Electronic / All styles

Comes with with 8-page foldout booklet. Originally conceived for eight-channel surround sound playback, Soft and Loud is comprised of field recordings made in Japan between 1999 and 2001.

Idea is proud to present, for the first time in any format, ONCE group composer Philip Krumm's original piano work entitled Formations, as originally recorded in 1968. Scored for piano, organ and ring modulator, it was realized by avant-garde composer "Blue" Gene Tyranny, and the piece has remained unheard for over thirty years. "Blue" Gene Tyranny is a fascinating margin walker who has roots deep in the avant garde. His association with the composer Philip Krumm goes back to the late 1950s/earl…

This recording is taken from their live performance at the Moers Jazz Festival, Germany, in May 2002. “There are grains of truth in the suggestion that, in moving, you may find yourself in or out of some one’s favour. But, listen to the slow, delicate, even introspective background: some breeze, some chimes, some distant thunder as each focal point remains a lament.”This blistering work was recorded live at the Moers Jazz Festival, Germany, in May 2002 and follows hot on the heels of Philip Jeck…

Stoke was made using Bush, Fidelity and Philips record players, a Casio keyboard and an Alba portable CD player. This record mainly consists of edits of live performances from England, Japan and Vienna. The notion of turntablism may be associated with flashy, deck-hopping scratch gymnastics, but the use of the record player as an instrument harks back to a less ostentatious tradition of music making. John Cage, Karlheinz Stockhausen, Pierre Schaeffer, and James Tenney recognized records and turn…

New Zealand guitarist and sound-artist Peter Wrights back catalogue stretches to something like 30 releases over the last dozen years. 'Yellow Horizons' is the most recent of these and follows on from 2004's 'Distant Bombs' (Last Visible Dog), and 'Desolation Beauty Violence' (Digitalis). This CD finds him relocated to dirty old London town from where he has written a series of love-drones to the wild South Island of his homeland.Wrights guitar craft opens vistas that are as contemplative as the…

Seven acousmatic works by Pete Stollery from 1993 to 2003, playing on the ambiguity between recognisable sounds and pure sound: a key in a lock, a roulette wheel, bicycle spokes, Aberdeen streets, old industrial machines. Each piece introduced by a fellow composer. DVD-Audio.

Released in Digipak. Tracks 1-5 recorded late 1998 until 1999, track 6 recorded late 1996.

This CD represents a 25-year collaboration between renowned British avant-garde improviser Peter Cusack and instrument builder and sculptor Max Eastley. Cusack and Eastley have made these short episodes together between busy careers recording experimental music alongside artists such as Nicolas Collins, Steve Beresford, and David Toop). With numerous releases on ReR and Incus, the two musicians are mainstays of the British improvised music world, and Eastley is particularly prominent for his wor…

On this live recording from 1996, performed at the STEIM, Amsterdam and the 'Museum für Gegenwart', Berlin, Englishman Peter Cusack, best known for his electro-acoustic works and his improvisational music, has teamed up with the American composer-musician Nicolas Collins. Peter Cusack, who uses guitar, bouzouki, samplers and electronics on this CD, has worked with artists as various as Evan Parker, Jon Rose, Chris Cutler, David Toop and Max Eastley. Nicolas Collins studied with Alvin Lucier and …

Recorded in real-time 28.11.01 in Lisbon.

Pauline Oliveros completed Beautiful Soop (1966) and Alien Bog (1967) utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and her tape delay system. "I was deeply impressed by the sounds from the frog pond outside the studio window at Mills. I loved the accompaniment as I worked on my pieces. Though I never recorded the frogs I was of course influenced by their music."

One of our favourite "pure drone" album consisting of 3 amazing long tracks by Pauline Oliveros. I of IV was made in July 1966 at the University of Toronto Electronic Music Studio and was first released by CBS alongside works by 2 other young composers - 'Come out' by Steve Reich and 'Night music' by Richard Maxfield. It is really only in recent years (born out of the more radical elements of dance music, Electronica and ambient music) that music like this is being rediscovered by a growing numb…

2018 repress now packaged in a 6 panel digipak with heavy-duty stock and a matte finish. The Wanderer is based on a single modal scale (B C# D D# E F# G#) and rhythmic modes based on a meter consisting of 3/4 and 3/8. Part I, "Song," is intended to explore the unique resonant qualities of accordion reeds through long sounds. Subtle variations come about from differences in tuning and air pressure. Part II, "Dance," demonstrates the sharp accenting power of the accordion bellows in a mixture of c…

The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones, commissioned by Lincoln Center Out-of -Doors. "The Gkostdance collaboration with choreographer Paula Josa Jones began in Monterrey Mexico supported in turn by two month US/Mexico Exchange Fellowships from the National Endowment for the Arts and FONCA. Together with our host—composer/ ethnomusicologist Arturo Salinas—we attended El Dia de los muertos in Chalco to help inform our work…

Paul Dolden's 49-minute Entropic Twilights, layered from hundreds of separately recorded parts for voices, brass, gamelan, drum kits and saucepans, with two Resonance pieces for flute and for ten string parts and tape, made between 1994 and 2004.

Digipack CD featuring two works by Patrick Ascione: "Primitive" (1995); "Espaces Paradoxes" (1987-89). RE: "Espaces-Paradoxes": "The first acousmatic work designed and projected in 16 real tracks, in full stereo. It deals with the question of writing a three dimensional space into the very act of studio composition. A continuum of singular spaces, real and suggested, give rhythm to the overall structure. The alternating of imagined spatial situations that oppose each other, answer each other or …

Patrick Ascione's acousmatic triptych of 1984 to 1989, commissioned by the Ina-GRM: three long multi-part pieces built on his idea of tape as a canvas for sound, with a preface by Michel Chion.

Long before the large audiences came to discover him in the middle of the Eighties, Pascal Comelade has always been an electronic and electro-acoustic music lover. Influenced by or having relationships with musicians like Richard Pinhas, Brian Eno, Robert Wyatt, Carla Bley or Michael Nyman, this French artist has been able to create a music often described as minimalist, made of concise melodic fragments and brief musical experimentations. Listening to Back To Schizo - 1975-1983 enables to measu…

The second release from this abstract trio who mingle hard electronics with acoustic and processed percussion. A more focused, subtle aesthetic here, I think, than on their last also excellent - CD. These are finely tuned and seamlessly integrated sounds that have been crafted and, importantly, performed; this is essentially played music that had been painstakingly reworked, and bears still the deep qualities of interactivity and immediacy that created it.

A collection of recent tracks, recorded by the Organum core of David Jackman, Michael Prime, Dinah Jane Rowe and Jim O'Rourke; further mastering of sound cluster presentation and development.