Symphony No. 7/Balada: Steel Symphony
William Schuman was born in 1910 in New York. His earliest musical interests were at first confined to current popular music. In 1930, after hearing his first concert of symphonic music－Toscanini and the New York Philharmonic in a program of music by Wagner, Kodaly, and Robert Schumann－he redirected his life. Schuman later graduated from Columbia University and studied privately with Roy Harris. Symphony No. 7 premiered on October 21, 1960, under the direction of Charles Munch, who succeeded Kou…
Piano Concerto / Variations For Orchestra
While a student at the Horace Mann School, Elliott Carter came to know Charles Ives. Carter continued his education at Harvard and then studied with Nadia Boulanger in Paris. Ives and Boulanger were formative influences: Carter's music draws on American experimentalism (Ives, Cowell, Crawford, Nancarrow, Varèse) and European modernism (Debussy, Stravinsky, the Viennese). Ever since he reached his stylistic maturity with the String Quartet No. 1 of 1951, Carter has continued to pursue an original…
Piano Works
Pianist Peter Serkin is renowned for his performances and recordings of contemporary music. He has worked closely with composers such as Olivier Messiaen, Toru Takemitsu, Luciano Berio, and Peter Lieberson; he also was a founding member of the chamber group Tashi.
Igor Stravinsky's 1925 Serenade en La was originally composed to suit phonograph players, with each movement designed to fit the three-minute capacity of each of four ten-inch 78rpm sides. The title, Stravinsky explained, did not mea…
Concerto For Oboe And Orchestra / Prism
George Rochberg seems an unlikely revolutionary, yet it was he, more than anyone else, who dealt the crushing blow to serialist orthodoxy. A student of Gian Carlo Menotti at the Curtis Institute in Philadelphia, Rochberg began as a modern mainstream composer. He later became involved with serialism, but with Contra mortem et tempus (1965), written after the death of his son, Rochberg hesitatingly but irrevocably re-embraced not only tonality but the whole universe of emotional states commonly as…
Works By: Hugh Aitken, Aaron Copland, Walter Piston, Paul Schoenfield, Gunther Schuller
Perhaps from the habit of our nineteenth-century parlor-music tradition, perhaps from the frustration of trying to get orchestral works performed, American composers seem to have remained more active in the genre of the chamber sonata than their European counterparts. In America, the genre has received particular attention from composers of a classical or neoclassical bent, as the works on this recording, varied as they are in style and technique, bear out.
In 1945, when he wrote the Sonatina, W…
Hidden Sparks
This recording contains four works for violin by four disparate American composers with unique conceptions of the instrument and its possibilities, technical and expressive. Elliott Carter's Riconoscenza is a short work for unaccompanied violin imbued with a craggy, rough-hewn grandeur and arching melodic lines characteristic of his mature music. Fantasy for Violin and Piano by Ralph Shapey (b. 1921) typifies the unusual blend of astringency and lyricism of his dense, passionate and deeply rewa…
Indianapolis Symphony Orchestra, John Nelson (5), Jennie Hansen, Neil Rosenshein, Charles Martin Loeffler
La Mort De Tintagiles / Five Irish FantasiesThe music of Charles Martin Loeffler (1861-1935) was a rarity in the United States. Much admired for its artistry, it was yet so individual and its Symbolist aesthetic so unusual that Loeffler acquired a reputation that set him apart from other American composers of his generation. Loeffler came to America at the age of twenty. Behind him he had a cosmopolitan European background: He was born in France and had lived there and in Germany, Hungary, Russia, and Switzerland.
As a composer Loeffler w…
Sinfonia / Symphony No. 1
John Harbison's music draws together gestures and ideas from musical worlds that reflect such favorite composers as Robert Schumann and Heinrich Schutz, the songs of George Gershwin, and the hieratic qualities of Igor Stravinsky. His work has always been expressive, though never with a heart-on-sleeve emoting of personal angst, a mode that simply does not interest him. Recently Harbison has shown an interest in recapturing such historical genres as the formal set of variations (as in his Variati…
The Cloisters
The vocal music on this recording documents three generations of American music, each characterized by its own ideals yet shaped by its relationship to the past. Heard together on one disc, this music provides a glimpse of the rapid and often radical aesthetic upheavals that American music has undergone during the twentieth century. The three settings by Arthur Shepherd (1880-1958) - Golden Stockings, To a Trout, and Virgil - were composed shortly before World War II and exhibit a sensitive …
Piano Concerto
The Piano Concerto was Peter Lieberson's first orchestral work and was, from the outset, conceived with Peter Serkin in mind as the soloist. He wrote it after a long period of immersion in the study of Tibetan Vajrayana Buddhism. Throughout what Lieberson regards as the "journey" of the Piano Concerto, the character of each movement changes dramatically, though the very tune that unfolds at the opening of the work returns in full just before the end. Each of the three movements reflects in a mus…
Antony And Cleopatra
This is the premiere recording of Samuel Barber's Antony & Cleopatra, written for the opening of the new Metropolitan Opera House at Lincoln Center in 1966. Along with Vanessa, it is one of the peaks of Barber's output and one of the great American operas. Though it is rarely staged, this recording allows us to enjoy the fruits of Barber's accomplishment: the glamour of much of the vocal writing, particularly for Cleopatra; the richness, color, variety and imagination of the orchestration; the s…
Winter Cantata, Other Works
Vincent Persichetti's choral music plays an important part role in his output. In many ways his Mass is an orthodox a cappella Mass, its Renaissance heritage reflected in its use of a Gregorian chant as the unifying theme, and in its reliance on imitative counterpoint as its chief developmental technique. His Winter Cantata, based on a collection of haiku, is scored for women's chorus, flute, and marimba. Without any overt musical references, the work is Japanese in spirit, largely as a result o…
Concerto For Clarinet And Orchestra / Third Essay For Orchestra, Opus 47
The Third Essay was Samuel Barber's last completed work and its drama and lyricism are entirely characteristic of the neo-Romantic style he composed in for his entire life, a style which won him a large and faithful audience. In his avowed concern for writing music that communicates with the listening public, John Corigliano could be seen as an inheritor of Barber's mantle. The Concerto for Clarinet and Orchestra is a large-scale work that demonstrates his eclectic style at its finest. Corigli…
Form
Comet-like radiance, conviction, fervent intensity, penetrating thought on many levels of seriousness and humor, combined with breathtaking adventurousness and originality, marked the inner and outer life of Stefan Wolpe, as they do his compositions. -- Elliott Carter
Stefan Wolpe (1902-1972) is an acknowledged master of modern music whose oeuvre has had a lasting influence on both classical and jazz musicians. Though receptive to prevailing musical trends, Wolpe was an individualist who forg…
Music of the Federal Era
Music of the Federal Era is an excellent overview of late 18th and early 19th century compositions by Benjamin Carr, Oliver Shaw, Raynor Taylor and others, performed on period instruments. The variety of styles represented on this disc reflects two kinds of music that existed quite separately: one centered in the cities, essentially European in origin, and the other in villages and the countryside. For while America found itself politically independent at the end of the Revolutionary War, cultur…
When Lilacs Last In The Dooryard Bloom'd
Of the numerous settings of Walt Whitmans poetry, and this poem in particular, Sessions's is generally agreed to be one of the very finest and most sensitive. His mature style - a highly personal, instantly recognizable mix of severity and control with passion and serenity - projects the poetry now in simple chordal declamation, now in the long, high-arched melodies of which he is the master, conveying wonderfully the feel and variety of Whitman's lines. Over the years, Sessions's elegy has ta…
Quartet Romantic
The generation of American composers who came of age in the 1920s are now generally acknowledged as seminal figures in the creation of a truly indigenous American art music. Quartet Romantic makes available for the first time on CD several important chamber works by four of these figures - Henry Cowell, Ruth Crawford Seeger, Wallingford Riegger, and John Becker - as well as an early work by Cowell's most famous pupil, Lou Harrison.
The Wind Demon And Other 19th Century Piano Music
This compendium of American piano music of the last half of the nineteenth-century is a potpourri of popular salon pieces and works of more serious aspirations. Together they conjure a characteristic portrait of the society for which they were composed, evoking images of frontier primitivism, brownstone-ballroom elegance, urban sophistication, as well as a more academically inclined formalism looking back to European models. Scintillating pianism by Ivan Davis and absolutely fascinating notes on…
From Behind The Unreasoning Mask
Clearly influenced by Varese's concept of "pure sound," the four works on From Behind the Unreasoning Mask privilege the exploration of sound as a means of musical expression. In the 1970s, the integration of new vocal and instrumental techniques and, sometimes, electronic sound sources into the composer's vocabulary broadened the tonal, textural--and, consequently--expressive palette immeasurably. Roger Reynolds's (b. 1934) From Behind the Unreasoning Mask (1975) presents an interplay between a…
The Haymakers (An Operatic Cantata, Part The Second)
Making its first appearance on CD, The Haymakers is an integral and indispensable part of the mosaic of the emerging American musical culture of the nineteenth century. It is a secular dramatic cantata on an American subject and was written in 1857, when large-scale American works were not yet supposed to have developed. It is the best-wrought and was the most successful of the five penned by George F. Root (1820-1895), remembered primarily for rousing Civil War songs like "The Battle Hymn of Fr…