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* 2022 stock * We feel this is an essential piece of music. This “Prayers Of A One Man Band” album is unlike any other in regards to scope & originality (except for his first Axonda album). Both produced an recorded entirely by Bobby. Now known as Bobby Frank Brown. His solo style of playing his many invented home made instruments, many at the same time, has been witnessed all over the world. From the first ever performance by anyone allowed to play Red Square in Russia, to historic performances…
Edition of 500. Swordfish proudly continue its reissue programme of classic vintage Arthur Brown recordings with Kingdom Come. The self-titled second album is the last recording of the original ‘Galactic Zoo Dossier’ line-up and sees the band developing even further the elements of Prog and Psychedelia played on the first album and stretching out into an almost Zappa-esque orbit. It also features two of Arthur’s most poignant recordings in ‘Love is a Spirit that will Never Die’ and ‘The Whirlpoo…
* Limited edition in black vinyl. 310 copies * When I started my record label Broken Flag in 1982, one of the people I really wanted to work with was Maurizio Bianchi. His album “Symphony for a Genocide” was such a haunting, evocative record that I needed to get in contact with the man who made it. We made contact and remained regularly writing letters to each other, mine in my unintelligible scrawl, his in his red ink on photocopy paper. He was massively prolific and I soon became a distributor…
* Last copies, sold-out at source * Gatefold triple LP (5 sides of music). Limited pressing of 500 worldwide. Includes new liner notes from Susan Mannheimer, the host of the 1975 event * This recently unearthed recording captures Alan Braufman with his five-piece band in an early 1975 live radio session soon after recording his debut album Valley of Search for the India Navigation label. This was the first meeting for William Parker and Cooper-Moore, whose musical partnership has flourished ever…
**Remastered from the original master tapes, Clear vinyl reissue** 1972s Psychonaut, by the Swiss-based Brainticket, is early seventies space rock at its finest. While the bands debut album, 1971s Cottonwoodhill, was a heavily acid-laden affair dominated by droning organ, disturbing vocals and a collection of cacophonic sound effects (causing it to carry a warning label and be banned in several countries) for their second effort, band-founder Joël Vandroogenbroeck brought in a completely new lin…
Full of synth funk, afro beats, exotica, leftfield madness, dance floor dynamite and all-around greatness, "The Now Generation - Percussive Underscores" is comfortably one of the very best library records, full stop.
Outstanding archival work from Cabiria Records here, presented in the form of an album of gloomy electronic stylings and haunting musical landscapes by Miryam Bordoni, one of few Italian female artists working in the field of experimental and library musics, and also associated with Egisto Macchi and Ennio Morricone of Gruppo di Improvvisazione Nuova Consonanza. Originally released in a miniscule private edition, these undercover electronic studio sessions made under her experimental alter ego B…
*Limited edition of 400 copies.* The self named LP marked the fifth album and end of the first incarnation of Bourbonese Qualk. Julian Gilbert left the group after ‘The Spike'(1986) to concentrate on writing and theatre, leaving Steven Tanza and Simon Crab who parted ways after touring in Europe in early 1986 and recording this album. Steven Tanza went on to found the group ‘The State’ and while Crab continued as Bourbonese Qualk (with the new line-up of Miles Miles, Crab and Owen If), dissolved…
*Limited edition of 400 copies.* Bourbonese Qualk's third album "The Spike" was recorded during the period 1984-1985 and published by the Berlin based Dossier/Atonal label while Bourbonese Qualk were involved in organising the Berlin Atonal festival. Parts of Side 2 of the album is a recording of pieces made for a dance and film performance at the Bloomsbury Theatre in London in 1985. Bourbonese Qualk were an experimental music group from England, active from 1979 through 2003. They were always …
Be With Records present a reissue of Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Classic library breaks and beats set of heavy drums and louche funk. The first side, "Dramatic Tempi", is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Klaus Weiss produced essential records on German library labels Coloursound, Selected Sound…
“Classic library breaks and beats set of super-heavyweight espionage-funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label – the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig.Sammy Burdson was one of the many, many aliases of the mighty Austrian com…
When a synth master like Steve Moore joins forces with KPM, magic must materialise. And so it does with Analog Sensitivity: cinematic, enigmatic synthscapes to both haunt and heal. With the clue right there in the title, Analog Sensitivity is built up from the quieter aspects of the sound Steve has been exploring and evolving for over 20 years. It’s a layering of ambivalently dense and airy, muffled and echoing sounds created on his collection of synthesizers and other electronic music hardware.…
They say: "New directions in contemporary scoring." Be With Records say: "Contempo is one of the best full album listens in the KPM 1000 library." Succinct smoking soul, super tight breaks and string-drenched sleaze composed by the library master, Keith Mansfield. Many library records are a game of two halves and Contempo is certainly one of those. The first side cooks on a high funk breaks flame whilst the flip is something altogether more tranquil, yet no less groovy. It lays back with dreamie…
They say: "Contemporary scores for visual effect" We say: Synth-heavy, low-slung space-funk masterpiece. This is it. This is THE ONE for us: Keith “The Man” Mansfield’s Vivid Underscores from 1977. A sample freak’s wet dream and one of Be With Rob’s favourite ever KPM records. A must for fans of Brian Bennett’s Voyage (yes, THAT good). And no, we’ve no idea either why it took us this long to get round to tackling this monster of a record. But then again some things are worth waiting for. With …
They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled wit…
Ocean Moon is a solo project from Jon Tye of Seahawks. A long time explorer of the sounds of spaciousness, Crystal Harmonics is a document of Jon’s latest discoveries. An ambient/new age/modern classical library suite for KPM, this is inter-dimensional music for mind, body and spirit.
2020 marks 10 years since "Ocean Trippin’", the first Seahawks release, and "Island Visions" is the perfect distillation of the sounds, sights, textures and moods that Jon Tye and Pete Fowler have been exploring over the last decade. Sunrise to sunset condensed to two sides of an LP. The normal rules of space and time don’t apply here. From the grooves of Brian Bennett to the moog vibrations of Mike Vickers, the lush textures of Les Baxter to the experimental sounds of Delia Derbyshire and David…
The first Be With foray into the archives of revered German library institution Selected Sound is one of our favourites on the label - the super in-demand Japan from Victor Cavini, originally released in 1983. Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness!
"Breath of Danger" was originally released by Themes in 1974, and rounded up a killer ensemble cast of library legends including Alan Hawkshaw, Brian Bennett, Alan Parker, David Lindup, Kenny Salmon, Barry Morgan and Ray Cooper. There’s a widescreen vitality in all these tracks thanks to the driving rhythms, vibrant horn sections and blazing guitar work. It renders "Breath of Danger" - 45 years old - truly ageless.
Originally released in 1976, "The All American Powerhouse" is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.