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Morton Feldman’s Rothko Chapel is a hushed yet monumental soundscape that resonates with the spiritual austerity of Mark Rothko’s paintings. Combining solo viola, voices, celesta, and percussion, the LP explores silence and timbre with a reverence that transforms listening into a meditative experience, while the composition For Frank O'Hara offers a tender lyrical counterpoint to its profound stillness.
Experience the extraordinary sonic journey of Terry Riley like never before with Live In Paris, 1975, an exclusive release from France Musique FM. Captured in these rare French live recordings, Riley delivers a mesmerizing display of his signature psychedelic organ mastery, following closely on the heels of his 1972 landmark work, Persian Surgery Dervishes.
In stunning form, Riley conjures endlessly rippling, dosed organ drones that create a captivating sense of stasis within expansion—a uniquel…
The piano recital/album sans retour forms the concluding part of Croene's 'Trilogy of Hopelessness' (Cortizona). Conceived as a single, Beethovenian composition, Croene once again demonstrates the wide range of sound palettes a piano can produce. The common thread is a melody based on the 'Dies Irae', which takes six different forms to embody the in memoriam concept.
*2025 stock* "The latest album by innovative Slovak composer, Barbora Tomášková, offers a unique suite of sounds, where boundaries between acoustic traditions and exploratory electronics dissolve. The Slovak composer and performer’s practice revolves around innovative use of ’objets trouvé’ and western classical instruments via hefty electronic manipulations and many extended techniques. Taking its name from both the less common and stable form of DNA and the Slovak term for “from the bottom”, Z…
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
This very special CD Book presents John Zorn’s evocative musical setting of the Biblical love poem The Song of Songs, with singer/conductor Barbara Hannigan and film director/actor Mathieu Amalric narrating. Featuring extensive notes, the full text of Jeremy Fogel’s passionate new translation (commissioned expressly for this project), and 35 illustrations by Zorn himself, this limited edition one-of-a-kind CD Book is an absolute treasure.
In Star Trail, José Luis Hurtado sculpts a luminous universe of sound—music that resembles light itself: expanding, reflecting, distorting. Through multilayered “parametric counterpoint,” space triumphs over time, revealing textures that shimmer between structure and spontaneity. Each work—Electric Dust, The Untitled 3S, In the Space of Time, Mutual Gravity, and the title piece Star Trail—unfolds as a sound installation of infinite possibilities, where every gesture refracts into new meaning. Bo…
Sounds, Archaeologies brings together works by Isabel Mundry that understand listening as an active, participatory process. Arising from the experience of a transformed acoustic environment, the composer opens her music to a dialogue with history, material, and cultural grounding. In the title piece for basset horn, violoncello, and piano, Mundry excavates the “sediments of our musical history” – sound becomes an archaeological find linking past and present. Balancing reflection and intuition, s…
In Naturstudium III, Luis Tabuenca, together with Les Percussions de Strasbourg, explores the sonic worlds of the Baschet sound sculptures—resonant bodies of metal, glass, and wood that oscillate between instrument and architecture. From their dialogue emerges a new musical grammar and hybrid notation that seeks to capture the fleeting nature of these resonances. Recorded by Neu Records in immersive sound, Naturstudium III is more than documentation: it is a spatial experience of vibration, reve…
Samuel Reinhard returns to elsewhere music with “For 10 Musicians,” a four-part ensemble piece recorded in 2025 at the Royal Danish Academy of Music in Copenhagen.
Laura Cetilia's cello works evoke the sense of crossing the threshold between traditional classical music and experimental soundscapes. Within an acoustic resonance that respects the natural reverberations of a space, rippling waves of subtle disturbances conjure a mixed sensation of classical roots and a refreshing encounter with the unknown. This offers a glimpse into a vast and profound world that is uniquely Cetilia's own. 'gorgeous nothings' is an album of three pieces composed by Cetilia, …
Another Timbre presents five essential releases exploring the furthest reaches of contemporary composition and electroacoustic investigation. This special bundle brings together works that exist beyond conventional categories - music demanding patience, recalibrated listening, and willingness to encounter sound in its most essential states.
Jakob Ullmann - Solo I & Solo IV (at250)Marja Ahti - Visiting Cloud (Two Translations) (at247)Jürg Frey - Je laisse à la nuit son poids d'ombre (at249)Eldr…
*2025 stock* Icarus Records proudly presents Icarus Tapes #1: Bow, Icarus Live Session #59, a live performance recorded for the Icarus Radio Show, a weekly radioshow broadcast at Belgian radiostation Urgent.fm.
One afternoon in March 2019, a Ghent studio at the edge of an arm of the Scheldt river, the 5 musicians of Bow settled down and got ready. After a glance and a deep breath, the 5 fellows leap into the void.
Bow takes the gamble for this recorded radio session to improvise its music en…
In May, composer, musician, and producer Kara-Lis Coverdale released her first new album in eight years, From Where You Came. It was followed by her second album of 2025, A Series of Actions in a Sphere of Forever, in September. Today, Coverdale details her third full-length release of the year, Changes In Air, out 21 November via Smalltown Supersound, and unveils its lead single ‘Curve Traces of Held Space’. Changes In Air is a work for electric organ, modular synthesis, and piano in five secti…
"The piano has been with Lachenmann almost throughout his composing life of seven decades. Yet the instrument is by no means always the same. Lachenmann’s determination has been to go on finding new possibilities – almost a new voice for the piano in every piece, a voice with which it can speak that piece, as it has not spoken before. Perhaps the Schubert variations of 1956 could be understood as a farewell to traditional piano sound – a farewell made at the age of twenty. Already, though, there…
In the quiet extremities of contemporary composition, few have ventured as far into the territory of disappearance as Jakob Ullmann. This release documents the simultaneous realization of two works from his remarkable series of Solo pieces - compositions that exist somewhere between notation and performance, between instruction and interpretation, hovering at the very threshold of audibility. Begun in the late 1980s as Ullmann sought to depart from strict Western notational conventions, the Solo…
How does music inhabit the space between two worlds? Jürg Frey confronts this question directly in Je laisse à la nuit son poids d'ombre, a composition for ten musicians that exists in deliberate suspension, refusing the security of solid ground. Commissioned by ensemble]h[iatus, the piece emerged from extended collaboration between composer and performers, particularly in navigating two specific challenges: the distinctive voice of Thomas Lehn's analogue synthesiser and the relationship between…
A suite of five pieces for acoustic instruments and electronics by Argentine-born composer Santiago Diez Fischer, who lives and teaches in France and whose work occupies a unique space between new music, experimental rock, and free improvisation. All five pieces were written specifically for Gyre Ensemble - Alejandro Oliván López (baritone saxophone), Stefanie Mirwald-Keiser (accordion), and Christian Streit Smith (percussion) - a trio whose particular combination of timbres and approaches has c…
How does a composer who spent years immersed in cultural theory and philosophy return to music-making? For Eldritch Priest - known to many through his provocative book Boring Formless Nonsense - the answer involves cultivating a compositional sensibility that appears offhanded while remaining rigorously structured, music that flirts relentlessly with ideas to blur distinctions between trivial regard and focused attention. This release documents three works spanning more than two decades, tracing…