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"In 1983, with 27 years of age, already working intensely and carrying my instruments on the road of music in various directions and already fully contaminated by dreams of music and the magic of recording, which started with my beloved and memorable Group Acaru in 1980 in the live album recorded in Tokyo and the album Aqualouco recorded in São Paulo in 1981, at the dawn of independent production in Brazil. With the dispersion of Group Acaru, it was inevitable for me to go solo, not very common …
"Amazing archival retrieval (with extra material on the download) of the first release by long-running human zoo known as Sunburned. Forged in the heat of Kristin Anderson's Charlestown loft, the group more or less descended straight from the corpse of Shit Spangled Banner, although they did not assume the band name until 1997 (two years after the first protean jams had started). The material on the album was recorded in 1997 & '98, often deep in the grip of acid flashes, and it really shows. Ov…
“Towers of Silence”, released on Malaysian experimental music label LaoBan, features Malaysian saxophonist Yong Yandsen and Tokyo-based Australian drummer Darren Moore. Recorded at GOK Sound studio in October 2017, “Towers of Silence” points to a distillation of Yong and Moore's individual sounds, where ghost tones and sounds of unknown origins create rarefied space. “In the days of my youth, I often saw saxophonists as obstacles since I wanted hear more and more guitar playing. For the same rea…
LP version. With all the projects Peter Brötzmann is currently working on, Full Blast -- with the precise and dynamic Swiss rhythm section of Marino Pliakas and Michael Wertmüller -- is the most consistent and the longest-running. Their fifth album finds the band in a studio again, with time and the desire to try something new. Seven compositions in the distinctive, strong Full Blast nature get an exciting electronic treatment by Michael Wertmüller (with electronics by Gerd Rische, recorded mont…
The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier. Sound artist, performer and composer Nicolas Bernier (born 1977 in Ottawa, Canada, lives and works in Montreal, Québec) creates audiovisual performances and installations aiming to carve a dialogue between sound and tangible matter. Shaped by his work within the fields of cinema, literature, dance and theatre companies, his own language blend together elements of music, photography, design, sci…
A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”. The publication Music as Seismographic Sound / Tracking Down the Idea of Cultural Translation is a written radio pitch by Ania Mauruschat, closely following musicians in bi- or multi-lingual cultural contexts.Ania Mauruschat is a radio journalist who has produced several features on sound art, with the German radio station Bayerischer Rundfunk, and the Swiss nation…
**2017 small repress** Craig Leon-approved reissue of his two solo albums Nommos and Visiting as a 2LP set in gorgeous packaging with two essays by Leon and a download coupon* Issued respectively by John Fahey's Takoma label in 1980 and Leon's Arbitor private press in 1982, Nommos and Visiting were the twin brainchildren of studio wizard Craig Leon. Leon's production was pivotal in realising the debut recordings by Ramones, Blondie, Richard Hell and Suicide. While those albums broke ground in ne…
Restocked! 2014 Reissue on revived legendary Ohr label!! In 1973, Rolf Ulrich Kaiser's visionary powers acted as a catalyst for an authentic combination of acid, music and spirituality: the mystical LSD-fueled musical project Lord Krishna Von Goloka. For this adventure into Indian and Oriental mythologies and legends, Kaiser asked esoteric Swiss artist (he was a friend of Giger's), poet, specialist on Alpine folklore, and friend of Timothy Leary, Sergius Golowin, to join a group of musicians inc…
Following on from a retrospective compilation of solo work and an album of recent work in 2016, Music From Memory continue to explore the work of Spanish ambient and experimental pioneer Suso Saiz. The subject of Music From Memory’s latest compilation focuses on Suso Saiz’s output as part of the group Orquesta De Las Nubes, formed by Suso Saiz and percussionist Pedro Estevan when the two met whilst studying a course on ‘Techniques of Contemporary Composition’ in Madrid.
Spanish ambient composer Suso Saiz deepens his relationship with Music From Memory with the release of a new album, Nothing Is Objective. This joins 2017’s Rainworks as his second full-length album for the label, following archival collections of solo music and of his group Orquesta De Las Nubes. Nothing Is Objective was recorded in Madrid in 2018 during a period of transcendental change and creative awakening for Suso. It captures the composer as he develops a renewed relationship with his inst…
Following 2016's compilation of archival recordings by Suso Saiz titled Odisea (MFM 009CD/LP), Music From Memory mark their 20th release with an album of new works by the Spanish electronic music pioneer. Recorded in Madrid between January and February 2016, this is Suso Saiz's first release of new music in nearly ten years. Titled Rainworks, this double LP release was originally part of a commission from a Canary Islands water company. The first ideas for the compositions developed from a…
From the original soundtrack of Top Sensation, also known as The Seducers. A late sixties erotic cult movie starring a young Edwige Fenech, along with Rosalba Neri, in a Freudian Eros and Thanatos driven drama, complete with corrupt bourgeois, and an exotic locale. Both ‘”Aldo and Ulla” and “Beat del Panfilo” are two prime examples of late 1960s shake compositions by Sante Maria Romitelli, one of Italy’s most underrated film music heroes who specialized in horror, thriller, and giallo. Hammond g…
Music From Memory’s latest release sees the reissue of the lost Art record ‘Marea / Tide: Sound and Image Research Volume One’ by Italian Wave duo Alessandro Pizzin and Piergiuseppe Ciranna aka ‘Ruins’. Piergiuseppe Ciranna & Alessandro Pizzin first conceived the "Sound and Image Research" series back in the early '80s, when they were involved in various multimedia projects in art galleries and unique exhibition spaces across Italy. In 1984 Ciranna and Pizzin came across the works of Italian ar…
The scat-jazz beat masterpiece of one of the most brilliant but overlooked soundtrack masters of popular Italian cinema, M° Lallo Gori, composed for a wild spy-movie parody directed by the legendary Lucio Fulci. An outstanding soundtrack, never before released on any format, recovered and remastered from the original master tapes, boasting the invaluable contribution by I Cantori Moderni di Alessandro Alessandroni: their vocal presence contribute massively towards making the whole magnific…
**Edition of 500 copies, killer afro-dark electronics masterwork** Recorded by composer and multi-instrumentalist Giuliano Sorgini between 1974 and 1976 in his studio in Prati district in Rome, a stone’s throw from Italian television offices, Africa Oscura is a set of tracks inspired by the wildest and most obscure secrets of those lands, intended to be the background of some tv documentaries.Some tracks were recorded during the same session of Zoo Folle, the album widely recognised as his maste…
"Rod Modell and Walter Wasacz join forces as Shorelights once more to deliver a marvel, an opus on deep sea meditations. The acts herein are engrossing artefacts of sensory exclusionism — not deprivation, for the music is divine enough to take over all sense and sensibilities upon listening. Numbness teases at your fingers as the mind drifts away with the current.Bioluminescence is indebted to all the merits of total submersion; deep drone, glimmering upper reaches, and clattering echoes paint t…
The triumphant return of the Red Krayola to record shops. Featuring members of Gastr del Sol, Slovenly, Tortoise. "Now working with such younger musicians as John McEntire (Tortoise), Jim O'Rourke, and David Grubbs, Mayo Thompson comfortably steers the Red Krayola into the mishmash of '90s post-punkdom here. For Thompson, it's not so much a return to the scene (he had always kept recording, after all) as a continuation of his themes of musical eclecticism. It's heavy on the angular guitar lines …
The Third Ear Band burst into life within the British psychedelic scene at the end of the 60s, breaking away from the initial premises a few years later when the band’s ethnic approach yielded to external influences such as oriental raga, folk and occult spirituality. The Magus is considered the band’s fourth “missing” studio album, recorded in 1972 after the acclaimed soundtrack for Roman Polanski’s film Macbeth, but released only thirty years later. The Magus marks a further change in their mu…
Vinyl repressing of a classic '70s jazz recording - one of the first recordings led by Pulitzer winner Henry Threadgill with bassist Fred Hopkins and drummer Steve McCall. This edition is limited to 550 copies pressed by QRP, the vinyl manufacturing division of Acoustic Sounds. These are 150 gram discs in 'rice paper' sleeves.Saxophonist Henry Threadgill, bassist Fred Hopkins and drummer Steve McCall originally came together in 1971 as a group designed to play the music of Scott Joplin for a Chi…
For this historical concert held at the Yubin Chokin Hall, in Tokyo on May 14, 1986, the legendary Japanese drummer Masahiko Togashi brought together an amazing line-up with such modern jazz luminaries as Steve Lacy (soprano sax), Don Cherry (pocket trumpet) and Dave Holland (bass). This particular album consists of four previously unpublished tracks (on vinyl), including some highly regarded Lacy's compositions such as The Crus and Quakes, and Don Cherry's African flavored anthem called Mopti. …