Music from United Kingdom

**300 copies** The second in the Zoviet France reissue series compiles a pair of their early 12”s. Less murky and more stripped-down, rhythm driven than their debut, Garista (1982), the tracks on both $oviet France (1982) and Norsch (1983) are more easily identifiable as products of the post-punk / post-industrial era, yet they still sound as though from a parallel musical universe or overlapping timeline. We’d attribute this perceived difference to the rest of UK tape culture and post-industria…

**300 copies** Vinyl-On-Demand kick off a keenly anticipated Zoviet France reissue scheme with Garista, the sui generis Geordie unit’s 1982 debut slab of cranky, atavistic expression. Industrial-not-industrial, ambient-not-ambient, and so on, Garista gave the first glimpse of Zoviet France’s sprawling, organically freeform soundworld on a self-released tape in 1982. Like cracking open Hellraiser’s puzzlebox, all the variegated, phantasmagoric hallmarks of their sound began to emerge from their d…

**Limited Edition Pressings of eleven separate Zoviet France Albums circa 1982-1987 now available as standalone, in bundle. Beautiful remastered editions, 300 copies only ** :Zoviet*France: is an idiosyncratic group of anonymous music makers, gatherers of sound, and fabricators of unknown music. For nearly 40 years, they have explored and reported back from the liminal areas of music and composition, walking the margins where little is easily located and consensus reality melds with the hypnagog…

Edition of 180 copies in digipack. 'When I heard the The New Blockaders / Organum ‘Pulp’ 7” in the mid-‘80s it was one of the noisiest things I had ever heard and I had heard plenty of Industrial Music and Power Electronica as well as a lot of earlier noisy music. On ‘The Pulp Sessions II’ Part I the noise levels and sounds change throughout the course of both sides, but the level of pandemonium remains constant. There are loads of feedback, radio, scraping, clanking, and other sounds, chopping …

The guitarist and singer-songwriter Mike Cooper was a key figure in the British blues boom of the late 1960s. Born in Reading in 1942, Cooper began playing guitar as a teen in local skiffle groups. After seeing Sonny Terry and Brownie McGhee perform in 1961, Cooper caught the blues bug and began to play the harmonica and formed The Blues Committee, supporting John Lee Hooker, Sonny Boy Williamson, Alexis Korner and Long John Baldry, while Cooper was also performing solo. Acquiring a lap steel gu…

For this historical concert held at the Yubin Chokin Hall, in Tokyo on May 14, 1986, the legendary Japanese drummer Masahiko Togashi brought together an amazing line-up with such modern jazz luminaries as Steve Lacy (soprano sax), Don Cherry (pocket trumpet) and Dave Holland (bass). This particular album consists of four previously unpublished tracks (on vinyl), including some highly regarded Lacy's compositions such as The Crus and Quakes, and Don Cherry's African flavored anthem called Mopti. …

Marking the 50th anniversary of the Apollo 11 moon landing, Brian Eno’s classic ambient excursion with his brother Roger Eno, and studio whizkind, Daniel Lanois, re-enters the vinyl orbit for the first time since 1983, bolstered with booster pack of previously unreleased material. Conceived as a soundtrack to Al Reinert’s 1983 documentary, For All Mankind, the wide-eyed wonder of Apollo has taken on a life of its own as one of Eno's best loved and most influential ambient trips, especially for t…

Classic Soft Machine performing live at the prestigious Royal Albert Hall, right after the release of the milestone Third on CBS. Classic line up with Hugh Hopper (bass), Mike Ratledge (keyboards), Robert Wyatt (vocals / drums) and very special guest Elton Dean on alto saxophone and saxello. Canterbury goes to heaven!

Nice Price! Recorded in 1985, Water Music is the first "Japanese" solo album by Mott The Hoople keyboard player Morgan Fisher, released on Satoro Takazawa aka Pneuma's label LLE. Six mesmerizing ambient tracks are played out as a multi-sensorial improvisation on a Yamaha DX7 digital synthesizer plus grand piano, tape delays, bowed guitar and shell chimes. The result is an highly contemplative album that flows as a powerful yet ethereal journey through the element of water. Completely remastered …

**500 numbered copies. sold out at source** Unsurprisingly for a creator as prolific as Muslimgauze's Bryn Jones was, when he was asked for a contribution for any sort of group project, he would tend to provide more options than necessary. In the case of longtime label Staalplaat's 1996 compilation Sonderangebot, where Jones would find himself in the company of everyone from Charlemagne Palestine to Reptilicus, the selected track was the characteristically head-spinning Kaliskinazure, nine minut…

**numbered edition of 25 copies** Composed and mixed by Raymond Dijkstra & The New Blockaders. LP in Softcover Black Normal LP Cover. Original Collage Artwork by Raymond Dijkstra and Richard Rupenus. Signed by the Artist. Each copy is different.

**numbered art edition of 25 copies** Raymond Dijkstra and The New Blockaders have been collaborating since 2010. This is the first music published of this collaboration. Destructieve Verlichting (Destructive Enlightenment) is issued in ten parts on 5x 8" vinyl records on Des Astres d’Or. Comes in a collage artwork and bolted box / wooden dowel designed by and executed by Raymond Dijkstra. Each copy is different.

**Edition of 400 copies** :Zoviet*France: is an idiosyncratic group of anonymous music makers, gatherers of sound, and fabricators of unknown music. For nearly 40 years, they have explored and reported back from the liminal areas of music and composition, walking the margins where little is easily located and consensus reality melds with the hypnagogic and half-heard.  Having wilfully obscured themselves in Newcastle upon Tyne since their inception in 1980, :zoviet*france: has developed a radica…

This recording from the earlier years of Cafe Oto documents the impossible pairing of four contemporary giants. It's the reason the venue opened in the first place, for miraculous one-off groupings like this. "The magic of the first minutes -- an alto solo by Joe McPhee of true purity -- soft-spoken, masterful and accomplished -- brought back to mind the blissful Coleman/Haden duet last year at the Royal Festival Hall. 'Ornette gave me freedom to move in a certain way,' said McPhee. He searched …

Re-mastered edition of the 1971 album performed by the legendary enterprise consisting of John McLaughlin on guitars, John Surman on reeds, Karl Berger on vibes, Stu Martin on drums, and Dave Holland on bass. Recorded at the end of May 1970 at the Apostolic Studios in New York, “Fortune Smiles” is a jazz fusion LP that sees all five musicians experimenting equally with their outstanding music qualities. Released here as a picture disc and featuring the original Dawn Records folded insert, the al…

The Third Ear Band burst into life within the British psychedelic scene at the end of the 60s, breaking away from the initial premises a few years later when the band’s ethnic approach yielded to external influences such as oriental raga, folk and occult spirituality. The Magus is considered the band’s fourth “missing” studio album, recorded in 1972 after the acclaimed soundtrack for Roman Polanski’s film Macbeth, but released only thirty years later. The Magus marks a further change in their mu…

**LP version on ivory vinyl** Current 93 have dreamt a new album, Invocations of Almost, using music from her FuturePast and her PastFuture, to accompany David Tibet's art exhibition, Invocations of Almost, which opened on March 9 at The Begovich Gallery in Fullerton, CA and lasted for around two months. The CD version is 59 minutes long, as it is launched on David's 59th birthday, March 5, whilst he was in LA for the official opening of his show. The music on Invocations of Almost was played on…

These Soft Machine recordings for John Peel's Top Gear programme took place in December 1967 and June 1969 when the band was at the peak of their psychedelic revolution and during their first transition towards an unprecedented form of Psych Rock Jazz. These historical sessions, including a great version of Wyatt's masterpiece Moon in June, show the great potential of the band's early line ups featuring Hugh Hopper - bass, Kevin Ayers - vocals, guitar, bass, Robert Wyatt - vocals, drums and Mike…

Recorded Live at the BBC in spring 1971, the same year of In the Land of Grey and Pink release, this is the classic Caravan line-up playing music from the same iconic studio album, a true masterpiece in the '70s Rock history. A quintessential combination between Richard Sinclair's beautiful and timeless melodies and David Sinclair's fuzz-organ improvisations. A full immersion in deep Canterbury sound featuring, among others, a fifteen minutes epic version of Nine Feet Underground.

**999 hand-numbered copies on golden CD** Critically acclaimed as one of the best records ever, 1974 Robert Wyatt’s masterpiece has been re-arranged by Craig Fortnam for his amazing North Sea Radio Orchestra. Featuring long time Wyatt’s collaborator and Henry Cow founder John Greaves on bass guitar and vocals, and the amazing vocalist Annie Barbazza as lead singer, this is an hearfelt, fantastic tribute to Robert Wyatt’s music.  "This concert is a beautiful event, for me. These musicians seem to…