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Da Bang! was recorded in February 2011, just two months before the master violinist Billy Bang (1947-2011) succumbed to cancer. In this final session, the Billy Bang Group featured one extended composition by Bang, "Daydreams," as well as compositions by some of Bang´s favorite musicians, including Barry Altschul, Don Cherry, Ornette Coleman, Miles Davis and Sonny Rollins. For Da Bang!, the Billy Bang Group featured legendary trombonist Dick Griffin as well as Bang´s regular accompanists in his …
Wadada Leo Smith, a trumpet player born in Mississippi in 1941, was an early member of the Chicago-based AACM (Association for the Advancement of Creative Musicians) but has remained somewhat lesser known than such collaborators as Abrams, Mitchell, and Braxton. He reached new audiences in the late 1990s and early 2000s when he joined guitarist Henry Kaiser in the Yo Miles! projects, reinterpreting music from the Miles Davis electric period. Smith’s 21st-century recordings with his Golden Quarte…
Wadada Leo Smith´s new album Najwa features four compositions in tribute to past masters of creative music, Ornette Coleman, John Coltrane, Ronald Shannon Jackson and Billie Holiday, as well as the title composition "Najwa" in remembrance of a love lost. Compared to Smith´s prior recordings, the presence of four guitarists and Bill Laswell´s electric bass create a unique sound world and fluidity for the music. Although Wadada Leo Smith has worked with electric guitars in the past, including in h…
*Including a 52 p. booklet.* Sacred Ceremonies represents a meeting of three true giants of contemporary creative music. On this three-CD boxed set, Wadada Leo Smith joins forces with the barrier-breaking electric bassist Bill Laswell and the late, great master drummer Milford Graves in three separate one-day sessions. The boxed set comprises a duo CD featuring Smith and Graves, a duo CD featuring Smith and Laswell and a trio CD featuring Smith, Laswell and Graves. Sacred Ceremonies brings toget…
Occupy the World features the legendary composer and trumpeter Wadada Leo Smith together with Tumo, a new improvising orchestra that is assembled specifically for each project, in its first appearance. The 22-piece orchestra performs five extended compositions by Smith, including "Occupy The World For Life, Liberty and Justice," his most extensive recorded composition to date, that was originally inspired by the Occupy movement. The four other compositions included on this double-CD were also re…
*Including a 44 p. booklet.* Trumpet is a unique extended collection of solo trumpet music. Fourteen new compositions by Wadada Leo Smith are included on this recording and spread over three CDs. The Album was recorded during a beautiful summer week in July 2016 at St. Mary's Church in the town of Pohja on the southern coast of Finland. it is a culmination of Smith's solo trumpet work to date, which totaled six albums prior to Trumpet. That legacy begins with his very first album as a leader, 19…
*200 copies limited edition* 'Capricorni Pneumatici was a prototype electroacoustic / ambient effort that began in the mid 1980s and was still a going concern as of a few years ago. Nibbas is a cassette release from 1989 recently reissued by Eighth Tower Records.
The music is tempered and gritty with a great deal of variety on the micro level while maintaining a fairly consistent level of activity and volume. The underlying sources include field recordings of natural and human-made sounds, as we…
*200 copies limited edition* Eighth Tower is here to celebrate Dracula on the book’s 125th Birthday. Two books, since first publication, have never been out of print. One is the Bible and the other is Bram Stoker’s Dracula. Dracula is the embodiment of Satan for the Victorian age. The character is sinister. He is cunning. He is repulsive, sickening in fact. He is quite different to the suave gentleman that any of the films depict him as. He is an old man who grows younger when gorged with blood.…
*2022 stock* Blue Marge presents In Paris / Live at the Sunside by Ted Curson ensemble.Ted Curson (trumpet, piccolo trumpet, flugelhorn & vocals), with Alain Jean-Marie (piano), Gilles Naturel (double bass), Philippe Soirat (drums), Pierrick Pédron (alto saxophone), Guillaume Naturel (flute), Julie Saury (percussion), Ferhat Öz, Evrim Özsuca, Daiva Starinskaite, Jaanika Ventsel (vocals & backing vocals), and guest on one track (Blues Medley): Sylvia Howard (vocals). Recorded live on 30 and 31 Au…
From 1960 to the present day, from Georges Arvanitas to Laetitia Shériff, or from Manu Dibango to "Mama" Béa Tékielski, everyone has wanted to include François Jeanneau in their team at some point. This, his first album under his own name, was recorded for Jef Gilson’s Palm label in 1975, a few months after ‘’Watch Devil Go’’ by Thollot, with more or less the same cast: Jeanneau on saxophone, Jenny-Clark on double bass and percussion, Lubat replaces Thollot on drums and Michel Grailler is added …
*2022 stock.* Futura Marge presents Some Jive Ass Boer / Live at Jazz Unité by John Dyani (double bass, piano & vocals) & Mal Waldron (piano) - Guest on one track : Pablo Sauvage (percussion)Recorded live on 16 April 1981 at Jazz Unité (Paris-La Défense)
Beautiful solo work from Anthony Braxton -- recorded live in Paris at the start of the 70s, and a fair bit more sensitive than some of his earlier work on that scene! Side one features a beautiful take on Duke Ellington's "Come Sunday" -- one that runs for 25 minutes, and which features Braxton blowing straight, and almost with some of those Lee Konitz-inspired modes he was using around the time. The tune's still got some of the darkness you might expect from Braxton -- but things really go out …
Never broadcasted and unreleased sessions by Dutch keyboard players Rob Franken and Jan Huydts alongside Scope drummer H. Zomer. Session which took place in Feb. 1976 and were stored in VPRO archives untill discovered by journalist Frank Jochemsen who searched for material to use for a radio special about Rob Franken..Check soundbites and discover these unheard and never broadcasted dope jazz funk sessions which will in particulary appeal to fans of the Fender Rhodes piano.
Rob Franken was a tal…
*250 copies limited edition* Seljuk Rustum is a Kochi (Cochin) based arts practitioner originally from Kannur, Kerala. He is a painter, musician, curator, producer, recording engineer and the founder and current Creative Director of performance space, Forplay Society. As a musician he plays alto saxophone, guitar, percussion and synthesizer with several bands and an expanding collective of like minded artists. Being a self-taught musician, his sound work is an extension of his visual work and hi…
Aclod is the first fruit of the telekinetic long distance collaboration between Juho Toivonen and Loren Chasse. The artists shared environmental recordings from Coyote Wall, Washington and Pori, Finland to create music for an implied landscape that is located neither here nor there. Toivonen and Chasse began working together in 2021 after Toivonen reissued Chasse`s seminal field-recording based album “Synthesis Of Neglected Places” on his label Akti. Working on the reissue, the artists noticed t…
The Seijaku Trio of Keiji Haino (electronics, guitar, voice), Mitsuru Nasuno (bass, electronics) and Yoshimitsu Ichiraku (electronics), recording 2 years after the "Last Live" album, in an epic voyage of meditative and intricate electronics performed live in Tokyo in 2014 at Club Goodman. As "Last Live" explains, Yoshimitsu Ichiraku can no longer play drums due to physical issues, necessitating this transformation from a heavy abstract blues band into this ritualistic trio. It's a fitting and ea…
Kaoru Abe's duo with legendary free bassist Motoharu Yoshizawa, nord, stands as a critical summit between two of the major forces in japanese jazz at the time. recorded in december 1975 and released in 1981 by Kojima, it reveals a different side to Abe.the two had apparently been playing together since the late '60s - Yoshizawa had, for various reasons, and it's probably due to yoshizawa's undeniable heavyweight status that this dialogue is conducted largely on his terms, with abe toning down hi…
Mort à Credit shows Kaoru Abe in a fascinating period of transition, moving forth to something complexly and identifiably new, yet intransigently rooted in what had come before. It consists of two alto improvs from a show on October 18, 1975, and five more (three on alto, two on sopranino) from another performance a couple of days earlier. Released by Kojima on 2LP in 1976, it can be said to mark a significant change in Abe's style. Abe is here a little soften from his usual urgency - this can p…
Stellar duo head on collision bet ween Kaoru Abe and free hitter/ skin mangler Toyozumi. The interaction between the t wo of them creates fire works of improvisational exquisiteness, free rambling seat sniffing combustion that on some occasions instigated Abe to divert his attention from his beloved sax to wards marimba and piano hammerings joined with harmonica blo w-outs. Ferocious, ghastly and kerosene charged head slamming action bet ween t wo of Japan's first wave free jazz terrorists.. Tak…
This CD is consisting of 9 tracks mainly his self-made sound object 'Analapos' and 'De Koolmees', and 2 tracks of them are recorded for announce sound of opening and closing of Yokosuka Museum of Art. They are so clear and spacy. Booklet is written by himself, David Toop and others. Text in Japanese and English.ALM Records is well known label that has released many avant-garde LP titles in 70-80's. Especially about Akio Suzuki, two LPs has been released - obscure solo LP (limited 100 copies) and…