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2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…
The noted west coast composer makes his ESP debut accompanied by his then wife, Barbara Donald, on trumpet, Teddy Smith on bass, John Hicks on piano and Marvin Pattillo on percussion. Recorded August 1966, Staying on the Watch is an important infusion of straight-ahead and avant jazz. Barbara Donald is a superb trumpeter who has made a stern contribution to the legacy of women performers and has been widely written about. Also, pianist John Hicks, who makes his New York debut on the record, went…
2013 reissue; originally released in 1966. The first North American CD release of the "electric newspaper," an archetypal '60s counterculture "happening" from August 6, 1966, this is also the first edition anywhere since the original vinyl to include the lengthy closing track, "Interview with Hairy." A legendary all-star cast of performers got together to make an anti-war collage of words and sounds that defies mere track listings -- one of the elements is "Silence" by Andy Warhol, which, contr…
Two years following his work 'Monumento Fiume', Giovanni Lami returns to Kohlhaas with a new release, once again investigating the intricate relationships between memory, the sonic medium, and decay. 'Eikon' originates from a series of acoustic cello recordings, subsequently disassembled and transformed by Lami, resulting in a unique deconstructed and layered object, lying somewhere at the intersection of soundtrack, decomposed ambient and video game music, shaped through the use of samplers, a …
Throughout their legendary, decade-long run, The Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning this year with the firs…
2025 stock Signed to Atlantic Records in the hubbub after Nirvana's Nevermind (1991) exploded, the Melvins' fifth album Houdini was a conscious attempt by the band to make a record that wouldn't alienate their fans but that the band members themselves would also enjoy. Their best-selling release by a country-mile, this album crested at number 29 on the Billboard Heatseekers chart. Houdini would be most folks introduction to the band and songs like 'Honeybucket' received MTV airplay. First time o…
"In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked — or, as Orcutt puts it, "a bridge pickup rather than a neck pickup record" — it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the se…
Sound artist and filmmaker Joshua Bonnetta wants to know what happens when a human listener exits a landscape. How might the soundscape differ? How is our presence affecting the recording? His ambitious long-form work The Pines I-IV, released [in 2025] via Shelter Press and The Dim Coast, looks to interrogate some of these questions, capturing the sonic life of a single pine tree in upstate New York over the course of a year via remote recordings, edited into four hours of audio which will be re…
*50 copies limited edition* Pacific Walker finds the Odawas duo, Michael Tapscott and Isaac Edwards, once again weaving their mysteries into an esoteric tapestry of mycelial folk borne under cosmic whispers. Joining forces with percussionist and classical guitarist Raphi Gottesman, the trio embark on their first journey, an initiation stretching from the furthest outer reaches of Creation to the innermost Temple of the Eye Am. Channeling scorched church spaghetti westerns, warped tapes transmitt…
2008 release ** just 3 organs (2003-2008) is 33 minutes and 33 seconds or a 3 times 3 tracks long long-player played with 3 times 2 hands and feet on the 3 times 2 manuals and 3 pedals of 3 vintage Yamaha 205D Electone home organs each assigned a primary color and tuned a micro-tonal 33 cents apart then amplified with 3 speakers for each organ suspended in mid-air in a triangle just in front of the observer with a monophonic reverberation phantom channel circling at 3 rotations per minute betwee…
2004 release ** Oversize card sleeve. Ulrich Böttcher: percussion, electronics. Uwe Buhrdorf: clarinet, electronics. Ulrich Phillipp: bass, electronics. Since 1994 Maxwells Dämon has been playing improvised music with electro-acoustic instruments. The trio works beneath the surface of cleanly structured contexts to explore the molecular structure of music. With the music on 'Stillte post', Maxwells Dämon expands their fragmentary approach extending it to the field of postproduction. The recorded…
Tip! These Rites are designed (realised and situated) – through/in – the saxophone, as:
(conic) vessel,text,structure,lens,‘kitchen’,nexus,body/organ(s),rhythm,ecology/knot,speculative (entrepreneurial) invention,(and shadow).
U-Boot 319's complete discography - a collection that captured one of Italy's most unique post-punk experiments from the 1980s and '90s. The Marchigian band from Fossombrone (Pesaro-Urbino province) represented an almost singular phenomenon in the Italian post-punk scene: a group that merged new wave with Weimar-era aesthetics, drawing declared inspiration from Kurt Weill's compositions and Bertolt Brecht's theater. Despite forming officially in 1981 and remaining active until 1994, U-Boot 319 n…
Deluxe book, 650+ pages, weighs nearly 3kg, Japanese & English. A masterpiece of a subculture photo book that contains the underground rock scenes that supported Tokyo underground music acts from the 70s and 80s.
Last copies. The first time Maryanne Amacher's music has ever been available on vinyl. Maryanne Amacher (1938-2009) was a composer of large-scale fixed-duration sound installations and a highly original thinker in the areas of perception, sound spatialization, creative intelligence, and aural architecture. She is frequently cited as a pioneer of what has come to be called "sound art", although her thought and creative practice consistently challenge key assumptions about the capacities and limit…
"Ken Jacobs, an essential figure of avant-garde cinema, and I had over-a-decade-long collaboration. We first performed fo his Nervous Magic Lantern project at the Argos Festival in Brussels in 2007. Before flying to Europe, Ken invited me to the top-floor loft on Chambers Street in TriBeCa, where Ken and his wife, Flo, have lived and worked since 1965, to experience a private screening. He turned on the apparatus and the image flashed onto the screen: geometric patterns — something of a Rorschac…
*100 copies limited release* The twelve jagged audio collages found on Colin Andrew Sheffield's "Serenade" shift from blurry abstractions to choppy sound art to mournful plundered passages, always with the singular stylistic approach the composer has developed over the last 25+ years of activity. As the follow-up to his previous full-length release, the critically acclaimed "Images" (2023), "Serenade" picks up where that album left off, although with an expanded sonic palette of funk, soul, jazz…
Biggest Tip! 51 year anniversary edition pressing including a single with Bob Hund covering a Philemon Arthur & the Dung song, and Philemon Arthur & the Dung covering Bob Hund. No lyric insert as the original pressing, but an interview on the slipcase. It compiles the complete works of this strange Swedish duo, including their lone self-titled LP release from 1972 (which supposedly won a Grammy in Sweden and is considered "the most cult album in Sweden ever") and a cassette-only follow up from …
*2023 stock* "From his earliest days as a composer, George Russell has worked from the assumption that if jazz was to grow as an art form it would have to look within itself for the materials of growth. Developing the theoretical ability to abet that process has occupied Russell from his works for the Dizzy Gillespie big band of the late 1940s to his most recent electronic music. The Outer View is one of his most brilliant small-band recordings, applying Russell’s system of tonal organization no…