Music from Japan

Second Rallizes bootleg on this label, the most "overground" of all Rallizes' affiliated labels. "Legit" or "authorized" material from this mythical group is seen about as frequently as Loch Ness himself. There are only 2 words printed anywhere on th…

Introducing Masami Akita's homage to free-jazz. Door Open at 8am is one of the most adventurous outings made by Merzbow. Recorded during the same era as Aqua Necromancer, this new recording also incorporates the use of sampled sounds. However, this t…

AKA Flightless Bird Needs Water Wings. The young person's guide to Les Rallizes Denudes! Now available everywhere in the free world!" Seemingly endless sonic flame-throwers of phased white noise streak across your inner landscape, as stupidly loud an…

CD1 : 'Batztoutai with material gadgets'. Re-create version of 'Batztoutai with memorial gadgets' Previously released on RRR-04. CD2 : 'Loop panic limited'.

Les Rallizes Dénudés, Haddaka No Rallizes in Japanese, and probably 'Les Valises Dénudés' in French, are the most obscure group from Japan. Their guitar-based music began at Kyoto University in late 1967 with their first official gig in 1968. While t…

Don’t be fooled by the casual title of this release; you will hear a veritable Ghost in the Machine cloaked in pure electronic sounds. Japanese composer Toshimaru Nakamura goes beyond the furthest reaches of sound in his mission to cross the border t…

The CD consists of two complete sets; one Incapacitants as a duo and on the second joined by finnish noise-connoisseur Tommi Kernen (Testicle Hazard) as a trio under the name of Fumio Tommiakawa (a take on Gomikawa Fumio; the trio of Pain Jerk and In…

Sound Artist Akio Suzuki carried out an exhibition around Wakayama city (south of Osaka) in 2005. This catalog contains some photographs of installation, interview, drawing and text. Attended CD includes field recording on his action "Oto-date walk" …

2026 Repress. Recorded over three December days in 1979 at Epicurus Studio in Tokyo and issued the following year, Cool Jojo documents a side of Masayuki "Jojo" Takayanagi that sits at considerable remove from the noise-as-method work he was simultan…

Japanese vocalist and instrumentalist Sachiko (Overhang Party, Vava Kitora, Kosokuya) looses a second, white-hot solo release. Her brilliant debut You Never Atone For on There/Musik Atlack rode gilded wings straight to the heart of the psych sun. The…

This CD is consisting of 9 tracks mainly his self-made sound object 'Analapos' and 'De Koolmees', and 2 tracks of them are recorded for announce sound of opening and closing of Yokosuka Museum of Art. They are so clear and spacy. Booklet is written b…

A groundbreaking release from two youngish Japanese improvisers. Sachiko M plays sample-less sampler, and Nakamura uses the no-input mixing board--both instruments which conceptually produce no sound, yet these two conjure it out, somehow."Do" was re…

Toshimaru Nakamura's main instrument of late has been what he calls the 'no-input mixing board.' Rather than input external sound sources into the mixer, he treats it as a self-contained instrument by controlling its internal feedback -- the result b…

Recorded by Laurent Perrier Sonorisation at the former state prison of Sion, May 4, 2003.

Well, 'Holy Good Night!' seems an appropriate reaction when faced with a substantial double-disc offering from the 'holy triumvirate' of Japanese reduced improvisation and minimal electronics, ie Otomo Yoshihide, Sachiko Matsubara and Toshimaru Nakam…

Over 60 minutes of total analog destruction by noise king Merzbow and Brooklyn noise boss Carlos Giffoni, this live collaboration was recorded during Giffoni's Synth Destruction Japan tour in September of 2006. This is Sound Totalism and is as heavy …

Live collaboration between Japanoise legend Merzbow and german artist Achim Wollscheid. Recorded at Spiral Hall, Tokyo.

As can be gleaned from the title, this is a recording of Merzbow live in Switzerland. Abrasive noise, big rhythms and (to be expected) and onslaught of noise.  Recorded at Cave 12 on 10th March 2005, there is apparently no editing involved on this re…

Author, activist, painter, and sound artist Masami Akita has been at the foreground of experimental music for over twenty-five years. Inspired by psychedelic rock, free jazz, and early electronic composition as well the physical arts (especially Kurt…