Backpfeifenphaseshift
Two Form a Click (DJ Snaffy, Wretchen Redspiders) collide with Horatio Pollard to deliver two sides of beautifully coalesced psychedelic synthesis, heavy with dub’s production values and freed from the grid of analog electronics. Though primarily operated by the duo of Snaffy and Redspiders, 2FAC has an open door policy which is happy to embrace lone lurkers such as Pollard. Pollard, born in Ibiza, raised in the UK and resident in Berlin since the mid 2000’s, has surely been exposed to all ends …
The Pruttipal Index
What is - or rather: what could be - a "Pruttipal Index"? In books, libraries and databases, an index is usually a concise overview or inventory. It suggests that this album could be a mini-encyclopedia of the work of its makers. In economics, indexes are measurements of the current state of an economy; which, in the case of this album, could be a vitality metrics of the Goodiepal & Pals/GP&PLS/BananSkole collective that produced it. In semiotics, an index is a sign that functions as a trace (li…
"HEALING"
ugne&maria is the duo project of Ugnė Vyliaudaitė and Marija Rasa Kudabaitė, both based in Brussels. Their music is made from a mosaic of samples and carefully triggered field recordings, in dialogue with Vyliaudaitė’s violin. Intricate and calming but far from ambient, in that where ambient music recedes ugne&maria’s music sounds always close to the skin. The compositions are subtle and precise, setting up a logic and then gently manipulating it or letting it hover for several minutes. Elem…
ae³o & h³ae
* * Much-needed 2023 Reissue * * Drone: as with anything else that rarely changes, it's necessary to latch onto subtleties. What minimal suggestion put forth by a drone is so easily applied to pretty much any impression you might have that, predictably, describing one often leads to vague subjectivities bordering on bad poetry. And as much as I'd love to go around proclaiming my love for "deeply resonant, holy abysses" (not), I wish there were an easier way to communicate the real power of the t…
Issue 102
With her debut solo album rocketing into the UK Top 10 on the week of its release, we are delighted to have Alison Goldfrapp on the cover of the new Electronic Sound. We have a fantastic red vinyl seven-inch by the always stylish and often elusive singer to accompany the issue too.
Electroacoustic Works 1960-80
Super Tip! Last copies... Anestis Logothetis (1921-1994) is known as one of the leading pioneers of 20th century composition. His graphic notation system, developed around 1958, is a milestone in the evolution of musical notation. Logothetis employs this system to different ways of imprinting the contemporary sound on the score in order to express the sense of space in musical notation and redefine the roles of the composer, the performer and the audience, during the composition and performanc…
La Seuz
Arthur Chambry is a mysterious troubadour, walking the artistic crossroads of sound, poetry and theatre. Using a wide range of personalised gear to compose music, his is a viral energy: hiding and showing off behind the unexpected, playing gut-vibrating frequencies with violins, trumpets or lungs, fruits, pipes, or tapes. His new album La Seuz draws a map of a parallel world made of singing peasants, luthiers, communities of musicians and mystical quests... Arthur carves out a place between trad…
Pudel
Dadaglobal is one of the headstrong, camouflaged in elegance: one of the crazies. With him, we are being hoaxed. He is not to be pinned down to anything other than his artistic urge to move. «Pudel» is an intermediate stop. And the bohemian forest begins to speak. The subway. The soccer stadium. New York City, London Town, Paris, Berlin, Tokyo, Kyoto, Beijing, Hongkong, Shanghai, Hangzhou, Baden. A journey, ongoing. Dadaglobal takes a seat at the Clavinet, bells in orbit and gameboy on standby. …
Crowning
Crowning is adapted from John Dowland’s Midnight. Accordion by Erin Schneider. Recorded 2020 by SAZA. Mastered by Will Kreppel
Bonn Route
«A collection of pieces about the discovery of sounds and sonic universes hidden in objects, places and within yourself.» - Feldermelder & Julian Sartorius
Euphoric Attempts
«While focusing on the current conditions we find ourselves in and bracing for what seems like the collapse of humanity, I made this collection of music in an attempt to ignite the essential remnants of my inner euphoria, and perhaps yours too» - Feldermelder
Dual | Duel
«We find ourselves venturing into the depths of a rugged terrain. In our hands, we hold stones and minerals, each possessing its own distinct texture, weight, and sonic potential. It is through the artistic touch and through the musical instruments that these earthly treasures, once dormant, are awaken to life.» — Sara Oswald + Feldermelder
Live Performance 2019 - 2020
«The nearly infinite improvisational potential in my performances is a result of tweaking the technology, using it in unpredictable ways, musically exploiting it, and maybe even misusing it.» - Svetlana Maraš
Trinities
*300 copies limited edition* February of 2021 marked an eventful month for visionary Western Massachusetts electro-acoustic percussionist Jake Meginsky: the birth of his daughter Luce, the death of his friend and mentor (and the subject of his celebrated 2018 documentary, Full Mantis) Milford Graves, and the creation of Trinities. A four-piece suite heavily inspired by Graves’ notion of the primacy of threes as “a fundamental pattern in the universe - and the lowest, strongest and most generativ…
Dystopia
Since relocating to Brazil some years back, Needs Music co-founder Lars Bartkuhn has returned to his long-held love of musical improvisation. Although it’s a product of his jazz roots and classical training, the German producer has constantly found new ways to apply it to his work in the sphere of electronic music. ‘Dystopia’, his first solo album for almost nine years, was born out of two interlinked ideas: a desire to create improvised music without the aid of computer sequencers or an electro…
Erosion Of The Monolith
*333 copies limited edition. 2023 stock* "Back in 2004, Nigel Ayers (Nocturnal Emissions) and Phillip B. Klingler (PBK), got together to collaborate- during this session, they created two hours’ worth of material. Some of it appeared on various releases over the next few years, but a portion was left aside. Mid 2021 rolled on, and Klingler decidedly to unearth this remaining portion and thus, Erosion of The Monolith was born- which is a contemporary example of exquisitely peculiar ambience. Both…
Return To The City Of Djinn
* Double album housed in a wonderful sleeve designed by Oleg Galay. Including one 12'' color insert. High quality pressing * The second part of the famous collaboration between two UK based electronic pioneers: John Bolloten aka The Rootsman and Bryn Jones aka Muslimgauze. For this album the original The Rootsman material from his albums “Into The Light” and “52 Days to Timbuktu” was remixed and deconstructed by Muslimgauze. As always with Bryn Jones, all material is inspired by Arab culture.
We…
Ramuntcho Matta
Wewantsounds is delighted to announce the vinyl reissue of Ramuntcho Matta's rare first self titled album from 1985, mixing funk, no wave and ambient soundscapes. The album released on tiny French label Mosquito was conceived as the soundtrack for French choreographer Regine Chopinot's play "VIA" with costumes by fashion rising star Jean-Paul Gaultier. It was recorded at a buoyant time in Paris when Matta - who had just spent a few years in New York following the death of his brother Gordon Matt…
You Really Should Come to the House
*2023 stock. Limited edition.* Magie is the title of a poem by Henri Michaux where the protagonist spent twenty years struggling to put himself into an apple in pursuit of serenity. Beijing-born, Paris-based musician P. Murk pictures writing an imaginary letter to his friend before fixing himself in an apple. The letter guides its recipient, step by step, to the musician’s room and to his table on which placed the apple, P. Murk’s new humble abode. You Really Should Come to the House is the late…
Hearing Ghosts
*2023 stock. Limited edition.* Producer and film composer Keju Luo further explores electroacoustic possibilities on his latest album. During a period of writer's block, Keju resorted to “stealing” and sampled public domain recordings of works by a wide range of composers from Marais to Liszt to Debussy. These decades-old materials performed by the now deceased were edited and processed until barely recognizable while maintaining their orchestral and melodic nature, and then carefully layered wi…