Bionic Environments
Bionic Environments by Qba Janicki is an illustrative sonic work in which organic matter and mechanical intelligence merge into a single, continuously evolving organism. Composed for amplified soundboard, electronics, electromechanics, extended voice, and string orchestra, the piece unfolds as a cinematic yet deeply material journey through hybrid environments suspended between biological mutation and synthetic architecture. The composition is based on controlled aleatorism and open improvisatio…
Mômo
The album Mômo comprises a collection of Adam de la Cour’s concert pieces – more specifically, his most important solo keyboard-based compositions. De la Cour draws his inspiration from languages where abrupt tonal shifts and grotesque exaggeration are simply how things function. His influences come as much from psychotronic cinema, rubber-mask practical effects, vaudeville, genre tropes, and forms of satire as from contemporary classical music. De la Cour shares a particularly close artistic pa…
Brisk
The idea for this album began taking shape in 2021 and has slowly evolved into a seven-track snapshot of Juli Deák’s musical world and artistic thinking. Coming from the challenging, refined, and often seemingly flawless sound of classical music, the flutist began redirecting her musical voice toward a much more personal space through experimentation and improvisation. What eventually grew into this project originally began as a handful of unfinished ideas—which only revealed their true meaning …
A Moment Beyond
*200 copies limited edition* "A Moment Beyond" is the result of a dialogue between Gunnar Smoliansky's photographs (who passed away in 2019) and the composer and musician Danny Clay, initiated by IIKKI, between February 2026 and May 2026.
Danny Clay is a composer who often utilizes classical instruments, open forms, found objects, analog media, and digital errata in his work. He has collaborated with musicians and ensembles throughout the US, including Kronos Quartet, Eighth Blackbird, Third Coa…
Time is no line but a wound that curves
Huck Hodge, an American composer and multi-talented artist, writes, as the New York Times puts it, “harmonically fresh works […] full of splendour and thunder”. Both intellectually and immediately poetic, his music explores the many invisible connections between the most diverse artistic and philosophical traditions of East and West. His passion for learning both ancient and modern languages, his own poetic output and his original choice of texts are reflected in the interplay of colour, light a…
At Home
This one carries real weight. Issued by Another Timbre on the occasion of his 90th birthday, At Home - a 4-CD box set gathering five hours of domestic and archive recordings - marks the end of John Tilbury's recording career. There will be no more. What remains is this: a final, quietly monumental document from one of the most singular pianists of the last sixty years.
Tilbury's place in the history of contemporary, improvised, and experimental music is beyond dispute. A member of AMM for decade…
The Electronic Works
Dutch Oscillation Series (DOS) proudly announces the release of a box set featuring the complete electronic works of Ton de Leeuw (1926–1996). This publication marks the first instalment in a new series that brings the history of Dutch electronic music to life for a broad audience. The official presentation will take place on Saturday, 12 September, during the Gaudeamus Festival for contemporary music in Utrecht.
Unique discoveries from the archive. For far too long, twentieth-century Dutch elec…
Exotica, The Great Learning, Cybernetics III / Contrappunto Dialettico Alla Mente
Earlier this year, Deutsche Grammophon announced and delivered one of the most exciting initiatives in recent memory: a brand-new audiophile vinyl reissue series dedicated to crucial avant-garde and experimental works from its own extensive catalog. Beginning with Luc Ferrari's Presque Rien No.1 / Société II (1970), Mauricio Kagel's Acustica (1972), and Tōru Takemitsu's Quatrain / A Flock Descends Into The Pentagonal Garden (1980), these deluxe limited editions completely blew us away, returning…
The Beating of Wings
The 40th anniversary edition of Andrew Poppy’s The Beating of Wings, originally released on ZTT Records. Hailed as “a major landmark in pop-classical genre-blending and post-minimalism” (Robert Davidson, Topology) and “… ahead of his time … he’d fit right in with the Max Richters and Nils Frahms of today” (Steven Wilson; Porcupine Tree, The Album Years podcast). Composed and produced by Andrew Poppy and performed by his bespoke ensembles, The Beating of Wings contains four mesmeric tracks that m…
Turning
When James Lyon touches a violin, people listen; he can turn a phrase or a tune like few others. So, after a long career teaching at Penn State, it is high time he had a solo album to his credit: Turning is a deeply personal collection of works that celebrates his 35-year tenure at the institution.
The title Turning carries multiple meanings for Lyon, reflecting both transition and opportunity. “For well over three decades, I have been taking my turn being a professor of violin,” Lyon explains. …
Fumée
Smoke, sometimes, gets in your ears. Neuma Records announces the release of Fumée, featuring world premiere recordings of three major orchestral works by British-American composer Geoffrey Gordon. Each composition transforms visual art into music: Willem de Kooning’s explosive Abstract Expressionism, a haunting Belle Époque chanson, and the early-20th-century Synchromist movement’s “color orchestration” all find new life through Gordon’s vividly imagined scores. The album opens with Gotham News …
Continuous Interior
With Continuous Interior, Abby Fisher unveils a solo album that reimagines percussion and electronics. The album includes two immersive works that explore scale, space, and perception. The title track – the evocative Continuous Interior by New York composer Robert Honstein – draws inspiration from the modern experience of limitless, bounded spaces – shopping malls, airport terminals, vast warehouses – and translates that feeling into waves of resonant sound, where vibraphone tones sparkle above …
Kinesis, Vol. 3
If 3 is the perfect number, Galan Trio’s third installment in their series dedicated to the American piano trio hits the jackpot. Following the critical success of the first two volumes, which explored works from the easterly states, Kinesis: Volume 3 expands the project’s acoustic horizons by incorporating electronics for the first time, all while remaining true to the series’ guiding principle: dynamic motion. The double-album presents thirteen world-premiere recordings that treat the piano tr…
Yet
“Most times in trauma, there is no exit,” composer Sarah Genevieve Burghart Rice writes in her album introduction. “Yet every once in a while, a door is ajar and we are left to wonder if we really could leave. All the music of Yet revolves around suffering in captivity juxtaposed with the possibility of liberation.” Yet is a powerfully imaginative and intimate collection of contemporary classical music that navigates the stark – sometimes Surreal and satirical – landscapes of trauma and hope.
D…
Waldmusik
Forests have inspired composers from Schubert to Messiaen, but Christopher Shultis takes it one step further with Waldmusik, a sonic chronicle of fourteen years of walking and listening. This cycle of compositions traces a personal and artistic evolution sparked by solitary walks in woodlands and mountains across the globe. The genesis of Waldmusik dates to a 2003 residency in Taos, New Mexico, where its core idea—”walking in woods / listening … / what I hear”—became a lifelong creative mantra. …
New Colombian Music for Saxophone Quartet
Since their founding in 2007, the Madrid based saxophone quartet Sigma Project has premiered more than 85 works and introduced hundreds more to audiences from Teatro alla Scala in Milan to Teatro Colón in Buenos Aires. Their commitment to commissioning new works is the saxophone quartet’s parallel to the Kronos Quartet. Juan Antonio Cuéllar’s Cuatro Artificios is a four-movement work that follows the classical structure of the quartet or symphony (Allegro-Adagio-Scherzo-Allegro Finale) and draws…
Scintillae
For fifty years, the piano has been the backbone of Raymond Deane’s creative output. This journey began at age sixteen with the first Orphic Piece, a work that set the stage for a career defined by breaking contemporary taboos. Rejecting both the strict rules of traditional keys and the lawlessness of atonality, Deane creates his own temporary musical structures, constantly building them up and dismantling them again. For him, composition is a process of conflict and negotiation, allowing for th…
Crow on the Dark Side of Gloss
Kraig Grady, an American based in Australia, is a microtonal composer. He explains it thus: “Alternative tunings are a major inspiration for my compositional explorations. The pivotal point for me was meeting with tuning theorist Ervin Wilson and witnessing Harry Partch’s U.S. Highball in 1975. I was convinced that working with different instruments and tunings was going to be a major artistic movement.
I began studying tuning with Wilson which continued for as long as we knew each other. … I’m …
Exotica
Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl. Includes hi-res audio download. Among the most playful and pointed entries in Deutsche Grammophon's legendary Avantgarde series, Mauricio Kagel's Exotica returns to vinyl - a work that turns the Western fascination with the music of elsewhere into a piece of high comedy and, beneath the laughter, a quietly devast…
December
"I remember the first time I sat at a piano, my feet dangling over the edge. As I tested the keys, I felt a wonder and joy at the sound coming out of the instrument. I still feel that joy every time I sit at a piano. In the two drone works in this release: "December" and "Thomas," I was intrigued in the contrast of the rhythm of the hammers striking the strings with the rhythm of the swelling overtones. On "Thomas", the trumpet tones blend and contrast, sometimes revealing the piano, and sometim…