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The innovative acoustic free improvising ensemble Polwechsel, bridging contemporary music and free improvisation in ways that sound deceptively electroacoustic and comprised of Michael Moser on cello, Werner Dafeldecker on double bass, and Martin Bra…

Active since 2010, the German/Swiss duo of classical guitarist Christian Buck and improviser Christian Wolfarth occupies a space between music and sound art, as they perform two works each by Ed Haubensak and Tomas Korber, pieces that make use of tim…

Through preparations, computers, contact microphones, gongs, feedback and other tools, Swiss pianist, composer & improviser Judith Wegmann's work transform the sound of the piano into an otherworldly instrument, set against more traditional acoustic …

As part of her Colonial Piano Project, Australian pianist Gabriella Smart commissioned and performs "Kaps Freed" by Cat Hope, a contemplation of composer Percy Grainger's Free Music ideals, with Stuart James on electronics; and the alliterative "Two …

The second album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue--a noted interpreter of solo works by Feldman, Ferrari, and Cage--here presenting all of Kondo's works for solo piano written from 2001 to 2012, alongsi…

Seven works composed in the 21st century by Sebastian Gottschick, who arranges and conducts the Ensemble Fur Neue Musick Zurich, configured as an ensemble with percussion, a sextet, a chamber ensemble with baritone and soprano, and performing himself…

“... in the past, the point of disagreement has been between dissonance and consonance, it will be, in the immediate future, between noise and so-called musical sounds.” — John Cage  The most characteristic features of American music are its eclectic…

The guitar is the popular instrument par excellence. As apt for Brazilian sambas for Irish ballads or American blues, the guitar has also recently been adapted as a surrogate for plucked instruments from non-Western musical traditions; no idiom seems…

This recording is the first ever devoted to the orchestral music of Christian Wolff (b. 1934) and thus documents a little-known aspect of his wide-ranging work. John, David (1998) introduces in its second part a prominent role for solo percussionist,…

The immersive sonic textures that characterize Michael Winter's (b 1980) music are crafted from comprehensive lists of data, with each composition encompassing a musical question that is addressed algorithmically. A performance lasts for as long as i…

Fairy tale opera has been a challenging genre for composers, with even some of the musically most successful examples, like Humperdinck’s Hansel and Gretel of 1893, more often presented for children than for adults. Scott Wheeler’s (b. 1952) Naga, wo…

The title Dialogues and Contrasts describes the nature of the exchange which takes place between the performer and the materials committed to tape. In the first movement the exchange is more in the nature of an argument. Though initially each side ap…

James Tenney is one of the most important American composers and theorists of the past fifty years. For a very long time, his work was known mainly to other musicians and its tremendous influence was belied by its obscurity. In the past twenty years,…

An insatiable listener, learner, and reader, Stuart Saunders Smith (b. 1948) has taken into his mind and spirit myriad styles of musical performance spanning centuries, methods of compositional practice of all sorts, and innumerable close personal re…

Ezra Sims (1928-2015) was known mainly as a composer of microtonal music. Surrounded by world-class performers who championed his music, he produced a large number of chamber and solo, choral, and two orchestral works. With his unwavering commitment …

Larry Polansky (1954–2024) was a visionary American composer, guitarist, theorist, and educator whose work forged deep connections across mathematics, computer science, intonation theory, and experimental music. His compositions-performed here by col…

Larry Polansky, though known primarily for his work in the field of computer music, has produced a major addition to the keyboard literature, this massive theme-and-variations on Ruth Crawford Seeger’s arrangement of the folk song "Lonesome Road." In…

The title of this recording has multiple meanings for its composer, Larry Polansky (b 1954). These are the generations... is a translation of the Hebrew title for the second work on the program, Eleh Tol'd'ot, the first words of the thirty-fifth vers…

Robert Palmer (1915-2010) produced more than ninety symphonic, choral, chamber, and solo works throughout his career, earning a reputation in the mid-twentieth century as one of the country's leading, most daring, and -- at the same time -- appealing…

Schlingen Blängen is an invaluable addition to the slender but precious discography of Charlemagne Palestine, one of the legendary figures of the amazingly fertile New York and West Coast experimental music/art scene of the sixties and seventies. He …

"James Moore (b. 1979) is a composer with an eye toward the world of games and experimental theater. He’s an electric guitarist who’s willing and eager to treat his instrument as a playground, not a reverent, static tradition. He’s a tinkerer, a char…

This collection of two tonal works by composers known for their non-tonal compositional style is a fine example of contemporary approaches to sacred choral music. Salvatore Martirano’s Mass is a setting of a traditional Latin Mass whilst Donald Marti…

George Lewis (b 1952) combines an astonishing level of creativity with trenchant critiques of many traditional conceptions about experimental music. The four compositions on this album reference a wide range of ideas, from rhetoric in Ancient Rome to…

While certain recognizable fingerprints are found throughout the body of Daniel Lentz's (b. 1942) work, he has never been content to settle within one particular style or mode of music for long, moving ever forward in an evolutional continuum, an ove…

Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere…

Charles Ives composed nearly 200 songs throughout his life. Wiley Hitchcock, in the thorough introduction to his 2004 critical edition 129 Songs, described the Ives song canon as the contents of a kind of scrapbook or commonplace book or chapbook, or…

Lejaren Hiller (1924-1994) is, understandably, best known for his computer-assisted compositions and works utilizing electronics. The three pieces included in this collection span a crucial fifteen-year period in Hiller's career. The first was writte…

music for bowed string instruments consists mostly of music composed by Malcolm Goldstein (b. 1936) between 2018 and 2019 while living in Montréal, Québec. The impulse to compose this series came from Goldstein’s experience as a teacher and performer…

Wrestling with the notion of balancing both formal construction and creative spontaneity has allowed Scott Fields (b 1952) to compose a powerful body of work with ties to extramusical concerns from the realms of literature, philosophy, and science. S…

Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere…

We want to fabricate a new music. We imagine a situation in which the sounding together of tones is never taken for granted, is continually renewed and reinvented. We know that the effect of any set of simultaneous tones, by means of the multiplicati…

Rory Cowal is a distinctive pianist, one who draws liberally on classical chops, ample experience with improvisation, and a predilection for the new and uncharted. This makes him especially attractive to composers who wish to blur the boundaries betw…

Compositions performed by Bethany Beardslee and Lynne Weber (sopranos), Jerry Kudern and Robert Miller (pianos). The four works on this recording span a period of a decade and are among the best of Milton Babbitt’s output, tape and otherwise. Philome…

The Piano Concerto No. 2 is an experiment in classical form. The work contains the same sudden juxtapositions and abrupt contrasts of mood as his futurist music. But the excesses of his recent Ballet mécanique are compensated for by an almost spare, …

The harp is a strange and compelling instrument that in its technological ancientness beckons composers and listeners alike to bask in its heavenly aura. Like hand drums and acoustic guitars, the immediacy of a harp's sound production demands an inti…

The intense individuality of Morton Feldman's (1926?1987) art and its 'painterly' aspect have tended to push his rich output of works into a zone all of their own, surrounded by a moat of stillness. This recording attempts the reverse process -- to b…

James Tenney (1934-2006) was one of the most versatile figures in contemporary American music. Apart from creating a large, wide-ranging, and fascinating body of compositions, more than a hundred of them, he was one of the key music theorists of the …

Just Asked whether he would describe his music as “Sound for the sake of sound,” James Tenney (1934–2006) replied, “It’s sound for the sake of perceptual insight—some kind of perceptual revelation.” This release aptly demonstrates Tenney’s deep explo…

Closing the achingly long four years wait since her last full-length, the American composer/percussionist Sarah Hennies returns with “Motor Tapes”, her second release with New World Records. Comprising three astounding new pieces, made in collaborati…

Just when you think you are grasping the breadth and quality of the music of Julius Eastman (1940 - 1990), a recording such as Julius Eastman: The Zürich Concert shows up, and you have to go back and reassess his work and wonder what will show up nex…