Music from United States

1999 release - For fifty-five minutes the great American composer Morton Feldman weaves his tapestry of sounds, a pattern always the same and yet never the same, an iridescent, thick fabric, full of details, although these never distract the listener's attention. Feldman met Beckett only once in his life (though Beckett later sent him a postcard on which the composer discovered the text for his opera Neither). He created music of a beguiling tonality and beauty, inspired more by painting and lit…

2012 release ** "Combining the deep voice of Hildegard von Bingen and the inner song of John Cage (or vice versa)—what a wonderful idea, isn't it? And it's Irene Kurka herself who seems to have come up with it. She performs Hildegard nine times and gives her version of Sonnekus² (in nine parts, which Satie's Je te veux inspired Cage to use). She blends, finally, the eighteen pieces already sung. She merges attachment to faith and detachment from all things, Latin and the elevation it encourages …

"Exercise 15" was made out of and invites transformations or transcriptions. It's for piano or ad hoc instrumental arrangement. Its material is from a 1920s song "Union Maid" (as I found it in Edith Fowke and Joe Glazer's collection "Songs of Work and Protest") by Woodie Guthrie using an earlier popular song tune.  The tempo of the music is not specified. Sometimes it's played rather fast, as the original tune probably was, sometimes at a deliberate, 'prosaic' tempo. Here it's in a slow motio…

Seven (1988), 15 similar events (2002)   Let’s assume, that art music as a field of creative cognitive activity is interrelated with the scientific paradigm and that its structure, therefore, at least partially reflects the contemporary way of looking at the world. The essential paradigmatic elements of the early 21st century would then entail all kinds of demands on music. Having lost certainties, for example, the issue of probabilities should be broached. Fields of possibilities should be desi…

“sounds brushed into existence as in oriental calligraphy" (Cage)   the sounds in one9 are single tones and chords, up to six part harmonies.   how do sounds come into existence, how do they gain focus, how do they resolve, how do they merge into one another, how can one quietly and attentively, in all modesty, follow  their unfolding?   these are the questions that guided edwin alexander buchholz in his interpretation of the piece.   over the years he played one9 time and again - for himself an…

“The room I entered was a dream of this room.”   “It wasn't the hole in the landscape that gladdened us, it was the invitation to the weather to drop in anytime.”   John Ashbery (both quotations from: Your Name Here 2000)       “...all the hard dry studied Rules that ever was prescribed, will not enable any Person to form an Air any more than the bare Knowledge of the four and twenty Letters, and strict Grammatical Rules will qualify a Scholar for composing a Piece of Poetry, or properly adjust…

"Empty Words"   begins by omitting sentences, has only phrases, words, syllables and letters.   The second part omits the phrases, has only words, syllables and letters. The third part omits the words, has only syllables and letters. And the last part ... has nothing but letters and sounds.     A mix of words, syllables, and letters obtained by subjecting the Journal of Henry David Thoreau to a series of I Ching chance operations.   What was interesting to me was making English less understandab…

2004 release ** Few composers have the self-control seen here to allow the silence that surrounds all we do to be so present, to bring to the forefront that which is covered by all of our daily activities, only present when we let ourselves realize the stillness at the base of all action, all sound. The regular presence of notes in calme étendue (oboe) provides for the listener a feeling similar to that of a light on top of a lighthouse as it regularly turns in the night – a feeling of grounding…

2007 release ** Fold in; fold out: the breathing of the accordion. On this CD the accordion unfolds in a very special way, unusually close to the instrument. Four works, four worlds that seem to know each other; refer to each other like a greeting from far away.Hearing John Cage's ,,Cheap Imitation" played on accordion gives you the impression of folk music from an unknown, probably non-existent country. This music comes from nowhere, goes nowhere, is forever on its way.....Like ,,Sam Lazaro Bro…

The ever-enigmatic Akira Rabelais returns! The Little Glass breaks down clearly over two discs; the first containing four plaintive solo piano parts by Harold Budd and Rabelais, followed by a 2nd disc presenting Rabelais’ hour long, inharmonic, electronic transformation of the preceding material. Rabelais has collaborated with Budd before, he provided his own incredible side-long second CD to Budd’s majestic Avalon Sutra album, and while the piano pieces that make up the first CD here are bloody…

300 pages, A4, black and white and colour. A fake book is a collection of musical lead sheets usually containing melody line, basic chords and words where appropriate - the minimal information in other words required to fake an impromptu arrangement of a song. This is Alvin Curran’s, offering a lifetime’s work and experience in the form of useful fragments, instructions, graphic scores and compositions of a bewilderingly wide variety. The alvin curran fakebook is an atypical autobiography i…

LP version in combination offset/screenprinted jacket. Edition of 500. The second L A N D album, Anoxia, sees Daniel Lea return alone with an outing that marks a shift from the industrial-inflected jazz-noir of 2012's Night Within into distinctly new terrain. Mixed by Ben Frost at Greenhouse Studios, Reykjavík; mastered by Rashad Becker at D&M, Berlin. CD packaged in a combination offset/screenprinted jacket. "Anoxia" means "total absence of oxygen," and in Lea's hands the term heralds aural e…

Giovanni Di Domenico (piano, Rhodes), With Norberto Lobo (acoustic guitar), Tetuzi Akiyama (acoustic guitar) and Jim O'Rourke (electric guitar). Recorded during the course of 3 years (from 2011 to 2013) in various locations in Brussels and Tokyo, this double LP puts together 3 of the most uncompromising and original guitar players of the globe (there should have been a fourth great guitar player, the late Hans Reichel, but unfortunately he passed away days before asking him to join the project),…

Delivery Health is the highly idiosyncratic trio of Giovanni Di Domenico, Jim O'Rourke and Tatsuhisa Yamamoto. The recording was done in Tokyo's great GOK Sound, directly on 24 tracks tape recorder, and was mixed at Steamroom, Tokyo, by Jim O'Rourke himself. The blend of early 70's ECM drumsound, long unfolding travelogues and the great trasparency of the mix, give to this record a breadth and deepness that will give hard times catagorizing it's music, where jazz (the one of Abercrombie's Gatewa…

Sound sculptures and gongs by Harry Bertoia unite the sides of this split LP from Tara Jane O'Neil and Eleh. O'Neil's composition was commissioned by Venessa Renwick for her Medusa Smack video installation (originally screened in 2012 at the Oregon Biennial). The piece is partially created from sounds recorded by Bertoia on his own Sonambient sound sculptures, as well as O'Neil's recording of Athanasius Kircher's Bell Wheel at the Museum of Jurassic Technology. Eleh's side consists of 100 go…

2016 repress! Limited edition LP version with insert. Torch of the Mystics, the most popular and revered Sun City Girls album, was recorded in the summer of 1988 and became the first LP released on the Majora label in January of 1990 in an edition of 1000 copies (the original CD version was released by Tupelo Recording Company in 1993 and is long out of print). Reissued here for the first time, this record has influenced and inspired a wide variety of musicians and artists and continues to…

How does one deal with the world's nightmarish montage of bad news -- the glut of information that incites feelings of futility and insanity? One way to cope is to plunge deeper into the madness, at least temporarily, for a dip into the healing pool of catharsis. Few people in music today provide a more immersive alternate reality on record to combat our own horrible one than Decimus (former No-Neck Blues Band guitarist and synth player Pat Murano). Musical categories dissolve in the mind …

A Milestone, this is it! Selecting illustrative works from the lifetime of a creative person is a daunting task; doing so with a singularly individual artist like Harry Partch is all the more difficult. In the more than four decades since Partch’s death, interest in his both his life and his compositional output has continued to grow, and there remains a place for documents that can offer insights, suggest paths, and give new life to that creator’s endeavors.Even as duplicate instrumental ensemb…

"In the late 1950s, Ornette Coleman set the jazz world on fire. From his own unique playing style to his fundamental deconstruction of harmony and complete rethinking of group performance, Coleman at once confounded critics and inspired a new generation. This revolutionary music eventually became known as free jazz, but Coleman's influence extended well beyond -- into avant-garde rock and art circles -- and today his name is synonymous with artistic freedom. Originally released in Japan o…

Marc Hurtado, voice and instruments (recorded by Marc Hurtado at Fire Music Studio, France). Z'ev, percussions (recorded by Z'ev in London, UK). Mixed and mastered by Marc Hurtado at Fire Music Studio. Art Direction and photos by Marc Hurtado.