duo recordings of Choi Taehyun and Park Daham. Choi Taehyun and Park Daham first started playing as a duo on May 14, 2013, and have been performing as a duo occasionally. Park Daham, remembering that it was their last concert in Taiwan in 2019, accidentally suggested that we try recording again, and in March 2022, the duo recorded in Taehyun Choi's practice room. I wish all my Taiwanese friends well.
2527
Tip! Takashi Masubuchi (acoustic guitar) and Staytone (modular synthesizer) are musicians based in Tokyo. Both of them are new generation involvers in post onkyo Japanese improvisation music scene, active in Ftarri, Otooto, Permian and other small, quiet, warm spaces. Takashi Masubuchi is also (one of) Permian’s runner, which is specially focus on free improvisation music. This duo has deep collaboration for many years. 2527 are some selections from their 2018 recordings in Permian.
Killed As Time
Conscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.
Vertical Music Batch 01-03
A special bundle to introduce a new and quite promising label from Milan, Italy. Curated by Ludwig Berger, Vertical Music is a home for non-linear music, deep mapping, and the long now.
Live Materials 1980-1993
Nord were one of the earliest of the Japanese electronic/noise groups, debuting with a 1981 LP on the Pinakotheca label, and releasing a series of highly collectable recordings over the following years. Hazy and drugged, these recordings by the infamous Nord are a must-have for anyone who is into claustrophobic and destroyed ambient of the most disturbing, affecting kind.
G. Steenkiste & U. Schütte
*100 copies limited edition* These two pieces, recorded in sessions in Ghent, Belgium and Hamburg, Germany, represent the first musical collaboration between long-time friends U. Schütte (half of the German duo Phantom Horse, with several releases on Umor Rex) and G. Steenkiste (aka Hellvete). In this work, two specific traditions of the avant garde of modern electronic music of the meet elegantly: the systematic, evolutionary and minimal construction of harmonic and solemn forms, with the patie…
BFHC
Limited edition of 100 copies. On her second album (first one on Umor Rex), the Minsk born / Paris based artist Lina Filipovich continues her experiments on deconstruction and re-appropriation of classical pieces. BFHC includes seven electronic interpretations of the works of Baroque composers such as Bach, Handel, Frescobaldi, Carleton and Couperin. Inspired by memories of her experience of interpreting Bach's pieces in early childhood, Filipovich explores the desire to push the limits of perfo…
Free Percussion
**100 copies** Tsss Tapes is a new tape label from Italy and this is their first release. Snares, bells, sticks, cymbals, pinecones, rattles, brushes, bass drums, mallets and other objects that make a sound if you hit them, stroke them, let them bounce. A compilation of improvisations by twelve percussionists from different parts of the world mastered by Nacho García. Includes tracks by Claire Rousay, Rie Nakajima, Chris Dadge, Håkon Berre, Ted Byrnes, Tim Daisy, Will Guthrie, Simon Camatta, Kev…
Bistre
**100 copies** Anne-F Jacques: rotating devices, Tim Olive: magnetic pick-ups. Recorded in Montreal, May 2019 Anne-F Jacques and Tim Olive use handmade, idiosyncratic instrumentation to produce and amplify detailed sound textures, from fine-grained to coarse. They share a tactile, lo-tech approach to improvised sound composition, manipulating diverse objects and materials in conjunction with somewhat unpredictable audio pickup/amplification systems to create a music in turns serene and agitated,…
10x3x1
** 2021 Stock. Edition of 150 ** Live three turntables mix using All Discrepant, Souk and Farsa Discos records between 2010-2020. Mixed, selected and recorded by Dj Marcelle / Another Nice Mess.
De Haters Und Kadaver
*75 copies limited edition* Split CS from The Haters (USA) and Kadaver (Israel). Black C20 cassette w/ full-body sticker labels & 4-panel insert.
Terraen
Sandra Boss is a composer and sound artist based in Copenhagen, Denmark & a member of the artist collective Vontrapp. Her new album “TERRÆN”, is a collection of two sound pieces that explore the malfunctioning lo-fi material of obsolete tapes & antique tone generators, mixed together with the popular analog polysynth Juno 106 & the playfulness of the Chimera mini synthesizer. Low, naive melodies appear alongside a more portentous & opaque atmosphere over a barren land.
The Honey Dodger
Australian artist/author/designer/musician Matthew Revert weaves something of a hazy opera, leaving crumbs of hypnosis, rap mixtapes, portastudio songwriters, and the overall feeling of waking up several times throughout the course of a night with the television on. Commissioned by Transmedia Borders / British Council in Mexico This work was released by Athens based label Thalamos in 2019
Push For Night (Tape)
Push For Night is the New York City based duo of Oliver Chapoy and James Elliott. Trafficking in dark, liminal electronics, the duo's sound is an ever shifting morass of psychoacoustic textures and spectral utterances. Evoking eerie, unnatural, and hidden spaces, this is music that exists in the threshold – locked in a constant push and pull of thwarted expectations and sublime release, hovering in a trance state of the always in-between. These seven tracks reference dark ambient, post-industria…
Requiem For Haunted Starship (Tape)
Cut A Lonely Figure is the (mostly) solo project of Blue Tapes founder David McNamee. Previous releases include Sugimoto Seascapes (Fractal Meat Cuts), Rothko Horizons (Bloxham Tapes), and In Sea, In Circles, In Concrete (Pan y Rosas Discos). "For this release, recorded at home during Lockdown 1, 2020, Cut A Lonely Figure was: Sarah Angliss (theremin), Maria Marzaioli (violin), Rosie Reynolds (clarinet), Andrew Smith (saxophone), and David McNamee (everything else)."
Forbidden China
A pre-lock down project by Laurent Kink Gong Jeanneau, given a new impetus whist home bound in 2020/21. Starting with a detuned Santur (Persian dulcimer) and then expanding the concept and playing techniques to various detuned acoustic guitars, first by raising 2 or 3 strings above the neck whilst hitting them with chinese chopsticks. With the worldwide lock down of 2020 Laurent took this tecnique to its logical conclusion, by banging everything percussive with strings and exploring the various …
Music Is Not A Copy
On Music is Not a Copy Kink Gong turns crystal pop into syrup musak, a skippy glitch digital re-configuration of Chinese popular music, sounding like a broken unrelenting CD player under Beijing’s main underpass. We can’t think of anyone else making music like this, being it destructive or celebratory, dive in, never come back.