Spring 1975
The first side of this fine album features three tracks (Tanzmusik, Kometenmelodie, Klingklang) from a live show in Denver (Colorado) during Kraftwerk's first tour of America in spring 1975. The second side is occupied by a 26 minutes version of their first robotic big hit Autobahn, recorded in Köln in March during the same year. Another great document from one the groundbreaking electronic music bands of all times.
Alt i Stykker
Danish composer and sound artist Peter Jørgensen’s new album Alt I Stykker continues a trajectory into an expansive and highly personal sound-world. A remarkable series of compositions hewn from a multi-faceted mirroring of musical elements and life events. Alt I Stykker (All in Pieces) resonates perfectly as a title of his three new works. It hints at the emotional turbulence of their genesis and their passage into being through a rich complement of approaches and collaborators. This album furt…
Myotis
In Myotis, Anthony Laguerre goes beyond rhythm using improvisation and a free approach as main technical support of invention. In a research based on rhythm and sound material around drums, he expresses sensitivity, softness and power thanks to expert skills and sound recording techniques. The union of these materials create songs made of multiple tones combined with percussions and occasionally harmonica. Laguerre is a versatile musician, composer, improviser and sound engineer. Growing up list…
Albédo
In Autumn 2017, eRikm and Anthony Pateras embarked on an acoustic encounter, a direct dialogue through their machines. Each brought their own experiences and know-how together with a shared desire to explore sound landscapes in complete freedom. From this meeting, Albédo was born. Their material was developed sometimes in the studio, sometimes in concert. This dialogue, articulated within the unpolished depths of the sound’s structure, is captured in Albédo with one side recorded live in Ljublja…
Accord ouvert
Sophie Delafontaine studied acousmatic composition at the Conservatoire royal de Mons / Arts2 - École supérieure des arts (Mons, Belgium) with Annette Vande Gorne, Philippe Mion, and Ingrid Drese. She obtained her master’s degree in 2014. In her practice of composition, Delafontaine likes to recover, recycle, and renew her sonic materials. Her acousmatic works are strongly influenced by her creations for dance and the theatre. She draws inspiration from the ambience, atmospheres, texts, stories …
2
The Lifted ensemble return for a second, fluid jazz excursion on their new album for PAN, this time with an expanded lineup that includes Beatrice Dillon, Bass Clef, Jordan GCZ, Dawit Eklund, Will DiMaggio, Aya (OOIOO) and Martin Kasey, plus Future Times boss Max D and fellow core members Matt Papich aka Co La, Jeremy Hyman and Motion Graphics. Sublime, late night listening for smoked-out jazz heads and fans of anything from Move D's Conjoint to those excellent first couple of Flanger EP's from …
MATstudio 2
**500 copies on clear vinyl** MATstudio is a collaborative alias of Jonny Nash and Suzanne Kraft for a series of releases on Melody As Truth. The project was born out of the working processes of their Amsterdam studio. Many hours were spent here experimenting with new methods, tools and ideas. This process allowed them to continue developing their interests in merging multiple production techniques to create a personal language. MATstudio works are collages of improvisations, experiments and acc…
Infinity
Infinity is the new release by Melbourne-based Leo James, and the second Patience production. Leo scratches a longstanding itch and delivers two sidelong excursions that inhabit a similar sonic space but spin off in opposite directions on the continuum. Desert Nightflower hums with vitality in a seemingly lifeless landscape. Impressionistically tracing the lifecycle of a flower’s bloom in the desert night – from the searing afternoon sun through dusk’s chill, the midnight blossoming and symbioti…
Art Takes a Holiday
Performing throughout the 1980s as Art Carnage to the gloomy hipsters of Portland, Attilio Panissidi III decided he needed a vacation. The result of his creative escape became Art Takes a Holiday, an album of fabricated FM synthscapes and MIDI environments that embrace elements of smooth jazz, new age, and pop. Attilio had been playing in bands since he was thirteen, and had opened live shows for countless acts, from The Shangri-Las to Bruce Hornsby. The experience of producing, performing, as w…
The Nature of Human Nature
Politico dub-collage practitioners Guerilla Welfare came from Edmonton, Alberta, coincidentally the birthplace of prophetic media sage Marshall McLuhan. Armed with vanguard ideas taken from Steve Reich, Fela Kuti, Robert Fripp and Material, the duo of Curtis Ruptash and Brian Schultze adopted the “studio as instrument” mindset of Brian Eno and King Tubby creating complex textural and polyrhythmic sonic insurgencies. They overdubbed drum computers, guitar, bass, noise-makers, mallet percussion, s…
The 1978-1983
Chen Yi aimed for a collective approach of art. As an isolated group of humans/numbers operating directly from a secret place in Chelmsford (UK), they developped a personnal and "bizarre" utilisation of guitars, machines, voices, distortion, giving as result an unconventional regroupment of compositions amongst a lot of lost or unreleased recordings. This is likely what got John Peel interested which brought to an inexplicable contract with CBS. Due to their raw and alternative 'self-made' music…
Selected Works
**250 copies** Selected Works is a 2xLP compilation highlighting the definitive material of the cassette releases of Juma, a project led by hyper-prolific Hiroshima artist K. Yoshimatsu that existed from 1981-1982. Yoshimatsu released six cassettes with his Juma project (as well as 20+ under his own name) on the legendary cult industrial/experimental label DD. Records run by prophetic artist T. Kamada. While attending Yamaguchi University in 1978, Yoshimatsu was introduced by classmate and futur…
Songs Hurt Me
**400 copies** Discos Transgénero is proud to announce the re-issue of Marnie Weber's classic first solo LP, Songs Hurt Me, originally published in 1989. This seminal album was an important part of the Los Angeles post-punk performative art rock scene. Brooding synthesizers, heavy bass, strange melodies and poetic lyrics lead you through an industrial journey. These songs were born from Weber’s earliest performance art characters: a deer, an old woman, a manic courtesan and a butterfly. Songs Hu…
Effenaar
* A masterpiece of DIY and the countercultural Dutch scene. Includes tracks by Rabbit Fun, Vovo Kai, Tubifex and Viva La Muerte, all remastered from the original tapes.* Discos Transgénero present the first ever vinyl reissue of the essential DIY Dutch compilation from Effenaar, a music venue located in Eindhoven, The Netherlands. It was founded in 1971 and has hosted many national and international concerts throughout its existence. Bands like Joy Division, Sex Pistols or Cabaret Voltaire have …
Instrumental
Swiss electro-acoustic artist Israel Quellet's fifth opus, Instrumental, is a new work focused on the Church organ. Complex and mysterious, secular and modern - it makes for another challenging listen. Born in Neuchâtel, Switzerland, 1972, Israel Quellet worked in the psychiatric field for several years. At 16, he discovers on his own some different soundworlds, such as Miles Davis's electric era, Sun Ra, Dub, German cosmic music, Magma, Zappa and many more. In 1997, he stepped into the action a…
Iroha Ni Konpeitou
Wewantsounds continues its Akiko Yano reissue programme with the release of Iroha Ni Konpeitou, her second superb album and one of her funkiest, highlighting her unmissable singing and songwriting talents. Recorded in Tokyo and New York City in 1977, the album features a superb line up of the best musicians from both cities and sees Yano mixing Japanese pop with funk and a touch of electronics, playing a wide array of keyboards programmed by YMO synth wizard Hideki Matsutake. Iroha Ni Konpeitou …
Tadaima.
Following the success of Hiroshi Sato’s reissue, Wewantsounds is proud to announce an ambitious programme to release Akiko Yano's albums outside of Japan starting with her 1981 synth-pop masterpiece Tadaima., co-produced by Ryuichi Sakamoto and featuring YMO. The reissue includes original artwork by cult illustrator King Terry, a 2 page insert and OBI Strip plus a new introduction by renowned Electro DJ Joakim. Japan's best kept secret, Akiko Yano is one of the most ground-breaking artists to co…
The Island Of Taste
**300 copies** Some of us will never forget when we first heard Idea Fire Company's majestic and tremendously beautiful The Island Of Taste. One of the absolute favorite albums of the last 10-15 years in the IDDB Gothenburg HQ, and Fördämning Arkiv are extremely proud to now actually be a small part of this album's legacy. Over the seven tracks, Idea Fire Company core members Karla Borecky and Scott Foust were joined by Jessi Leigh Swenson and Meara O'Reilly as well as Frans de Waard, Graham Lam…
La Chrestomathie du Désespoir
**200 copies** The first new Small Cruel Party vinyl release in over 15 years, two newly recorded 5-minute pieces for I Dischi Del Barone. Mastered by Giuseppe Ielasi. Small Cruel Party's work is focused on the inherent mysterious and beautiful quality of sound itself, with the emphasis on noninstrumental sound sources, the source itself not being readily apparent. Work generally involves manipulation of physical objects in acoustic space and a great deal of concentrated activity. Even in pieces…
Blod & Miljö
**200 copies** Inevitable collaboration from Arv & Miljö and Blod, two decent examples of the Gothenburgian bullheadedness that has occured around the FFFM/never gonna fit in circles in town. A weird 9-minute collage split up over two 45rpm sides, cuts from the past fades in and out with Svensk Sommar I Stilla Frid session leftovers straight from the floor tangled up with spicy snippets from limited to 14 cassettes, some 2018 live action and newly recorded nonsense. It's a poor man's mash up, an…