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I Keep My Diamond Necklace in a Pond of Sparkling Water
From the tranquil waters of High Falls, NY, Gryphon Rue's latest work weaves ceramic flute, field recordings, and sounds from three continents into extended environmental abstraction. Moving beyond "miniature trances," this immersive album channels Curran, Hassell, and Behrman's legacy.
Upgrade & Afterlife
Upgrade & Afterlife stands as a pivotal and singular recording in the catalog of Gastr del Sol, the duo of David Grubbs and Jim O’Rourke. Originally released in 1996, this album is frequently cited as a landmark of post-rock and experimental music, praised for its blend of avant-garde abstraction, folk minimalism, and a restless, exploratory spirit. The album opens with “Our Exquisite Replica of ‘Eternity’,” a piece that has become emblematic for many listeners: a slow-building, cinematic sounds…
Everyday Unknown 4 & 5
Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.
"How does the present time, physically so unspecified, become so unique for us? " - Etienne Klein"During these past years, exploring my daily environment and also my archives, I have discovered a missing part of my listening : beyond the threshold of my hearing, or my measure. I was intereste…
Killer Whale Atmospheres
Rainforest Spiritual Enslavement surprise album just in time before the migration to cooler waters. Grown in the shade of the glacier. Killer Whale Atmospheres is a future-memory affair of sub bass propulsive drones, rhythms, chords and dorsal scars building to a forbidding sense of cold echolocations yet to come through the violent procession of darkening rains.
nothing in the world is ours
No Rent Records releases drumloop/theia’s “nothing in the world is ours”—experimental, ambient, immersive soundscapes.
Water Witches
Water Witches is an immersive box set that gathers the early, shadowy works of Rainforest Spiritual Enslavement, Dominick Fernow’s most enigmatic project. Remastered by Paul Corley, it offers over five hours of haunted ambient and drone, conjuring dense, hallucinatory soundscapes that blur the line between ritual and environment. A definitive grimoire for those drawn to acousmatic magick and deep listening.
Circular Reference
Masami Akita continues his work as the world's premiere extreme dynamicist on 'Circular Reference,' his latest full-length and first for No Holiday. It's a torrent of synthesized tones colliding against punishing layers of feedback and midrange noise. But there are also snatches of lurching rhythms to be found, as well as moments of relative uneasy calm. More than anything, it's distinctly Merzbow. Released on 2xLP and CD formats, the latest from this titan of noise is sure to please longtime li…
Friche : Transition
*Limited edition of 300 copies*
During Spring 2015, Eamon Sprod and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.
Paris Quotidien (CD+booklet)
For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.
Interieurs
**200 copies** Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.
For more than 20 years, while listening to the environment, Éric La Casa (born 1968, Tours, lives and works in Paris) has been questioning the perception of reality and has expanded the notion of what's musical today. Through his aesthetic of capturing sound, his work fits equally into the fields of sound art and music. As a result o…
Barrières Mobiles
*100 copies limited edition* "Following the 2015 attacks, all entrances to public buildings – schools, churches, mosques, synagogues, museums, town halls, police stations, etc. – were reinforced by these metal barriers, without any prior consultation with local residents nor with their being given any indication of how long they would remain in place. The public space has been covered with these barriers, which, over the last decade, summer and winter, day and night, have become the symbols of l…
Supersédure 2
*150 copies limited edition* When and how does a gesture leave the domain of the ordinary for that of the extraordinary, and is perceived as such by all ? Where, within each space, is the threshold of the extraordinary, and therefore of the musical ?
Whether playing percussion or recording, when do our gestures become musical ? (...) Where, within each space, is the threshold of the extraordinary, and therefore of the musical ? Isn't this what making an event consists of ? Deliberately interrupt…
Contrefaçons
In September 2023, at the Hiventy laboratories in Joinville-le-pont - formerly Pathé - we recorded the film restoration (image and sound) and development processes. Following the mechanical and digital processes, we listened to and interviewed the technicians to understand what goes into restoring a film. How do you restore a film to its original state? To do this, we need to get close to what viewers of the film could perceive in the cinema. The way we look at and listen to a film has evolved s…
Luxor Necropolitics
"The world is already fallen and the temples are all new again."
Nasty Gal
* Metallic Gold Wax * In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre–punk, funk–blues fusion that had yet to be normalized in mainstream music — a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty pave…
Church Of All Hallows' Eve
*2024 stock* Full length soundtrack of terror on Manhattan’s bloody streets. Now available on compact disc. The tracks are intended as soundtrack for private or group gatherings during the halloween season and autumnal nights. File under: environmental, soundtrack, holiday, thematic, spooky, true crime, horror, sound effects, fall, nostalgia, autumnal, halloween, field recording, the sounds of october 31st.
Skylogue
Following the ambitious all-analog explorations of “Imperfect Space Journeys” (1988) and “Live Electronic Music” (1989), Jeff Carney was determined to push further into new sonic territories and to continue to strive for even more originality while not yielding to the prevailing trend towards digital synthesis. And so, in 1990, Jeff Carney recorded some of his most ambitious analog electronic music. Those recordings were once thought to be lost — rumors about their existence made the rounds — bu…
A Blade Because A Blade Is Whole
Tip! Across A Blade Because A Blade Is Whole, DePlume’s reflections on healing, dignity, and struggle are communicated through a stirring assemblage of disparate musics: ghostly and ancient folk melodies, groove-anchored maelstroms of swirling folk-jazz, elegant string arrangements that strike a midpoint between Ravel and Gainsbourg (courtesy of Macie Stewart), disembodied voices reconfiguring into the shape of a post-modern Greek chorus, noir atmosphere, and allegoric, troubadouric song. Throug…
Yikes
Tim Berne - alto saxophoneTom Rainey - drumsGregg Belisle-Chi - guitar
All music composed by Tim Berne Party Music BMI except Julius Hemphill by Julius Hemphill.Subito Music Publishing (ASCAP).Mixed and mastered by David Torn.Vinyl artwork + design Steve Byram.CD artwork + design TJ Huff (huffart.com).Digital artwork is a collaboration between Steve Byram and TJ Huff.
Tracks 1-10 recorded April 20th 2024 by Greg DiCrosta at The Studio at Firehouse 12.
Tracks 11-18 are a live concert recorded Mar…
Christopher Dammann Sextet
"Christopher Dammann Sextet is a debut record, but it’s by no means a first effort. Bassist, composer, and improviser Christopher Dammann has been making records for about fifteen years, first as a member of 3.5.7 Ensemble and more recently as the leader of Restroy. Throughout that time, he’s also gigged persistently in Chicago, notably as a regular substitute for Brian Sandstrom in the long-lived free improv collective Extraordinary Popular Delusions, and from Charlottesville, VA (between 2010-…