Various Weights
First collaboration between Frans de Waard and Martijn Comes, deliberately built without an underlying concept. Each artist supplied the other with a pool of source sounds: de Waard sent Comes Korg MS20 and Koma Field FX recordings and field material; Comes sent de Waard a processed stylophone, a loop and recordings from the University of Twente's web Software-Defined Radio. Two epic pieces result: Comes's harmonic deep-sonority drone, de Waard's quieter acousmatic-minimalist hover.
Haarlemmerhout
Polack returns to the park in south Haarlem made famous by Nicolaas Beets's Romantic 1839 novel Camera Obscura, and uses it as the field for an exercise in urban escapism. Local recordings (pigs from the petting zoo, birds migrating north from Africa) are torn apart and rebuilt with layers of synthesis and electronics, blurring the line between unprocessed source and synthetic counterpart. Field-recording ambient in the lineage of Chris Watson, but tilted toward romantic synthesis.
Cuspa Llullu
Second collaboration between Anla Courtis and Daniel Menche, recorded across Portland and Buenos Aires. Two side-long pieces traverse a kaleidoscopic sound labyrinth: Side A moves through metallic, multi-layered corridors in constant mutation, Side B opens outdoors and gradually visits a sequence of interior regions toward a final climax. The sound material is treated as living, vibrating matter rather than inert sample, a study in frequency-as-organism on the drone-noise threshold.
Vlakverdeling
Cinema Perdu's third album for the label, extending his investigation of human impact on landscape after Interventions in a Landscape and Amsterdam CS. The material here is drawn from trips through the Frisian polder, where the strict demarcations of the Dutch countryside change atmosphere with weather and light but above all with the geometric clarity of human marking. Field recordings are read as abstract forms and colours, then translated back into new compositions.
En De Stilstaande Tijd
Continuation of the same piano source material used on the Piano Music 7-inch, here developed into a long-form work. Orphax takes a postcard he bought in a Spanish village in 2001, while studying geology, as imaginative axis: the tranquillity of small houses, church and sand road as a place where time appears to stand still. The album builds organ-like, slightly dissonant tonal fields whose slow evolution renders that frozen-time atmosphere as patient, quiet, nostalgia-saturated ambient drone.
The Age Of Space
* Edition of 200 * Joel Gilardini is an experimental guitarist and sound designer, based in Zurich (Switzerland). His solo ambient oriented works are often based on the use of live‐looping and instant composition techniques. It’s a very unique biosphere of ambient, drone, dub, doom elements and morphing soundscapes. Joel Gilardini opens at Montags for Nik Bärtsch’s Ronin/Mobile on regular basis at Exil club (Zurich/CH), and has taken part to Y2K International Live-Looping festivals in Zurich, Pa…
Returning Two
Tape Loop Orchestra’s ambient concrète aesthetic coalesces clammy choral swells and bombed-out, buried percussion in the second of a new two-part project following 2019’s ‘Interiors’ series. The second part of TLO’s current cycle comes down from the windswept heights of Vol.1 to settle in a more valleyed state of contemplation. Operating around 20bpm, the music on ‘Returning Two’ evokes his ideas on consolidating mind and body from a lower altitude and perspective where the choral winds die dow…
Between No Things
MFM048 sees the release of a special collaboration between two unique voices within the ambient landscape, Suso Sáiz & Suzanne Kraft, with their collective debut album ‘Between No Things’. Whilst having first connected at a Gaussian Curve release show in Amsterdam back in 2017, in which both musicians also performed, the two really got to know each other during a three day recording session that followed immediately after; “We would have good chats and laugh setting up and in between long takes …
Magari
* Edition of 300 * Master synthesists Colin Potter (NWW), Alessio Natalizia (Not Waving), and Guido Zen reprise their supergroup for Ecstatic with a seductively serpentine follow-up to their superb debut from a couple of years ago.
PNZ’s pulsing, twanging, expansive ‘Magari’ was recorded between 2018-2020 in the slipstream of ’Shut Your Eyes On The Way Out’, which is surely one of the strongest new kosmiche-related albums of recent years. Where that album refreshed classic styles of European syn…
Sign
‘Sign’ is Autechre’s first new album-album proper since ‘Elseq’ and contains some of their most emosh compositions in eons, perhaps since ‘Tri Repetae’. Practically pocket-sized in comparison to their sprawling torrent of live material and radio recordings in recent years, ’Sign’ is a return to the sort of concision found circa ‘Exai’ and their earlier albums. Effectively they’ve gotten better to grips with their live set-up, and the hyper ideas found in their work-in-progress demonstrations on …
Expedition Bahn
Welcome to the curious world of Peter Graf York: a world full of city centre safaris and epic train journeys, Soviet cosmonauts and Oakland rappers, filtered synths and plucked mbiras. It's a wild ride inspired as much by Jamaican dub sorcery as by playful minimalism outta the Pacific Northwest.
Many of these tracks were composed on the hoof - literally en route across sections of the ever-reliable Deutsche Bahn network. As such, there’s a certain travellin-without-moving dynamic across this col…
Natela
Awesome unreleased before recordings from 1974 on Synthi 100 (recorded at Melodya, Moscow) that has never been released - this is the first electronic music piece in Georgian music - composed by female composer Natela Svanidze
The Plaintive
Suction present a new vinyl release of “The Plaintive”, the first new album since 2014 by the somewhat underrated electronic project of Mark Van Hoen, Locust.
"When Suction was formed in 1997, we were deeply enthralled with the UK “listening” electronic scene, otherwise known as electronica or IDM, but besides the obvious icons - Aphex Twin, Autechre, and other luminaries of labels like Rephlex, Warp, and Skam Records - one of our heroes was the lesser known Locust, whose productions were murki…
Black Phoebe
* Edition of 300 * Mark Lanegan and his wife, Shelley Brien (Singrid Lund) pursue a gothic wave and washed-out techno muse in a deliciously cranky follow-up to Lanegan’s acclaimed ‘Downwelling’ LP with Not Waving last year. Featuring members of the Mark Lanegan Band including Martyn LeNoble (Porno For Pyros) on bass, the band play up to their passions for the gloomy rumination of PIL, Siouxsie and The Banshees, Sandwell District, Bauhaus and Joy Division across a perfectly unpredicted suite of L…
Pushing Through A Wall
* Edition of 300 * Industrial changeling Oliver Ho returns to his Slow White Fall alias for a howling and paganistic suite of industrial music in an English medieval Gothic mode channelling Dead Can Dance via Killing Joke, Scott Walker and Godflesh Slow White Fall is the latest of Ho’s revolving monikers (Broken English Club, Raudive, Zov Zov), and here used to signify a shift into hairier, muscular Industrial music that treads heavily but carefully to the right side of fantasy dramatic, wrought…
A Souvenir Of Camber Sands
Throbbing Gristle announce the next phase of their reissues series with the release of ‘Part Two: The Endless Not’ / ‘TG Now’ and ‘A Souvenir Of Camber Sands’. In 2004 Chris Carter, Peter Christopherson, Genesis P- Orridge and Cosey Fanni Tutti reformed - 23 years after their mission was originally terminated - and between 2004 and 2007 the band released 14 new studio tracks and a live album of their appearance at ATP’s Nightmare Before Christmas in Camber Sands.‘A Souvenir Of Camber Sands’ is …
Minuits Pour Géants / On The Edge Of The Outside
Tristan Tzara (1896-1963) is the poet through whom Dada arrived. In Zurich, he animated the Cabaret Voltaire with Hugo Ball; in Paris, he then inspired some surrealists in the making. If he was a great lover of Villon and Rabelais, his poetry is as iconoclastic as the music of Nurse With Wound, who composed for this edition of Minuits pour géants an unpublished piece lasting about ten minutes: On the Edge of the Outside. Writer, poet and essayist of Romanian origin, Tristan Tzara (Samuel Rosenst…
Les Réalités Alternatives
**213 copies** In graceful and synthetic invitation, Mona Servo weaves subtle and liquid tapetries for us, washing our certainties away and enveloping us in alternate realities as beautiful as they are essential.
RVNG Intl. At 15: Selects / Dissects
There’s no real reason we decided to acknowledge RVNG’s fifteenth anniversary and not our fifth, or even our tenth. But here we are, a decade-and-a-half later and honestly, not so far removed from where we started. We’re still listening and learning, and we’re still loving every moment of the fabled label life.
In the spirit of our very first release, a mixtape from our old friend Julian S. Process (later of Pink Skull) complete with stenciled, spray-painted CD cover, we invited a new(er) frien…
Currency
** Edition of 60 copies** The musical project of Kyiv-born composer, curator, DJ, designer and radio host, Sasha Zakrevska, deploys synthesizers as if layouting a large visual project. Poly Chain’s sound has crept forward since establishing a solo career and first performing after first moving to Poland in 2012, resulting in the psychedelic space nebulae of her debut full-length Music for Candy Shops (Transatlantyk, 2017). Since returning to Ukraine, Poly Chain has issued both her recent bliss-…