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Sauter, Dietrich, Miller
CD re-issue of Borbetomagus' 3rd album originally released in 1982. This recording, compiled from concerts in 1981 and 1979, explores the range of sound that this trio could generate. It is best played at high volume, for this is the only way that the subtleties of the music can get through the sheer barrage of sound. This is music to scare your pets; at first listen this record may be mistaken for random noise. A closer listen will reveal that the sound is tightly controlled. The art happ…
Vespers and Other Early Works
Alvin Lucier is best known for his pioneering work in the mid-sixties in the exploration of sonic environments, particularly sounds that we would never perceive under ordinary circumstances. Vespers and Other Early Works restores to the catalog several of his key works from that time. In Vespers (1969) performers with Sondols (sonar-dolphin), hand-held pulse wave oscillators, explore the acoustic characteristics of given indoor or outdoor spaces by monitoring the echoes of the pulse waves off th…
The Llamps
The debut album by Perpignan's finest, featuring Pascal Comelade on piano. The Llamps' members met each other in the surroundings of Perpignan a few years ago. Moved by The Velvet Underground, Ennio Morricone, Noir Desir, and L'Agram, the four of them created an alliance between heritage and modernity, pop and hip-hop, country and psychedelics, all of it in Catalan, French and English. Their mysterious universe acquires its full dimension live, where salvage poetry and the band's energy mingle a…
Mr. Ondioline
Since the true identity of this sinister masked electronic keyboard villain was revealed in Jean-Jacques Perrey's recent autobiography, the Mr. Ondioline EP has become a desirable record amongst collectors of early electronics. As a controversial figure amongst the early musique concrete pioneers due to his painstaking ambition to put popular melody into edited tape music, this debut release from 1960 hears Mr. Ondioline showcasing Perrey's Ondioline electronic keyboard (and synth precursor) …
Watercolors and Psychograms
"In the works of Martón Illés from the early 2000s, physically perceptible energy, gestural force, and visual conceptions of the sonic are already present. After 2010 the composer drew further implications from these for his work: since then, his musical thinking has no longer been based on fixed pitches, but rather on sounds – either as acoustic manifestations of imagined lines or as gestures modeled on the physical. The way he actually implements this by means of instruments is impressively de…
Works for Cello and Piano
With their 2018–2019 Isang Yun Recording Project, ItalianCellist Luigi Piovano and Pianist Aldo Orvieto pay homageto the late Korean composer and the tragic course of his life. “The events that marked Isang Yun’s life emblematically show the miserable short-sightedness of the human being, unable to act authentically and with love towards others, in striving for a common good and reach a common spiritual elevation. When confronted with the exceptional musical depth and the dramatic power of Isang…
General Theory Of Relativity
Wojciech Błażejczyk’s music feeds on scientific theories, internet streams and civilization waves or scrap. It sometimes looks like a nerd’s diary. Full of different colors and fonts, notes, charts, exclamations and underlined words. This diary is the composer’s reaction to what surrounds him every day. Global news often appear together with local events, fake facts – with perceptual illusions, war strategy – with a pacifist message. All of that put in a new music idiom spiced up with a pinch of…
Works for Piano
The music of Austrian composer Bernhard Lang (b. 1957) is one of in-betweens. Stylistically, Lang’s oeuvre occupies the space between a multitude of genres, ranging from contem porary composition and free improvisation to the wider realms of hip hop and DJ-culture. By virtue of Lang’s radical openness to creative conversation and collaboration, and to ideas and influences from other areas of artistic and scientific exploration, his oeuvre finds connections to the worlds of film, dance, theatre, …
PhonoPhantomatics
Cezary Duchnowski, although perceived as a specialized composer with consciously chosen specialization, is very open to extremely versatile activity in the musical field. Apart from absolute music, he’s also keenly interested in relations between music and the word, music and theatre (or rather performance art) as well as visual arts in the wide sense. What he aims at with this kind of syncretism is a genuine interaction of various media. In his musical activity, he explores various areas of the…
Und Du... et al
** Und du… was composed in 1963, commissioned by the Austrian Broadcasting Co. It was supposed to be played “radiophonically,” i.e. on tape and with loudspeakers only, to reach and involve a group of listeners corresponding to the medium’s effective radius. My own involvement with the nuclear situation – the dangerousness of which against the background of Hiroshima was clear, but not nearly to the extent it is today among the broad public – prompted me to take the equally fundamental anxiety I …
Petra
CD Edition. The first time Maryanne Amacher's music has ever been available on vinyl. Maryanne Amacher (1938-2009) was a composer of large-scale fixed-duration sound installations and a highly original thinker in the areas of perception, sound spatialization, creative intelligence, and aural architecture. She is frequently cited as a pioneer of what has come to be called "sound art", although her thought and creative practice consistently challenge key assumptions about the capacities and limita…
Don / Jon
Rare outtakes from early pioneering and controversial electronic jazz experiments presented on vinyl for the first time. This previously unpressed music provides and absolutely essential insight into Zen master experimental jazz outrider Don Cherry on the eve of his fertile Holy Mountain period which saw the composer combine all his well-travelled influences – such as the free music incubation of France and Germany with the traditional instrumentation of India, north and west Africa – then retur…
Michael O'Shea
Michael O’Shea’s sole, breathtaking album ranks among our favourite of all time - yet hardly anyone seems to have heard of it. Produced by Wire’s Bruce Gilbert and Graham Lewis at the Dome studio in 1982, it’s an utterly singular work of magick meshing myriad, worldly modes into music that rarely fails to reduce us to tears. It’s one of those albums that basically sounds like nothing else - the only record we can draw some parallels is Dariush Dolat-Shahi’s life changing 'Electronic Music, Tar a…
Revealed By Composed Nature
Tip! ** 2021 stock ** Vidna Obmana (née Dirk Serries) recorded Revealed By Composed Nature in 1989 and 1990. It was his first vinyl album, intended as a sequel to his cassette releases. However, the pressing was of such poor quality that much of the emotional intent was lost. Serries digitally remastered the album and presents it here on CD. He also restored the original depth of emotions. Through a unique process, Serries creates synchronized loops through the internal sequences of the instrume…
The Shape Of Solitude
** 2021 stock ** "A collaboration with yet another guitarist, The Shape of Solitude takes Vidna Obmana's music nearer the realm of the Avant-Garde. This collaboration with guitarist Serge Devadder demonstrates Vidna Obmana's willingness to lead the audience, not persue them; fans of his gentle soundscapes or tribal grooves will find themselves challenged by this CD. The source for all the pieces was the guitar. Devadder's already contorted riffs were bent even further by Vidna Obmana's studio wi…
Soundtrack For The Aquarium
Tip! ** 2021 stock ** Vidna Obmana (whose real name is Dirk Serries) evokes the sunless wet gloom of his native Belgium in this CD which, as its name says, is music composed by Obmana as background sound for an aquarium installation. It has seven sections of his atmospheric (or rather, aquatic) ambience, dating from '92 and '93. Obmana stays with his familiar repertoire of long, floating electronic drone tones over percussion and sound effects. When he uses tonality, he favors somber open eleven…
To Death
This album is dedicated to death. i don’t mean death the spectre that installs horror and fear in many (in the western world), nor death the enemy of the (western) for-profit medical system, but death as part of a cycle, like birth. death the only certainty in life. Dying, like living, as something that can be done well - or not. Death also something that can be a release, a relief, a liberation, the end of suffering, a freedom. this album is inspired by my father's illness, deterioration and de…
Black Cat
Untameable Anatolian feline fuzzy folk funk finally uncaged. A spontaneous Turkish-Norwegian-Dutch expedition, where seafaring jazz cats entangled with fugitive roadies and Tee-Set mods, makes the story of Durul Gence’s highly anticipated / ill-fated Asia Minor Mission group the stuff of lost-rock legend and remains one of Turkish music’s great “what ifs?” The black cat is finally out of the bag. Having forged a celebrity status as one of Turkey’s premier percussionists and bandleaders, Durul Ge…
L'Enfant Assassin des Mouches (alternate takes)
Few copiesback in stock. Late in 2015, exactly ten years since Finders Keepers Records first liberated Jean Claude Vannier’s 1973 French Holy Grail concept LP L’Enfant Assassin Des Mouches, the label was handed a very unexpected anniversary gift in the form of a small clutch of lost Vannier studio master tapes.  Having worked closely with Jean Claude to leave no stone unturned both label and artist were shocked and delighted to be given what turned out to be further insights in to the musical id…
Fusione
Carried by a blast of pure joy comes Black Sweat’s latest LP, the self-titled debut by the mysterious Milan based ensemble Fusione. Channeling free and spiritual jazz, funk, and a globally minded ear, all carried by heavy dose of druggy psychedelic experimentalism, it’s one of the most exciting sonic journeys that we’ve taken all year.