Best sellers
Have You Heard About the World Coming to an End?
Death Is Not The End present a compilation gathering a cross-section of early gospel choirs and vocal harmony groups recorded between late 1920s and the mid-1950s - a period when spirituals & jubilee traditions merged with blues, jazz and early rhythm and blues, providing the musical routes for the coalescence of the civil rights movement born out of the black church. In the modern world these perennially vital recordings provide a fitting tonic for the near-dystopia we find ourselves living thr…
Breach
Zeno van den Broek's most aggressive work for the label, framed around chaotic systems and the energetics of protest and riot. Sine waves, noise and grid logics from his architectural-conceptual practice are pushed into pitch-black metal-electronic territory, with polyrhythmic structures driving the buildup and release of accumulated tension. A formal study of chaos that retains his rigorous minimalist vocabulary while shifting it into visceral, high-energy mass.
Paintings
Final work in a trilogy (Sketches, Drawings, Paintings) marking Philipp Bückle's return to music after closing his Teamforest project. Recorded in 2014 across Copenhagen and Dortmund, the album combines a visually organic sensibility with experimental composition, the titles functioning as discrete sound paintings spanning warm September evenings, rainy days, a seascape, a wedding. Mastered for vinyl by Stephan Mathieu. Ambient drone abstraction grounded in figurative diaristic detail.
Lilies
Arovane's acclaimed 2004 album »Lilies« has been out of print on vinyl for nearly 2 decades now. It finally gets a well-deserved reissue through the Berlin based Keplar label. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork.
Absens
MMMD returns with Absens, a commanding new album that expands their deep monolithic sound into a darker, more intimate terrain: across nine tracks, the record fuses subterranean low frequencies, complex inter‑modulations and brooding textures with distant threads of folk, all rendered through custom‑made instruments and meticulous sound design. Absens is an exploration of absence and presence, where physical weight meets spectral intimacy — MMMD assemble these elements into an immersive work tha…
Dwaal / Wold +
Originally released by Ghent's Dauw tape label in 2016 and quickly sold out, here reissued on CD with two new interpretations added. The original is a pair of eighteen-minute pieces: Dwaal layers orchestral washes against radio static and erratic noise, while Wold spreads sparse piano notes over a bed of fine hiss, supported by wind and bird recordings from Vriescheloo. The reissue adds remixes by Benoît Pioulard (organ and guitar) and Nicola Ratti (synth sputters and rhythm).
In Reggae Time
Cinedelig/Jamdung proudly presents the first repress of the rare UK compilation In Reggae Time (originally 1970) as a limited-edition 12" picture disc. Unearthed from original 7" single sources issued around 1967 on Ember Records and its sub-labels, this repress collects exceptionally rare UK tracks that sit at the crossroads of late‑’60s British youth culture—only marginally reggae, they instead deliver a vivid fusion of mod, R&B, ska and northern soul with the era’s restless energy preserved i…
Black Ark (Book)
Black Ark is a 600‑page visual and textual immersion into Lee “Scratch” Perry’s legendary Kingston studio, assembled by Ishion Hutchinson, Kodwo Eshun, Lee Scratch Perry and Veerle Poupeye: a dense, collaged “house‑book” where dub’s sonic revolution is mirrored in murals, talismanic objects and layered histories.
Voice
On Voice, Sofia Jernberg compresses a lifetime of radical vocal exploration into a stark solo document, treating the larynx as full‑spectrum instrument - from split tones and pitchless friction to fragile lyric shards that hang in charged silence.
Iapetus
Wewantsounds continues its reissue program of Bob Shad's cult jazz label, Mainstream Records, with Hadley Caliman's superb 1972 album, Iapetus. Recorded in LA and featuring a heavyweight lineup of West Coast players including Todd Cochran, Woody “Sonship” Theus, Luis Gasca, and Victor Pantoja, the majority of the album was composed by Todd Cochran (aka Bayeté) soon after he had composed Bobby Hutcherson's Blue Note classic, Head On. A true hidden treasure, it is reissued here on vinyl for the fi…
Obscurum per oscurius
The Latin title - 'explaining the obscure by means of the more obscure' - frames a collection of drones composed by Kouw across an extended period, in which the initial moments of inspiration are deliberately obscured in the final material. Long-form ambient drone work, mostly close to alien stillness with the occasional submerged rhythmic emergence, the album positions itself in the alchemical lineage where the act of explanation projects further mystery into what it claims to clarify.
Moving Music - Sounds From the Rocking Chair
Compilation that grew out of the label's December 2019 crowdfunding campaign. Twenty-four musicians contributed across sixteen tracks, mixing solo pieces with ten new collaborations (TVO & Jos Smolders, Radboud Mens & BJ Nilsen, Kouw & Petrovic, and others). The set holds together with surprising consistency across modular composition, minimalist ambient drone and electroacoustic experiment, functioning as a cross-section of the label's network at a precise moment.
Reference: Miles Davis’ 3rd Quintet Bitches Brew Live 1969 in Europe
"The shock and awe that Bitches Brew produced within and without the jazz world on its release in March 1970 was largely unexpected, the result of the music’s uncompromising power and what many felt to be its perplexing, eccentric sound and structure. In retrospect, we know how Miles’ unconventional studio methodology and Teo Macero’s subsequent compositional editing of the voluminous taped material innovated the remarkable finished product. But what has only marginally been discussed is the ext…
The Final Painting
Time stands stunningly still on The Final Painting, the dreamy, elegiac final album from legendary underground singer-songwriter/poet/painter Ed Askew.
Iskra
*2026 repress. 200 copies limited edition* Iskra is the debut album by Polish multi-instrumentalist and composer Olga Anna Markowska. Starting at “Dawn” and ending at “Dusk”, it is a journey of melancholic depth and true beauty filled with warm memories from what was & what could be.
Using zither, cello, electronics and occasional wordless voice, Olga weaves together something so affecting and under the skin beautiful that it is hard to shake, bringing to mind classics from artists like Jacaszek…
Day of Anger (I Giorni dell'Ira)
Issued for Ortolani's centenary, the most complete edition yet of his 1967 western score for Tonino Valerii's film with Lee Van Cleef and Giuliano Gemma. Jazzy horns, electric guitar and that slow-stepping main theme, across the original mono and stereo albums plus the full score in stereo. 350 copies.
Space Elements Vol. III
2025 stock According to Rafael Toral, the Space Program is all about a simple idea: to perform abstract electronic music under jazz values. The result is full of fascinating paradoxes: "melodic without notes, rhythmic without a beat, familiar but strange, meticulous but radically free." Taiga now releases its most eloquent example so far: "Space Elements Vol. III is the strongest and musically most diverse statement within Rafael Toral's Space Program to date. You will experience "jazz on electr…
Unfamiliar Music (Paris)
Sparkling or Silent finds crys cole and Oren Ambarchi pausing their restless, always‑on‑the-move discographies at a curious angle, as if turning the light slightly to see what has been glinting at the edges all along. Both artists have long carried an electroacoustic sensibility in their work - in cole’s hyper‑attentive treatment of small sounds and negative space, in Ambarchi’s use of guitar and electronics as malleable matter rather than fixed instruments - but here that sensibility becomes th…
Magick Knives
Magick Knives channel desert night into sound: cinematic post‑punk steeped in gothic rock, darkwave and shimmered synths, where hypnotic bass, spectral guitars and whispered occult glamour coil into slow‑burn rituals.
Together Is The New Alone
Recorded during nightly sessions in Dublin between April and July 2001, and originally issued that autumn on Mille Plateaux, Together Is The New Alone stood out within the German label's celebrated catalogue from its first listen, an album whose title named a feeling we now have an entire vocabulary for, two decades before the rest of us had a word for it.
It was the second LP under Donnacha Costello's own name, and the record where the Irish producer fully emerged from his earlier work as Jayro…